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Date 1783

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William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake There Is No Natural Religion; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
There Is No Natural Religion; Frontispiece (Plate 1)
ca. 1788
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake There is No Natural Religion
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
George Romney Bolingbroke and the Fiend
George Romney, 1734–1802
Bolingbroke and the Fiend
ca. 1788-89
George Romney Lady Clanricarde, Portrait of a Lady
George Romney, 1734–1802
Lady Clanricarde, Portrait of a Lady
1783
William Wood George Wolrige of Garlinneck
William Wood, 1768–1809
George Wolrige of Garlinneck
undated
Thomas Milton Lucan-House
Thomas Milton, 1742/1743–1827
Lucan-House
1783
Johann Rudolph Schellenberg Artist Drawing a Woman's Silhouette
Print made by Johann Rudolph Schellenberg, 1740–1806
Artist Drawing a Woman's Silhouette
1783
John Raphael Smith Honorable Mrs. Stanhope
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
Benjamin West The Three Marys
Benjamin West, 1738–1820
The Three Marys
1783
Johan Joseph Zoffany A River by a Rocky Bank with Figures, Possibly in India
Johan Joseph Zoffany, 1733–1810
A River by a Rocky Bank with Figures, Possibly in India
between 1783 and 1789
Sir George Howland Beaumont seventh Baronet Mount Palatine
Sir George Howland Beaumont seventh Baronet, 1753–1827
Mount Palatine
1783
Henry Holland Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
unknown artist Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
unknown artist
Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
after work dated 1783
Samuel Owen Sailing Ships and Small Boats in Rough Sea off the Coast
Samuel Owen, 1768–1857
Sailing Ships and Small Boats in Rough Sea off the Coast
undated
Samuel Hieronymus Grimm North East View of Mr. Hare's New House
Samuel Hieronymus Grimm, 1733–1794
North East View of Mr. Hare's New House
1783
Matthew Haughton A Fashionable Audience
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
Joshua Cristall Girl in a Brown Dress
Joshua Cristall, 1768–1847
Girl in a Brown Dress
undated
William Walker Grandison, Plate XI
Print made by William Walker, 1729–1793
Grandison, Plate XI
1783
John Raphael Smith The Calling of Samuel
Print made by John Raphael Smith, 1752–1812
The Calling of Samuel
1783
John Jones Sir Abraham Hume, Bart. F.R.S.
Print made by John Jones, ca. 1745–1797
Sir Abraham Hume, Bart. F.R.S
1783
Joshua Cristall Landing a Catch of Mackerel, Hastings
Joshua Cristall, 1768–1847
Landing a Catch of Mackerel, Hastings
undated
John Raphael Smith George, Prince of Wales
Print made by John Raphael Smith, 1752–1812
George, Prince of Wales
1783
John Raphael Smith Hon. Mrs. Stanhope
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
John Jones John Henderson
Print made by John Jones, ca. 1745–1797
John Henderson
1783
John Raphael Smith Sir Harbord Harbord
Print made by John Raphael Smith, 1752–1812
Sir Harbord Harbord
1783
William Sharp The Tempest, Act I Sc. 3
Print made by William Sharp, 1749–1824
The Tempest, Act I Sc. 3
1783
Francis Wheatley Lismore Castle, Ireland
Francis Wheatley, 1747–1801
Lismore Castle, Ireland
1783
Sir George Howland Beaumont seventh Baronet Vatican from the road to Ponte Mola
Sir George Howland Beaumont seventh Baronet, 1753–1827
Vatican from the road to Ponte Mola
1783
Samuel Owen Shipping on a Stormy Day
Samuel Owen, 1768–1857
Shipping on a Stormy Day
undated
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
Thomas Day Portrait of a Lady
Thomas Day, ca.1733–1807
Portrait of a Lady
1783
John Sanders Sundorne Castle, Near Shrewsbury, Shropshire
John Sanders, 1768–1826
Sundorne Castle, Near Shrewsbury, Shropshire
1783
William Thomas Design for an Unidentifued House in the Palladian Style
William Thomas, active 1783– died 1800
Design for an Unidentifued House in the Palladian Style
undated
Matthew Haughton Author Reading from a Manuscript to Four Ladies
Matthew Haughton, 1768–1821
Author Reading from a Manuscript to Four Ladies
undated
Samuel Hieronymus Grimm East Side of Mr. Hare's New House
Samuel Hieronymus Grimm, 1733–1794
East Side of Mr. Hare's New House
1783
William Walker Grandison, Plate XXVIII
Print made by William Walker, 1729–1793
Grandison, Plate XXVIII
1783
Joshua Cristall Tarbert Castle
Joshua Cristall, 1768–1847
Tarbert Castle
undated
William Dickinson Lord Robert Manners, Captain R.N.
Print made by William Dickinson, 1746–1823
Lord Robert Manners, Captain R.N
1783
Francis Haward The Infant Academy
Print made by Francis Haward, 1759–1797
The Infant Academy
1783
John Raphael Smith Mrs. Smith
Print made by John Raphael Smith, 1752–1812
Mrs. Smith
1783
unknown artist The Feathered Fair, Feeding the Feathered Fowl
Print made by unknown artist
The Feathered Fair, Feeding the Feathered Fowl
1783
Valentine Green Lady Amelia Hume
Valentine Green, 1739–1813
Lady Amelia Hume
1783
Samuel Davis Tassisudon
Samuel Davis, 1760–1819
Tassisudon
1783
Samuel Davis The Former Winter Capital of Bhutan at Punakha Dzong
Samuel Davis, 1760–1819
The Former Winter Capital of Bhutan at Punakha Dzong
1783
Edward Fisher John, Lord Cardiff
Edward Fisher, 1722–1785
John, Lord Cardiff
1783
John Raphael Smith Sir William James
John Raphael Smith, 1752–1812
Sir William James
1783
Francis Towne Dunkerswell Abbey, August 20, 1783
Francis Towne, 1740–1816
Dunkerswell Abbey, August 20, 1783
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Edward Topham The Union, - Whom --- Has Join'd, Let No Man put Asunder!
Edward Topham, 1751–1820
The Union, - Whom --- Has Join'd, Let No Man put Asunder!
1783
Louis Charles Ruotte The West India Flower Girl
Print made by Louis Charles Ruotte, 1754–ca. 1806
The West India Flower Girl
undated
James Gillray Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid.
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
unknown artist A Perspective View of the Cities of London & Westminster
unknown artist
A Perspective View of the Cities of London & Westminster
1783
Francesco Bartolozzi Diego Ignacio de Pina Manique
Print made by Francesco Bartolozzi, 1728–1815
Diego Ignacio de Pina Manique
undated
unknown artist View of the New Public Offices at Somerset House, fronting the Thames
unknown artist
View of the New Public Offices at Somerset House, fronting the Thames
1783
Francesco Bartolozzi Diana, The Huntress
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1783
Francesco Bartolozzi Cherub Whispering To Woman Holding Letter
Francesco Bartolozzi, 1728–1815
Cherub Whispering To Woman Holding Letter
1783
Francesco Bartolozzi Sappho Embracing Love
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
James Sayer Carlo Khan's Triumphal entry into Leadenhall Street
James Sayer, 1748–1823
Carlo Khan's Triumphal entry into Leadenhall Street
1783
James Sayer A Transfer of East India Stock
James Sayer, 1748–1823
A Transfer of East India Stock
1783
Francesco Bartolozzi The Death of Captain Cook
Figures engraved by Francesco Bartolozzi, 1728–1815
The Death of Captain Cook
1783
James Barry The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
after 1783
Benjamin Thomas Pouncey Chase of a Cutter
Benjamin Thomas Pouncey, active 1772–1799
Chase of a Cutter
1783
Benjamin Thomas Pouncey Building of a Cutter
Benjamin Thomas Pouncey, active 1772–1799
Building of a Cutter
1783
James Gillray A New Administration, or - The State Quacks Administring
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
James Gillray A Warm Birth for the Old Administration -----
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
James Gillray Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
James Gillray The R't Hon'ble Catch Singers
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
James Gillray A Block for the Wigs - or, The New State Whirligig
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
unknown artist The Siphons or Tale of a Tub
Print made by unknown artist
The Siphons or Tale of a Tub
1783
James Sayer The Patriot Exalted
James Sayer, 1748–1823
The Patriot Exalted
ca. 1788
James Sayer A Transfer of East India Stock
James Sayer, 1748–1823
A Transfer of East India Stock
1783
James Sayer Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
James Sayer, 1748–1823
Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
1783
unknown artist All Alive, or the Political Churchyard
unknown artist
All Alive, or the Political Churchyard
1783
unknown artist The Ladies Church Yard
unknown artist
The Ladies Church Yard
1783
unknown artist The True State of the Junction; or Men of Abilities Call'd For
unknown artist
The True State of the Junction; or Men of Abilities Call'd For
1783
James Walker Sir Barnard Turner
James Walker, 1748–1808
Sir Barnard Turner
1783
Thomas Burke Cephalus and Procris
Print made by Thomas Burke, 1749–1815
Cephalus and Procris
1783
Francesco Bartolozzi Nymphs Bathing
Francesco Bartolozzi, 1728–1815
Nymphs Bathing
1783
Francesco Bartolozzi The Power of Love
Francesco Bartolozzi, 1728–1815
The Power of Love
1783
William Watts Sion House in Middlesex
William Watts, 1752–1851
Sion House in Middlesex
1783
James Barry The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry The Society for the Encouragement of the Arts (2 copies)
James Barry, 1741–1806
The Society for the Encouragement of the Arts (2 copies)
after 1783
James Parker The Fall of Agandecca
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
James Barry His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
James Barry Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
James Barry, 1741–1806
Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
After 1783
James Barry A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
Valentine Green Louisa Finch (née Thynne), Countess of Aylesford
Valentine Green, 1739–1813
Louisa Finch (née Thynne), Countess of Aylesford
1783
James Barry The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
James Barry, 1741–1806
The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
Francesco Bartolozzi Cecilia
Francesco Bartolozzi, 1728–1815
Cecilia
1783
Francesco Bartolozzi A Sacrifice To Cupid
Francesco Bartolozzi, 1728–1815
A Sacrifice To Cupid
1783