Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
1763
Not on view
8
Francis Smith, active 1763–1780
The Kizlar Agha (Chief Black Eunuch, Head Officer of the Palace)
between 1763 and 1769
Not on view
9
Thomas Patch, 1725–1782
British Gentlemen at Sir Horace Mann's Home in Florence
between 1763 and 1765
Not on view
10
Francis Smith, active 1763–1780
A Turkish Woman and an Attendant Going to the Hamam (Public Baths)
between 1763 and 1769
Not on view
11
Hugh Barron, 1745–1791
Portrait of a Man, Probably a Self-Portrait
ca. 1768
Not on view
12
Gavin Hamilton, 1723–1798
The Death of Lucretia
1763 to 1767
Not on view
13
Anne Seymour Damer, 1748–1828
Caroline Conway, Lady Aylesbury
18th century-19th century
Not on view
14
William Hogarth, 1697–1764
John Wilkes, Esq
1763
15
William Hogarth, 1697–1764
The Bruiser
1763
16
Angelica Kauffmann, 1741–1807
Mother and Child
1763
17
Francesco Bartolozzi, 1728–1815
Narcissus
1763
18
Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
19
John Fisher, Bishop of Salisbury, 1748–1825
The Thames with Sion House
undated
20
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
21
James Bruce, 1730–1794
Details of Temple Above Spring at Zaghouan
ca. 1768
22
James Bruce, 1730–1794
Sketches of Temple Columns
ca. 1768
23
Edward Fisher, 1722–1785
The Honorable Augustus Hervey, Captain in his Majesty's Navy
1763
24
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
25
Print made by Francesco Bartolozzi, 1728–1815
Gerolamo Tartarotti
1763
26
Francesco Bartolozzi, 1728–1815
Saint Francis of Assisi
1763
27
Francesco Bartolozzi, 1728–1815
Marcus Furius Camillus Liberating Rome From Brennus
1763
28
unknown artist
A View of the Royal Palace of Hampton Court
1763
29
Henry Fletcher, 1729–active 1750
A View of Stocks Market
1763
30
Francesco Bartolozzi, 1728–1815
Camillus Rescuing Rome From Brennus
1763
31
Antoine de Marcenay de Ghuy, 1724–1811
A la Memoire de l'Illustre Vandike, Peintre de la Nature
1763
32
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1763
33
George Vertue, 1684–1756
The Savoy Hospital in the Strand the Chapel of the Hospital
1763
34
Samuel De Wilde, 1748–1832
An Actor
undated
35
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
36
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
37
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
38
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
39
James Gwin, 1700–1769
Seconde Position du Salut
1763
40
James Gwin, 1700–1769
Premiere Position du Salut
1763
41
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
42
James Gwin, 1700–1769
Troisieme Position du Salut
1763
43
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
44
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
45
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
46
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
47
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
48
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
49
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
50
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
51
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
52
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
53
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
54
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
55
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
56
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
57
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
58
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
59
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
60
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
61
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
62
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
63
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
64
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
65
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
66
Print made by Joseph Collyer, 1748–1827
David Hume
undated
67
Butler Clowes, active 1768, died 1782
The Hen Peckt Husband
ca. 1768
68
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
69
Joseph Wright of Derby, 1734–1797
Portrait of a Man
ca. 1768
70
James Bruce, 1730–1794
Elevation and Plan of Arch at Makther
ca. 1768
71
James Bruce, 1730–1794
Entrance Gate Zaghouan
ca. 1768
72
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
73
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
74
James Bruce, 1730–1794
Temple Above Spring at Zaghouan
ca. 1768
75
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
76
James Bruce, 1730–1794
Sketch of Temple Ruins
ca. 1768
77
James Bruce, 1730–1794
Ruins of Temples at Saltronza
ca. 1768
78
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
79
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
80
James Bruce, 1730–1794
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
ca. 1768
81
James Bruce, 1730–1794
Madoqua (Dik-dik)
ca. 1768
82
James Bruce, 1730–1794
Jerboa
ca. 1768
83
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
84
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
85
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
86
Angelica Kauffmann, 1741–1807
Woman Adjusting a Ribbon in Her Hair. Le Blanc 28
ca. 1768
87
Angelica Kauffmann, 1741–1807
Bust of an Old Man. Le Blanc 34
1763
88
William Marlow, 1740–1813
Tivoli
ca. 1768
89
Nathaniel Hone, 1718–1784
Portrait of a Gentleman
1763
90
Paul Sandby, 1731–1809
Capriccio with Edinburgh Castle and Arthur's Seat
before 1773
91
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
92
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
93
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
94
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
95
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
96
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
97
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
98
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
99
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
100
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes