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A Rider in Armor, and Two Horses Lying Down
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 4 5/8 inches (15.2 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horse and Rider Walking to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 8 3/8 × 11 1/2 inches (21.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woman Wearing a Tricorne Hat, Riding to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 6 7/16 inches (14.6 × 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 7 9/16 × 9 3/8 inches (19.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection