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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
22
Paintings and Sculpture
1
Creator
Gwin, James, 1700–1769
20
Bartolozzi, Francesco, 1727–1815
1
Malton, Thomas the Younger, 1748–1804
1
Runciman, John, 1744–1768
1
Unknown artist
1
Date
1802
100
1800
88
1804
67
1803
62
1630
49
1794
49
1814
45
1818
44
1832
40
1835
40
1825
39
1836
38
1813
35
1745
29
1788
25
1792
25
1795
24
1833
24
1763
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23
1642
22
1810
21
1824
21
1826
21
1748
20
1819
20
1821
20
1628
19
1768
19
1799
19
1805
19
1808
19
1820
19
1827
19
1764
18
1772
18
1791
18
1828
18
1834
18
1859
18
1910
17
1773
16
1829
16
1753
15
1785
15
1793
15
1839
15
1675
14
1700
14
1775
14
1790
14
1798
14
1801
14
1674
13
1784
13
1667
12
1715
12
1771
12
1787
12
1789
12
1816
12
1752
11
1760
11
1797
11
1817
11
1690
10
1806
10
1807
10
1815
10
1855
10
1738
9
1746
9
1796
9
1811
9
1823
9
1831
9
1861
9
1765
8
1778
8
1780
8
1783
8
1809
8
1812
8
1777
7
1779
7
1782
7
1822
7
1717
6
1830
6
1845
6
1849
6
1873
6
1735
5
1767
5
1770
5
1776
5
1844
5
1860
5
1680
4
1683
4
1737
4
On-site Access
Accessible by appointment in the Study Room
22
Not on view
1
Image Use
Free to Use
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23
Image Available
Available
23
Classification
Drawings & Watercolors
21
Paintings
1
Prints
1
Creator Gender
male
23
unknown
1
Collective Title
Desseins Originaux des Attitudes Continuée dans L'École des Armes
20
Period
18th century
22
18th century-19th century
1
Materials & Techniques
laid paper
22
black ink
21
graphite
20
gray ink
20
gray wash
20
pen
20
etching (printing process)
1
line engraving
1
oil paint
1
painting (technique)
1
panel (wood)
1
stipple engraving
1
watercolor
1
wove paper
1
Height [cm]
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33
Width [cm]
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44
Work Type
watercolor
21
drawing
20
intaglio print
2
painting
1
Genre
sporting art
20
religious and mythological subject
2
architectural subject
1
portrait
1
Subject Terms
Catholic
2
Bible
1
Italian
1
Mary and Joseph are not admitted to the inn
1
New Testament
1
architectural subject
1
author
1
brushstrokes
1
buttons
1
coat
1
framed
1
house
1
inn
1
landscape
1
light
1
nose
1
oval
1
portrait
1
religious (people)
1
religious and mythological subject
1
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Subject Terms
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Associated People
Tartarotti, Girolamo, 1706–1761
1
Exhibition History
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
23
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Date
1763
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23
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1
John Runciman, 1744–1768
Mary and Joseph Outside the Inn
1763 to 1768
Not on view
2
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
3
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
4
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
5
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
6
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
7
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
8
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
9
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
10
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
11
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
12
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
13
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
14
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
15
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
16
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
17
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
18
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
19
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
20
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
21
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
22
Thomas Malton the Younger, 1748–1804
St. Martin-in-the-Fields, Interior
undated
23
Print made by Francesco Bartolozzi, 1728–1815
Gerolamo Tartarotti
1763