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Collection
Prints and Drawings
27
Creator
Gwin, James, 1700–1769
18
Malton, Thomas the Younger, 1748–1804
4
Bowles, Carington, 1724–1793
2
Collet, John, ca. 1725–1780
2
Unknown artist
2
Balugani, Luigi Antonio Melchiorre, 1737–1771
1
Gilpin, William, 1724–1804
1
Marlow, William, 1740–1813
1
Date
2004
294
1960
127
1955
104
1834
83
1758
48
1808
42
1965
34
1835
30
1818
29
1763
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27
1775
26
1800
25
1827
25
1630
24
1833
23
1851
21
1802
20
1857
20
1820
19
1780
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1830
18
1791
17
1812
17
1814
17
1819
17
1832
17
1804
16
1811
15
1816
15
1967
15
1772
14
1784
14
1789
14
1795
14
1715
13
1771
13
1773
13
1810
13
1916
13
1745
12
1785
12
1836
12
1786
11
1796
11
1797
11
1809
11
1821
11
1822
11
1979
11
1739
10
1764
10
1801
10
1828
10
1837
10
1737
9
1762
9
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9
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9
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9
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1774
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1777
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1799
8
1803
8
1807
8
1823
8
1825
8
1920
8
1978
8
1751
7
1806
7
1838
7
1925
7
1972
7
0
6
1749
6
1757
6
1766
6
1770
6
1778
6
1782
6
1792
6
1793
6
1824
6
1870
6
1890
6
1915
6
1923
6
1926
6
1932
6
1970
6
1674
5
1690
5
On-site Access
Accessible by appointment in the Study Room
27
Image Use
Free to Use
27
Image Available
Available
27
Classification
Drawings & Watercolors
25
Prints
2
Creator Gender
male
27
unknown
2
Collective Title
Desseins Originaux des Attitudes Continuée dans L'École des Armes
18
Period
18th century
23
18th century-19th century
4
Materials & Techniques
laid paper
26
graphite
22
pen
22
black ink
21
gray wash
21
gray ink
19
watercolor
5
etching (printing process)
4
wove paper
4
mezzotint
2
Height [cm]
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19
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33
Width [cm]
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Current results range from
15
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45
Work Type
watercolor
24
drawing
21
intaglio print
6
Genre
sporting art
17
architectural subject
4
genre subject
2
landscape
2
botanical subject
1
cityscape
1
Subject Terms
architectural subject
4
landscape
2
trees
2
Grand Tour
1
boy
1
castle
1
cityscape
1
genre subject
1
hills
1
mountains
1
river
1
rocks (landforms)
1
valley (landform)
1
vegetation
1
Associated Places
Banqueting House
1
Italy
1
Lazio
1
Tivoli
1
Associated People
Jones, Inigo (1573–1652), architect and theatre designer
1
Exhibition History
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
2
Three Centuries of Comic Art-Eighteenth Century Satire: John Collet (Museum of Art and Archaelogy, University of Missouri-Columbia, 1998-06-06 - 1998-08-23)
2
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
24
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Gift of Arthur Weyhe
1
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Date
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1
Thomas Malton the Younger, 1748–1804
Banqueting House, Whitehall
undated
2
Print made by unknown artist
The Wife's Fortune Told
ca. 1768
3
Print made by unknown artist
The Husband's Fortune Told
ca. 1768
4
Thomas Malton the Younger, 1748–1804
East India House
undated
5
Thomas Malton the Younger, 1748–1804
The Admiralty
undated
6
Thomas Malton the Younger, 1748–1804
St. Martin-in-the-Fields, Interior
undated
7
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
8
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
9
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
10
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
11
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
12
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
13
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
14
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
15
William Marlow, 1740–1813
Tivoli
ca. 1768
16
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
17
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
18
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
19
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
20
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
21
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
22
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
23
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
24
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
25
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
26
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
27
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763