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Collection
Prints and Drawings
64
Creator
Borra, Giovanni Battista, 1713–1770
34
Gilpin, William, 1724–1804
23
Bowles, John, 1701–1779
2
Canot, Pierre Charles, ca. 1710–1777
2
Cozens, Alexander, 1717–1786
2
Gore, Charles, 1729–1807
2
Monamy, Peter, 1681–1749
2
Unknown artist
1
Date
1767
69
1745
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1764
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1827
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1857
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1858
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1865
3
On-site Access
Accessible by appointment in the Study Room
64
Image Use
Free to Use
64
Image Available
Available
64
Classification
Drawing & Watercolors-Architectural
34
Drawings & Watercolors
28
Prints
2
Creator Gender
male
63
unknown
1
Collective Title
Views in the Levant
1
Period
18th century
61
18th century-19th century
3
Materials & Techniques
graphite
61
gray wash
57
laid paper
57
black ink
37
brown ink
31
pen
21
brown wash
12
yellow wash
8
gray ink
7
wove paper
7
orange wash
4
watercolor
4
blue wash
3
etching (printing process)
2
ground (material)
2
line engraving
2
card
1
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55
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Current results range from
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57
Work Type
drawing
62
watercolor
60
intaglio print
2
Genre
landscape
59
architectural subject
19
cityscape
12
genre subject
2
marine art
2
Subject Terms
mountains
[remove]
64
landscape
59
trees
45
hills
31
architectural subject
19
ruins
17
buildings
11
cityscape
11
lake
11
figures
10
rocks (landforms)
10
arches
9
castle
8
cliffs
8
river
8
road
8
columns
7
ships
7
travel
7
Lydian
6
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Associated Places
Turkey
18
Asia
17
Ege kiyilari
12
Italy
9
Lazio
5
Roma
5
Israel
4
Izmir Ili
4
Manisa Ili
4
Marmara
4
Sardis
4
Tivoli
4
Balikesir
3
Denizli Ili
3
Europe
3
Belkis
2
Calabria
2
Hadrian's Villa
2
Ionian Sea
2
Jerusalem
2
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Associated Places
»
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
2
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
64
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1
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
2
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
3
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
4
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
5
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
6
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
7
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
8
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
9
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
10
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
11
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
12
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
13
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
14
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
15
Giovanni Battista Borra, 1713–1770
Unfinished View of the Palatine in Rome
ca. 1750
16
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
17
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
18
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
19
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
20
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
21
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
22
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
23
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
24
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
25
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
26
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
27
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
28
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
29
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
30
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
31
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
32
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
33
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
34
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
35
Print made by Pierre Charles Canot, ca. 1710–1777
Night and a Ship on Fire
1745
36
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
37
Print made by Pierre Charles Canot, ca. 1710–1777
Noon
1745
38
Charles Gore, 1729–1807
View of Dürrenstein
undated
39
Charles Gore, 1729–1807
Florence Opposite the Cassines
undated
40
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
41
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
42
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
43
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
44
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
45
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill at Right
between 1745 and 1748
46
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
47
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
48
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
49
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
50
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
51
Alexander Cozens, 1717–1786
The Glade
ca. 1750
52
Alexander Cozens, 1717–1786
Landscape with a Lake and Distant Mountain
ca. 1750
53
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
54
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
55
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
56
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
57
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
58
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
59
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
60
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
61
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
62
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
63
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
64
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748