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Collection
Prints and Drawings
279
Creator
Bruce, James, 1730–1794
145
Borra, Giovanni Battista, 1713–1770
92
Gilpin, William, 1724–1804
29
Swaine, Francis, 1730–1782
5
Paine, James, 1717–1789
2
Adam, James, 1732–1794
1
Hadley, J., active 1730–1758
1
Jefferys, William, 1730–ca. 1805
1
Sanderson, John, active 1730; died 1774
1
Slater, Joseph, c. 1750– died after 1789
1
Unknown artist
1
Date
1745
[remove]
279
1752
187
1790
169
1791
140
1794
138
1785
123
1797
122
1792
102
1700
98
1787
83
1780
81
1789
78
1763
70
1793
70
1775
56
1740
53
1762
45
1783
42
1765
40
1755
36
1768
36
1798
35
1749
34
1770
34
1761
33
1771
32
1777
31
1717
30
1764
30
1760
29
1795
29
1776
28
1788
28
1753
27
1784
26
1746
25
1758
25
1736
23
1754
23
1781
23
1778
22
1782
22
1786
22
1779
16
1796
16
1799
16
1772
15
1757
14
1701
13
1723
13
1748
13
1774
13
1709
12
1720
12
1767
12
1730
11
1732
11
1742
11
1750
11
1715
10
1743
10
1773
10
1690
9
1718
9
1725
9
1738
9
1756
8
1759
8
0
6
1712
6
1734
6
1735
6
1747
6
1751
6
1800
6
1728
5
1766
5
1769
5
1724
4
1737
4
1739
4
1710
3
1711
3
1729
3
1731
3
1705
2
1707
2
1713
2
1714
2
1721
2
1722
2
1733
2
1741
2
1744
2
1830
2
1600
1
1675
1
1685
1
1697
1
1699
1
On-site Access
Accessible by appointment in the Study Room
279
Image Use
Free to Use
278
Under Certain Circumstances
1
Image Available
Available
234
Unavailable
45
Classification
Drawings & Watercolors
158
Drawing & Watercolors-Architectural
121
Creator Gender
male
278
unknown
1
Collective Title
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, and Plants
34
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, Plants
2
Thirty-five Watercolour Drawings of Fish, Birds, Flowers, and Plants
1
Views in the Levant
1
Period
18th century
[remove]
279
Materials & Techniques
graphite
256
laid paper
226
gray wash
178
black ink
133
watercolor
96
brown ink
76
gouache
67
wove paper
50
pen
39
brown wash
21
yellow wash
11
red pencil
10
gray ink
9
orange wash
5
blue wash
3
card
1
etching (printing process)
1
pens
1
scraping
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
99
Work Type
watercolor
[remove]
279
drawing
278
Genre
architectural subject
123
landscape
72
animal art
48
botanical subject
34
cityscape
12
genre subject
11
marine art
6
figure study
5
portrait
2
sporting art
2
historical subject
1
literary theme
1
military art
1
religious and mythological subject
1
Subject Terms
architectural subject
123
landscape
70
mountains
57
animal art
56
trees
52
animals
39
birds
38
deer
38
fish
37
flowers (plants)
37
hills
37
plants
37
taxonomy (discipline)
37
ruins
36
columns
33
capitals
22
scale (rule)
22
temple
22
site plan
20
arches
17
more
Subject Terms
»
Associated Places
Asia
56
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Denizli Ili
11
Israel
11
Paestum
11
Marmara
9
Mugla Ili
8
Italy
7
Manisa Ili
7
Sardis
7
Jerusalem
6
Laodicea
6
Yerushalayim, Mehoz
6
Lazio
5
Pamukkale
5
Pergamon
5
Roma
5
Aphrodisias
4
more
Associated Places
»
Associated People
Robin Hood
1
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
4
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Seascapes - Marine Paintings and Watercolors from the U Collection (Yale Center for British Art, 2009-05-28 - 2009-08-23)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
278
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Date
1745
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1
Francis Swaine, 1730–1782
Ships Firing
undated
2
Francis Swaine, 1730–1782
Fishing Boats
undated
3
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
4
James Bruce, 1730–1794
Lophaetus occipitalis (Long-Crested Eagle)
undated
5
James Bruce, 1730–1794
Threkiornis aethiopicus (African Sacred Ibis)
undated
6
James Bruce, 1730–1794
Coracias abyssinicus (Abyssinian Roller)
undated
7
James Bruce, 1730–1794
Treron waalia (Bruce's Green Pigeon)
undated
8
James Bruce, 1730–1794
Elevation and Plan of the Arch at Zanfour
undated
9
James Bruce, 1730–1794
Elevation of Pedestal Entableature of the Arch at Tripoli
undated
10
James Bruce, 1730–1794
Ceiling Decoration of Arch at Tripoli
undated
11
James Bruce, 1730–1794
Corinthian Temple at Assuras
undated
12
James Bruce, 1730–1794
Architectural detail of Plaque above Niches in Arch at Tripoli
undated
13
James Bruce, 1730–1794
Phlomis herba-venti L. : finished drawing
undated
14
James Bruce, 1730–1794
Cucumis metuliferus Naud (Wild Cucumber): finished drawing
undated
15
James Bruce, 1730–1794
Euphorbia helioscopia L. (Sun Spurge): finished drawing of flowering plant with details of flowers and leaf and fruit
undated
16
James Bruce, 1730–1794
Triumphal Arch Thamugas
undated
17
James Bruce, 1730–1794
Man Playing a Harp
undated
18
James Bruce, 1730–1794
St. Agnes (after Domenichino)
undated
19
James Bruce, 1730–1794
Obelisk at Axum Erected As Is Supposed by Ptolemy Evergetes
undated
20
James Bruce, 1730–1794
Noble Arab of the Tribe Beni-Koreish of the Family Harb at Beder-Hunein
undated
21
James Bruce, 1730–1794
Young Woman of Loheia in Arabia Felix of the Tribe Beni-Koreish
undated
22
James Bruce, 1730–1794
Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation
undated
23
James Bruce, 1730–1794
Weighing Scale
undated
24
James Bruce, 1730–1794
No. 7 the interior part of the 3rd temple looking from the west front
undated
25
James Bruce, 1730–1794
Veduta di Tunga
undated
26
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
undated
27
James Bruce, 1730–1794
Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther
undated
28
James Bruce, 1730–1794
XVLL Arch at Makther
undated
29
James Bruce, 1730–1794
Lower Arch at Mactor Modern Makther set in a Landscape
undated
30
James Bruce, 1730–1794
Arch of Trajan Makther
undated
31
James Bruce, 1730–1794
XLX Lower Arch at Makther Details of Cornice
undated
32
James Bruce, 1730–1794
Elevation and Plan of Trajan's Arch at Makther; erso: Elevation of Pedestal and Entablature of Trajan's Arch
undated
33
James Bruce, 1730–1794
Kefla Abay, High Priest of the Nile
undated
34
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
35
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
36
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
37
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
38
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
39
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
40
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
41
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
42
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
43
Giovanni Battista Borra, 1713–1770
Unfinished View of the Palatine in Rome
ca. 1750
44
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
45
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
46
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
47
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
48
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
49
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
50
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
51
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
52
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
53
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
54
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
55
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
56
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
57
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
58
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
59
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
60
Giovanni Battista Borra, 1713–1770
Ruines à Troye
ca. 1750
61
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
62
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
63
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
64
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
65
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
66
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
67
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
68
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
69
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
70
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
71
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
72
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
73
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
74
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
75
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
76
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
77
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
78
Giovanni Battista Borra, 1713–1770
Pianta di Rodi
ca. 1750
79
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
80
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
81
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
82
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
83
Giovanni Battista Borra, 1713–1770
Sepolcro di Zagaria
ca. 1750
84
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
85
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
86
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
87
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
88
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
89
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
90
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
91
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
92
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
93
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
94
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
95
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
96
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
97
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
98
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
99
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
100
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
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