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Charles Heath, 1785–1848

Stratford-on-Avon

1824

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

Print made by John W. Gear, 1806–1866

Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

undated

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

Possibly George Hollis, 1792–1842

Mr. Macready as Hamlet and Mr. Stuart as the Ghost - "Hamlet," Act I, Scene V

undated

John Jones, ca. 1745–1797

Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I

1791

James S. King, 1852–1925

Jack Falstaff and Doll Tearsheet

1885

Francis Legat, 1755–1809

"King Lear", Act V, Scene III

1792

William Woollett, 1735–1785

Macbeth and the Witches

1770

unknown artist

Unidentifiable print

Edward Williams, c.1750–1800

Mr. Frodsham in the Character of Hamlet

ca. 1771

Print made by Caroline Watson, 1760–1814

The Infant Shakespeare

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

unknown artist

Unidentifiable print

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene III

undated

unknown artist

The Procession at the Jubilee at Stratford upon Avon

1769

Edward Fisher, 1722–1785

Henry Pleydell Dawnay, 3rd Viscount Downe

undated

Print made by Giovanni Vendramini, 1769–1839

Sir John Thomas Duckworth, 1st Baronet of Topsham

1809

Print made by Louis Marin Bonnet, 1736–1793

Head of a Young Girl turned toward the Left

1774

John Faber the Younger, ca. 1695–1756

Charles Montagu, 1st Earl of Halifax

1732

Thomas Barker, 1769–1847

Subjects copied from Barker's Rustic Figures

1813

Spencer Frederick Gore, 1878–1914

Cave of the Golden Calf: Kneeling Figures

1912

unknown artist

Birthplace of Akenside (with text); page 5 from The Mirror (Volume One)

1830

William Le Petit, early 1800s

Alnwick Castle the Seat of the Right Honorable Hugh Percy; page 8 (Volume One)

1835

William Le Petit, early 1800s

Entrance to Ainwick Castle, Northumberland; page 9 (Volume One)

1835

Robert Scott, 1771–1841

Arbuthnott House, The Seat of Lord Viscount Arbuthnott; page 10 (Volume One)

1794

Print made by Henry Moses, ca. 1782–1870

Arundel; page 12 (Volume One)

ca. 1825

James S. Storer, 1771–1853

Auchtertyre House, Perthshire; page 17 [page 18 is blank] (Volume One)

1807

John Wright, ca. 1745–1820

Avishays; page 16 (Volume One)

Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner; page 9 (Volume One)

1829

Matthew Urlwin Sears, active 1826–1859

House of Elias Ashmole, at Lambeth; page 14 (Volume One)

between 1826 and 1859

unknown artist

Bampton Castle ruines, 1664; page 19 (Volume One)

1772

Samuel Rawle, 1771–1860

A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)

1802

B. Winkles, active 1830–1840

Bank of Ireland, Dublin (South Portico); page 22 (Volume One)

1829

unknown artist

View of the Banqueting House, White Hall; page 24 (Volume One)

1784

unknown artist

James Barry's House; page 25 (Volume One)

1806

unknown artist

Beaumanor Old Hall; page 29 [page 30 blank] (Volume One)

Francis Stephen Cary, 1808–1880

Belvedere, Hampshire, The Seat of Sir William Fordyce; page 31 (Volume One)

John Rogers, 1808–ca.1888

Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)

unknown artist

Biebrich; page 33 (Volume One)

Edward Mitchell, active 1805–1816

Brain Hermitage; page 38 (Volume One)

Alfred William Warren, active 1791–1809

Bermondsey Priory, for Dr. Hughsons description of London; page 32 (Volume One)

J. Goode, active 1810–1865

Bayarg Tower, Dumfriesshire; page 27 (Volume One)

Robert Scott, 1771–1841

Bonington House, the Seat of Lady Ross-Baillie; page 36 (Volume One)

unknown artist

Breaching Castle, Angus Shire; page 37 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Boscobel House; page 35 (Volume One)

Michael "Angelo" Rooker Broken-hurst in Hampshire, The Seat of Edward Morant, Esquire, Member for Lymington (published by G. Kearsly); page 43 (Volume One)

Michael "Angelo" Rooker, 1746–1801

Broken-hurst in Hampshire, The Seat of Edward Morant, Esquire, Member for Lymington (published by G. Kearsly); page 43 (Volume One)

1777

Robert Tingle, 19th century

Brewer's Alms House, Mile End; page 40 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Bunyan's Native House at Elstow; page 46 (Volume One)

unknown artist

The Ichonography of ye Lord Burghleys Hospital; as it stood Anno 1597, from an old manuscript; page 50 (Volume One)

unknown artist

Bunyan's Vestry Chair (with text) from the mirror; page 47 (Volume One)

unknown artist

Burn House; page 51 (Volume One)

Pierre Charles Canot, ca. 1710–1777

Burton Constable; page 53 (Volume One)

unknown artist

Burns's Mausoleum at Dumfries (with text); page 52 (Volume One)

unknown artist

Lord Byron's Palace, at Venice (from the Mirror); page 55 (Volume One)

Matthew Urlwin Sears Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)

unknown artist

Burghley House from the Gardens; page 48 (Volume One)

unknown artist

The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)

William Watts, 1752–1851

Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)

1780

John J. Hinchliff, 1805–1875

Carstairs (Central View) Lanarkshire; page 57 (Volume One)

Print made by unknown artist

Miss White, Clear Starcher to the Queen

between 1750 and 1800

John Faber the Younger, ca. 1695–1756

Her Grace the duchess of Marlborough

Jake Chapman, born 1966

Jake and Dinos' Disasters of War, Title Page

1999

Michael Rothenstein, 1908–1993

Red Cliff, Brittany

1958

Michael Rothenstein, 1908–1993

Subway

1985

Print made by Gustav Kühn, 1794–1868

Sommernachtstraum, Theatre-Figuren

1830s

Print made by William John Cooke, 1797–1865

The Thames at Mortlake

1836-1838

Robert Laurie, 1755?–1836

Court of Equity, Belle Savage Inn, Ludgate Hill

1778

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

The Pilot

1925

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

The Main Tack

1928

unknown artist

A View of Fulham Bridge and Putney

undated

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

Securing the Boats

1928

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

In the Tropics

1928

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

At the Tiller

1929

Bartholomew Howlett, 1767–1827

Interior of the Choir of St. Barts the Great

1822

C. John M. Whichelo, 1784–1865

Inside of Part of Cloisters, Adjoining St. Bartholomews Porch

1803

unknown artist

St. Barts the Greater

1800

William Henry Toms, ca. 1700–ca. 1750

The West Prospect of the Church of St. Barts the Great

1737

unknown artist

King Street Gate

1808

unknown artist

Louisa escapes from Hastings, Vide, vol. 7, letter 6

1800

Thomas Picken, 1815–1870

General Post Office, St. Martin's le Grand

1852

Print made by Gerald Leslie Brockhurst, 1890–1978

The Dancer

1925

unknown artist

An Horizontal View of the Public Fireworks ordered to be Exhibited on Occasion of the General Peace concluded at Aix le Chapelle on Novermber 7th 1748

1748