Date: 1725 - YCBA Collections Search Search Results

1. A Club of Gentlemen

Creator:: William Hogarth, 1697–1764
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 23 inches (47 x 58.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Miss Wood

Creator:: William Hogarth, 1697–1764
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 15 inches (45.7 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Allegory of Fortune

Creator:: Balthazar Nebot, active 1730–1762
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 28 5/16 x 35 1/8 inches (71.9 x 89.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Lincoln's Inn, the Chapel, and Old Hall, London

Creator:: unknown artist
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 34 3/4 x 49 3/4 inches (88.3 x 126.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Classical Landscape

Creator:: John Wootton, 1682–1764
Date:: after 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 20 1/8 × 16 1/4 inches (51.1 × 41.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank

Creator:: unknown artist
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 12 inches (47 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Vegetable Seller

Creator:: Pieter Angillis, 1685–1734
Date:: between 1725 and 1728
Materials & Techniques:: Oil on canvas
Dimensions:: 32 1/2 × 43 3/4 inches (82.6 × 111.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. A Bay Racehorse with Jockey Up

Creator:: James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold

One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...

One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body

One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. An English Royal Yacht Standing Offshore in a Calm

Creator:: Peter Monamy, 1681–1749
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 27 3/4 × 37 7/8 inches (70.5 × 96.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
On View:: Not on view

14. A Family Group Called 'The Stafford Family'

Creator:: unknown artist
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 39 × 55 inches (99.1 × 139.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Self-Portrait

Creator:: Jonathan Richardson the Elder, 1667–1745
Date:: ca. 1730
Materials & Techniques:: Red chalk and white chalk on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Peter Arms Wick

16. Badminton Church and Part of the Duke of Beaufort's House

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Coat of Arms of Thomas Farmer, Duke of Pomfret, alais Pontefract, Baron Lempster of Lempster

$Coat of Arms of Thomas Farmer, Duke of Pomfret, alais Pontefract, Baron Lempster of Lempster$

Creator:: Joseph Sympson, active 1725–died 1736
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The West Prospect of St. Pauls Cathedral

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 7/8 x 14 3/4in. (47.9 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Head of a Man with Stubble Beard, Facing Right

Creator:: Giles Hussey, 1710–1788
Date:: undated
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 2 7/8 inches (9.5 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Portrait of a Gentleman

Creator:: John Vanderbank, 1694–1739
Date:: 1725
Materials & Techniques:: Graphite; verso: red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Edward B. Greene, Fund

21. A New Drawing Book of Variety of Landskips

Creator:: Print made by J. Carwitham, active 1720–1740
Date:: ca. 1730
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 13/16 x 8 1/8 inches (32.5 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Wooded Landscape with a River Leading to Distant Buildings

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 3/16 × 6 5/8 inches (13.1 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Design for the Approaches to London Bridge

Creator:: Henry Roberts, ca. 1710–1790
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 18 1/4 inches (21.3 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. St. Mary le Strand

Creator:: Sutton Nicholls, active 1725
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, gray wove paper
Dimensions:: Sheet: 18 1/8 × 13 7/16 inches (46 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A View of the Royal Hospital at Chelsea and the Rotunda in Ranelagh Gardens

Creator:: Henry Roberts, ca. 1710–1790
Date:: undated
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 10 3/4 x 16 5/8in. (27.3 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. A View of the Orangerie at Chiswick, Lord Burlington's Garden

Creator:: Print made by unknown artist
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Plate: 10 1/4 x 15 3/4in. (26 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A Game of Bowls

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 10 1/4 inches (20.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Right Hon'able Peter Lord King

Creator:: John Simon, 1675–1751
Date:: 1725
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Landscape Composition

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Graphite, brown wash, gray wash, pen and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 7/8 x 14 1/4 inches (25.1 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy

30. A Notebook of Portrait Compositions

Creator:: Thomas Bardwell, 1704–1767
Date:: ca. 1730
Materials & Techniques:: Volume of fifty-four pen and ink and watercolor drawings on medium, slightly textured, cream laid paper
Dimensions:: Spine: 5 3/8 inches (13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Seated Woman with a Book

Creator:: Philippe Mercier, 1689 or 1691–1760
Date:: 1725
Materials & Techniques:: Red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 7 7/8 inches (30.5 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Ingamells

32. Bacchus & Ariadne; Design for a Gold Box

Creator:: Attributed to Augustin Heckel, 1690–1770
Date:: ca. 1730
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:: Sheet: 4 × 4 3/4 inches (10.2 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Classical Landscape with Figures

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 4 7/8 x 10 1/8in. (12.4 x 25.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Gray wash, brown wash, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Portrait of a Gentleman

Creator:: Attributed to Felicita Hoffmann, active from 1728, died 1760
Date:: ca. 1730
Materials & Techniques:: Watercolor and gouache on ivory in black oval wood frame
Dimensions:: Image: 2 5/8 × 1 7/8 inches (6.7 × 4.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

36. View with a Cart and Figures in a Wooded Landscape

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching counterproof with graphite and brown ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 9 3/4 inches (18.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. View with Figures in a Classical Landscape with Ruins

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching counterproof with graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Head of a Boy

Creator:: circle of Thomas Frye, 1710–1762
Date:: undated
Materials & Techniques:: Gray wash with black and white chalk with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 14 3/8 inches (43.2 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Fustigatio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

40. Decimation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

41. Crucifixion, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

42. Dismemberment, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

43. Banishment

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

44. Shameful Discharge

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

45. Degrading Punishments

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

46. Cutting off the Nose

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 5/8 × 3 inches (4.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

47. Hanging by the Thumbs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

48. Fustium Admonitio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

49. Issued Barley Instead of Wheat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

50. Frontispiece: A Seated Roman General on a Camp Stool

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

51. Freemen Degraded and Sold into Slavery

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

52. Breaking the Legs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

53. Beheading

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

54. Issued Barley Instead of Wheat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

55. Taking Away the Military Belt or Girdle

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

56. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

Creator:: John Laguerre, 1688–1746
Date:: ca. 1730
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 15 3/4in. (34.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Birth Place of Rousseau at Geneva (number 68, 1725); page 35 (Volume Three)

Creator:: unknown artist
Date:: 1725
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Sketchbook containing 50 drawings (some with verso), of figures studies from the antique, etc.

Creator:: unknown artist
Date:: ca. 1730
Dimensions:: Sheet: 7 1/4in. (18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Gate at White Hall, said to be Designed by hans Holbein

Creator:: George Vertue, 1684–1756
Date:: 1725
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 10 3/8in. (40 x 26.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Portrait Study of a Young Woman

Creator:: Attributed to Thomas Frye, 1710–1762
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 15 3/4 × 11 inches (40 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The most notable antiquity of Great Britain, vulgarly called Stone-Heng, : on Salisbury plain, restored, / by Inigo Jones ... To which are added, the Chorea Gigantum, or, Stone-Heng restored to the Danes, By Doctor Charleton; and Mr. Webb's Vindication of Stone-Heng restored, In answer to Dr. Charleton's reflections; with observations upon the orders and rules of architecture in use among the antient Romans. Before the whole are prefixed, certain memoirs relating to the life of Inigo Jones ...

The most notable antiquity of Great Britain, vulgarly called Stone-Heng, : on Salisbury plain, restored, / by Inigo Jones ... To which are added, the Chorea Gigantum, or, Stone-Heng restored to the Danes, By Doctor Charleton; and Mr. Webb's Vindication of Stone-Heng restored, In answer to Dr. Charleton's reflections; with observations upon the orders and rules of architecture in use among the antient Romans. Before the whole are prefixed, certain memoirs relating to the life of Inigo Jones ...

Creator:: Jones, Inigo, 1573–1652
Date:: MDCCXXV [1725]
Physical Description:: [12], 72, [10], 48 p., [6], 228, [13] p., [12] leaves of plates (some folding) : ill., ports. ; 38 cm.
Collection:: Rare Books and Manuscripts

68. The pilgrim's progress, from the world, to that which is to come : the third part : delivered under the similitude of a dream : shewing the several difficulties and dangers he met with and the many victories he obtain'd over the world, the flesh, and the devil : together with his happy arrival at the celestial city, and the glory and joy he found to his eternal comfort : to which is added, the life and death of John Bunyan, author of the first and second part : compleating the whole progress.

Date:: [1725?]
Physical Description:: [10], 138, 31, [1] pages : illustrations ; 15 cm
Collection:: Rare Books and Manuscripts

69. The Leeds Mercury.

Physical Description:: volumes ; 48 cm
Collection:: Rare Books and Manuscripts

70. Essay on the theory of painting / by Mr. Richardson.

Creator:: Richardson, Jonathan, 1665–1745
Date:: 1725
Physical Description:: viii, 279 p. ; 20 cm.
Collection:: Rare Books and Manuscripts

71. The general history of the vast continent and islands of America : commonly call'd the West-Indies, from the first discovery thereof : with the best accounts the people could give of their antiquities / collected from the original relations sent to the kings of Spain, by Antonio de Herrera ; historiographer to His Catholick Majesty ; translated into English by Capt. John Stevens ... ; illustrated with cutts and maps.

Creator:: Herrera y Tordesillas, Antonio de, -1625
Date:: MDCCXXV-MDCCXXVI [1725-1726]
Physical Description:: 6 volumes : illustrations, maps, portraits ; 20 cm
Collection:: Rare Books and Manuscripts

72. Statutes of the most honourable Order of the Bath.

Creator:: Order of the Bath
Date:: 1725, reprinted 1812
Physical Description:: viii, 77 p. ; 26 cm.
Collection:: Rare Books and Manuscripts

73. Views of the several parts of the palace, or castle of Versailles : as likewise of all the fountains, basins, groves, parterras, and other the most beautifull parts of the gardens : wherein are represented whatever are remarkable, as, statues, groups of figures, water-falls, &c. : drawn on the spot, by order, and with ye approbation of the French king : engraved in the year 1725.

Date:: [1725?]
Physical Description:: [30] leaves of plates : chiefly ill. ; 21 x 33 cm.
Collection:: Rare Books and Manuscripts

74. Prospects, of palaces and other publick buildings in France, Italy, Spain, &c. very neatly engraved.

Date:: [ca. 1725?]
Physical Description:: [25] leaves : chiefly ill. ; 21 x 31 cm.
Collection:: Rare Books and Manuscripts

75. A set of thirty six new and correct maps of Scotland divided into its shires, &c. : a work long wanted, and very useful for all gentlemen that travel to any part of that kingdom / all, except two, composed and done by Herman Moll, geographer ...

Creator:: Moll, Herman, -1732
Date:: [1725]
Physical Description:: 1 atlas ([4] pages, [36] leaves of plates) ; 23 x 35 cm
Collection:: Rare Books and Manuscripts

76. Afbeelding der menschelyke bezigheden : bestaande in hondert onderscheiden printverbeeldingen, vertonende allerhande stantspersonen, zo van regeeringe, konsten, wetenschappen, als handwerken, zinryk uitgebeeld, geschikt naar de orde van't A B C : en met vaarzen daar toe passende verklaard.

Creator:: Luiken, Jan, 1649–1712
Date:: [1725?]
Physical Description:: [2], 100 leaves : chiefly ill. ; 20 cm. (4to)
Collection:: Rare Books and Manuscripts

77. The art of sound building, demonstrated in geometrical problems : shewing geometrical lines for all kinds of arches, niches, groins, and twisted rails, both regular and irregular : with several other draughts of buildings and staircases : all curiously engraven on copper plates : wherein are laid down (suited to every Capacity) easy practical methods for carpenters, joiners, masons, or bricklayers, to work by / by William Halfpenny, architect and carpenter.

Creator:: Halfpenny, William, d. 1755
Date:: MDCCXXV [1725]
Physical Description:: [12], 56, [2] p., 19, [1] folded leaf of plates : ill. ; 31 cm.
Collection:: Rare Books and Manuscripts

78. Antiquitates prioratus Majoris Malverne in argo Wicciensi. Cum chartis originalibus easdem illustrantibus, ex registris sedis episcopalis Wigorniensis. Nunc primum editis.

Creator:: Thomas, William, 1670–1738
Date:: 1725
Physical Description:: 5 p.l., ciii, [1], 43, 204 p. front. (fold. map) fold. plan, fold. plate. 20 cm.
Collection:: Rare Books and Manuscripts

79. Coloritto, or, The harmony of colouring in painting : reduced to mechanical practice, under early precepts, and infallible rules : together with some colour'd figures, in order to render the said precepts and rules intelligible, not only to painters, but even to all lovers of painting / by J.C. le Blon.

Creator:: Le Blon, J. C., 1667–1741
Date:: [1725]
Physical Description:: [4], vii, [2], 6-27, [1], 7, [1] pages, [9] leaves of plates : illustrations ; 31 cm
Collection:: Rare Books and Manuscripts

80. The Odyssey of Homer.

Creator:: Homer
Date:: 1725-1726
Physical Description:: 5 v. : ill. ; 28 cm.
Collection:: Rare Books and Manuscripts

81. British Louis XIV frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Dimensions:: Frame: 48 × 58 × 4 3/4 inches (121.9 × 147.3 × 12.1 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

82. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

83. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

84. British, Louis XIV frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

85. British, Louis XIV- Régence style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original oil and water gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

86. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, partially regilded over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

87. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Wood and compo, later oil gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

88. British, Rococo frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

89. British, Rococo frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding; gesso re-cutting; sanded ground at corners
Collection:: Frames
Credit Line:: Yale Center for British Art

90. British Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

91. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original oil and water gilding and sanded frieze
Dimensions:: Frame: 32 3/4 × 37 1/2 × 3 inches (83.2 × 95.3 × 7.6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

92. British, Louis XV style frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil and gilding over original gilding, sanded frieze and ground at corners
Collection:: Frames
Credit Line:: Yale Center for British Art

93. British, Régence style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

94. British, Louis XV style frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded rail
Dimensions:: Frame: 51 1/4 × 79 1/8 × 2 3/8 inches (130.2 × 201 × 6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

95. British, Louis XV frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded rail
Collection:: Frames
Credit Line:: Yale Center for British Art

96. British, Palladian frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

97. British, Louis XIV frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding and sanded frieze
Dimensions:: Frame: 46 1/4 × 36 5/8 × 2 3/4 inches (117.5 × 93 × 7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

98. Continental Europe, Louis XV frame

Creator:: unknown framemaker
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, original matt and burnished water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

99. British, Louis XIV style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original oil and water gilding and sanded ground
Collection:: Frames
Credit Line:: Yale Center for British Art

100. British, Régence style frame

Creator:: unknown framemaker
Date:: 2nd quarter of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original oil and water gilding and sanded frieze
Collection:: Frames
Credit Line:: Yale Center for British Art

YCBA Collections Search

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Search Constraints

Date 1725

Search Results

1. A Club of Gentlemen

2. Miss Wood

3. Allegory of Fortune

4. Lincoln's Inn, the Chapel, and Old Hall, London

5. Classical Landscape

6. An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank

7. The Vegetable Seller

8. One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket

9. A Bay Racehorse with Jockey Up

10. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold

11. One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...

12. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body

13. An English Royal Yacht Standing Offshore in a Calm

14. A Family Group Called 'The Stafford Family'

15. Self-Portrait

16. Badminton Church and Part of the Duke of Beaufort's House

17. Coat of Arms of Thomas Farmer, Duke of Pomfret, alais Pontefract, Baron Lempster of Lempster

18. The West Prospect of St. Pauls Cathedral

19. Head of a Man with Stubble Beard, Facing Right

20. Portrait of a Gentleman

21. A New Drawing Book of Variety of Landskips

22. Wooded Landscape with a River Leading to Distant Buildings

23. Design for the Approaches to London Bridge

24. St. Mary le Strand

25. A View of the Royal Hospital at Chelsea and the Rotunda in Ranelagh Gardens

26. A View of the Orangerie at Chiswick, Lord Burlington's Garden

27. A Game of Bowls

28. The Right Hon'able Peter Lord King

29. Landscape Composition

30. A Notebook of Portrait Compositions

31. Seated Woman with a Book

32. Bacchus & Ariadne; Design for a Gold Box

33. Classical Landscape with Figures

34. Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer

35. Portrait of a Gentleman

36. View with a Cart and Figures in a Wooded Landscape

37. View with Figures in a Classical Landscape with Ruins

38. Head of a Boy

39. Fustigatio

40. Decimation

41. Crucifixion, etc.

42. Dismemberment, etc.

43. Banishment

44. Shameful Discharge

45. Degrading Punishments

46. Cutting off the Nose

47. Hanging by the Thumbs

48. Fustium Admonitio

49. Issued Barley Instead of Wheat

50. Frontispiece: A Seated Roman General on a Camp Stool

51. Freemen Degraded and Sold into Slavery

52. Breaking the Legs

53. Beheading

54. Issued Barley Instead of Wheat

55. Taking Away the Military Belt or Girdle

56. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

57. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

58. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

59. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

60. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

61. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

62. From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

63. Birth Place of Rousseau at Geneva (number 68, 1725); page 35 (Volume Three)

64. Sketchbook containing 50 drawings (some with verso), of figures studies from the antique, etc.

65. The Gate at White Hall, said to be Designed by hans Holbein

66. Portrait Study of a Young Woman

69. The Leeds Mercury.

70. Essay on the theory of painting / by Mr. Richardson.

72. Statutes of the most honourable Order of the Bath.

74. Prospects, of palaces and other publick buildings in France, Italy, Spain, &c. very neatly engraved.

75. A set of thirty six new and correct maps of Scotland divided into its shires, &c. : a work long wanted, and very useful for all gentlemen that travel to any part of that kingdom / all, except two, composed and done by Herman Moll, geographer ...

76. Afbeelding der menschelyke bezigheden : bestaande in hondert onderscheiden printverbeeldingen, vertonende allerhande stantspersonen, zo van regeeringe, konsten, wetenschappen, als handwerken, zinryk uitgebeeld, geschikt naar de orde van't A B C : en met vaarzen daar toe passende verklaard.

78. Antiquitates prioratus Majoris Malverne in argo Wicciensi. Cum chartis originalibus easdem illustrantibus, ex registris sedis episcopalis Wigorniensis. Nunc primum editis.

80. The Odyssey of Homer.

81. British Louis XIV frame