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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
3
Creator
Boydell, John, 1720–1804
1
Brooking, Charles, 1723–1759
1
Hogarth, William, 1697–1764
1
Seymour, James, 1702–1752
1
Wood, John, 1728–1781
1
Date
1783
18
1792
13
1791
11
1700
10
1745
9
1794
8
1796
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1797
8
1764
7
1785
7
1788
7
1780
5
1790
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1795
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1775
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1789
4
1793
4
1741
3
1749
3
1753
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3
1770
3
1777
3
1778
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1782
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1784
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1786
3
1787
3
1799
3
1800
3
1707
2
1758
2
1766
2
1779
2
1781
2
1798
2
1685
1
1691
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1702
1
1705
1
1718
1
1720
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1742
1
1748
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1751
1
1752
1
1760
1
1761
1
1765
1
1767
1
1769
1
1771
1
1776
1
1802
1
On-site Access
Accessible by appointment in the Study Room
3
Image Use
Free to Use
3
Image Available
Available
3
Classification
Prints
3
Creator Gender
male
3
Collective Title
Analysis of Beauty
1
Period
18th century
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3
Materials & Techniques
etching (printing process)
1
laid paper
1
line engraving
1
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52
Work Type
intaglio print
2
Genre
genre subject
1
marine art
1
still life
1
Subject Terms
French
1
Royal Navy
1
battle
1
cannons (artillery)
1
clouds
1
damage
1
destruction
1
fire
1
flags
1
galleons
1
navies
1
sails
1
sea
1
ships
1
shipwreck
1
smoke
1
war
1
yachts
1
Exhibition History
William Hunter and the Anatomy of the Modern Museum (Yale Center for British Art, 2019-02-14 - 2019-05-20)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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1753
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Period
18th century
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48
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1
William Hogarth, 1697–1764
Analysis of Beauty, Plate I: A Statuary's Yard
1753
2
John Wood, 1728–1781
Racing: Sir Charles Sedley's Bay Gelding "True Blue" / He won Two Subscription Plates for Hunters of 60 Guineas each at Nottingham ..
1753
3
Print made by John Boydell, 1720–1804
The Boscawen and Sheerness Privateers
1753