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1. Banqueting House, Whitehall

Banqueting House, Whitehall
Creator:
Thomas Malton the Younger, 1748–1804
Date:
undated
Materials & Techniques:
Watercolor over etched outline, and graphite; verso: pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 3/8 × 15 3/4 inches (31.4 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Miss Cholmondeley

Miss Cholmondeley
Creator:
Print made by Giuseppe Marchi, ca. 1735–1808
Date:
ca. 1768
Materials & Techniques:
Mezzotint (second state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 7/8 × 16 1/4 inches (55.6 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. De la Volte sur la Passe au Dehors des Armes

De la Volte sur la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Du Desarmement sur le Coup de Tierce

Du Desarmement sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Position Aprés Avoir Désarmé sur le Coup de Tierce

Position Aprés Avoir Désarmé sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Lady Elizabeth Lee (née Harcourt)

No cover image available
Creator:
Edward Fisher, 1722–1785
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 20 13/16 × 14 3/8 inches (52.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection