Two Studies of classical sculpture of Farnese Hercules
between 1730 and 1768
2
Giles Hussey, 1710–1788
Three studies of classical sculpture of Farnese Hercules
between 1730 and 1768
3
Giles Hussey, 1710–1788
Study of classical scultpure of Castor and Pollux
between 1730 and 1768
4
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
5
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
6
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
7
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
8
Giles Hussey, 1710–1788
Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell
between 1730 and 1768
9
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
10
Giles Hussey, 1710–1788
Studies of classical sculptures of Cesi Juno and Zingara
between 1730 and 1768
11
Giles Hussey, 1710–1788
Study of statue of an Egyptian man
between 1730 and 1768
12
Giles Hussey, 1710–1788
Study of head from classical figures
between 1730 and 1768
13
Giles Hussey, 1710–1788
Study of classical figure of man
between 1730 and 1768
14
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
15
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
16
Giles Hussey, 1710–1788
Two studies of head from classical figure
between 1730 and 1768
17
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
18
Giles Hussey, 1710–1788
Four chalk studies of heads
between 1730 and 1768
19
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
20
Giles Hussey, 1710–1788
Study of head of man with helmet
between 1730 and 1768
21
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
22
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
23
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
24
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
25
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
26
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
27
Giles Hussey, 1710–1788
Four Studies of heads from classical figures
between 1730 and 1768
28
Giles Hussey, 1710–1788
Study of Physiognomy of face
between 1730 and 1768
29
after Andrea Palladio, 1508–1580
A Collection of Proofs after Palladio (Seven published, from Fabbriche Antiche - five unpublished). London, 1730
1730
30
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
31
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
32
Giles Hussey, 1710–1788
Six studies of heads from classical figures
between 1730 and 1768
33
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
34
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
35
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
36
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
37
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
38
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
39
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
40
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
41
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
42
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
43
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
44
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
45
Print made by John Brooks, active 1730–1756
William Cavendish, 4th Duke of Devonshire, Marquess of Hartington
undated
46
Ogilby, John, 1600–1676
Britannia depicta, or, Ogilby improv'd
1749
47
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
48
Smith, John, fl. 1673–1680
Short and direct method of painting in water-colours
1730
49
Sympson, Joseph, -1736
[Engravings of horses]
[ca. 1730?]
50
Seutter, Matthäus, 1678–1757
Recens edita totius Novi Belgii, in America Septentrionali siti
[1730]
51
Orlandi, Pellegrino Antonio, 1660–1727
Repertorium sculptile-typicum
1730
52
Oakley, Edward, active 18th century
The magazine of architecture, perspective, & sculpture
MDCCXXX [1730]
53
Bazin, Germain
Peinture Anglaise 1730-1850
n.d
54
Gent, Thomas, 1693–1778
The antient and modern history of the famous city of York
1730
55
Pascoli, Lione, 1674–1744
Vite de' pittori, scultori, ed architetti moderni ..
1730-1736
56
Halfpenny, William, d. 1755
Practical architecture, or, A sure guide to the true working according to the rules of that science, representing the five orders : with their several doors & windows taken from Inigo Jones & other celebrated architects ...
1730
57
Artlove, Mrs
The art of japanning, varnishing, pollishing, and gilding.
1730
58
Warwick waggons, and pack-horses, are removed from the Bell-Inn in West-Smithfield, to the Red-Lyon-Inn ... : where all gentlemen, merchants, tradesmen, and others, may be accomodated with carriage, at reasonable rates : performed (if God permit) by Nich. Rothwell ..
ca. 1730]
59
Milton, John, 1608–1674
Le paradis perdu
1730
60
Holt, Richard
A short treatise of artificial stone,
1730
61
Langley, Batty, 1696–1751
The young builder's rudiments, or, The principles of geometry, mechanicks, mensuration and perspective, geometrically demonstrated