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The museum is reopening to the public in March 2025.
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Collection
Prints and Drawings
3
Creator
Hogarth, William, 1697–1764
2
Bartolozzi, Francesco, 1727–1815
1
Luti, Benedetto, 1666–1724
1
Date
1804
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1825
71
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34
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1630
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1787
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1907
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1930
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1742
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1747
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1751
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1761
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1763
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3
1764
3
1765
3
1770
3
1777
3
1778
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1782
3
1785
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1793
3
1794
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1795
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1833
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1845
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1860
3
1885
3
1886
3
1910
3
1926
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1931
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1934
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1667
2
1680
2
1683
2
On-site Access
Accessible by appointment in the Study Room
3
Image Use
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3
Image Available
Available
3
Classification
Prints
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3
Creator Gender
male
3
Period
18th century
3
Materials & Techniques
etching (printing process)
1
laid paper
1
line engraving
1
stipple engraving
1
wove paper
1
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42
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31
Work Type
intaglio print
2
Genre
animal art
1
cityscape
1
religious and mythological subject
1
Subject Terms
animal art
1
apples
1
architecture
1
balls
1
bear
1
chasing
1
city
1
clouds
1
dog (animal)
1
during the foot-race Hippomenes drops the three golden apples; Atalante stops to pick them up, and is thus beaten
1
forest
1
gambling
1
man
1
mythological figures
1
plants
1
racing
1
religious and mythological subject
1
river
1
running
1
sandals
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Associated People
Atalante
1
Hippomenes
1
Credit Line
Yale Center for British Art, Gift of Thomas S. Holman, New York, NY
1
Yale Center for British Art, Paul Mellon Collection
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A.
1
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Date
1763
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Width [cm]
26
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Prints
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1
William Hogarth, 1697–1764
John Wilkes, Esq
1763
2
William Hogarth, 1697–1764
The Bruiser
1763
3
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763