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A View of London from the Queen's Palace
Creator:
Daniel Havell, 1785–1826
Date:
1816
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Conservative Club and St. James's Palace
Creator:
John Woods, active 1836–1860
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of St. James's Gate from Cleveland Row
Creator:
Edward Rooker, 1724–1774
Date:
1777
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Ancient View of St. James's, Westminster Abbey and Hall, and Church
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Perspective View of ye Parade in St. James's Park
Creator:
John Maurer, active 1713–1761
Date:
1742
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marlborough House
Creator:
William Le Petit, early 1800s
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Treasury and Canal in St. James's Park
Creator:
unknown artist
Date:
1755
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cleveland House by St. James's
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Duke of York's Column
Creator:
Thomas Higham, 1796–1844
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Duke of York's Column
Creator:
John Woods, active 1836–1860
Date:
ca. 1840
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3411. Reform Club

Reform Club
Creator:
Edward Radclyffe, 1809–1863
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Workhouse, St. James's Parish
Creator:
Thomas Sunderland, 1744–1828
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crockford's Club House, St. James's Street
Creator:
William Tombleson, ca.1795–1835
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kitchen Department of the Reform Club House
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Letterpress, engraving
Dimensions:
Sheet: 3 x 9 inches (7.6 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sunda Stink Badger
Creator:
James Stewart, 1791–1863
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink, gray ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 3/8 inches (12.2 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Yellow Mongoose
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 8 1/16 inches (13.7 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Reform Club House in Pall Mall, now Building by Charles Barry, Architect
Creator:
Thomas Higham, 1796–1844
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Sea Serpent
Creator:
James Stewart, 1791–1863
Date:
ca. 1837
Materials & Techniques:
Pen and black ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 × 7 13/16 inches (13.5 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Kracken, Supposed a Sepia or Cuttle Fish
Creator:
James Stewart, 1791–1863
Date:
ca. 1837
Materials & Techniques:
Pen and gray ink, black ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 15/16 inches (13.8 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Duvaucel's Squirrel
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 × 6 5/8 inches (10.6 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mephitis Chilensis
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 × 6 13/16 inches (11 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chlamyphorus Truncatus
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paradoxurus Dubius
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Pen and gray ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eira Ferruginea - Gulo Castaneus Griffith's Cuvier
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 15/16 × 7 5/8 inches (12.5 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3426. The Cresset

The Cresset
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1915
Materials & Techniques:
Etching; 1st state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Pink Fairy Armadillo
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 7 11/16 inches (12.4 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece - Peter Simon Pallas
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 4 9/16 inches (17 × 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3429. The Capybara

The Capybara
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 9/16 inches (12.2 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Corsac Dog-Fox
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and black ink, brown ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 × 6 5/8 inches (10.6 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Halmaturus Rutilans
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 × 6 13/16 inches (11 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3432. Felis Uncia

Felis Uncia
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and black ink and graphite, squared for transfer on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Meppershall Chapel
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1915
Materials & Techniques:
Etching; 1st state on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 5/8 × 9 1/4 inches (21.9 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Procession of their Most Gracious Majesties King William and Queen Adelaide to London Bridge
Creator:
William Day, 1764–1807
Date:
1831
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3435. Epiphany

Epiphany
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1919
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 10 × 7 1/4 inches (25.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Death of Chatham
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving, and stipple engraving, published state
Dimensions:
Plate: 25 3/8 x 31 3/4in. (64.5 x 80.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894
Creator:
Print made by Aubrey Vincent Beardsley, 1872–1898
Date:
1894
Materials & Techniques:
Photomechanical reproduction on thin, slightly textured, orange wove paper, laid on contemporary mount made of moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 11 x 8 9/16 inches (27.9 x 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
The Trinity House
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Twickenham Park House in Middlesex
Creator:
William Angus, 1752–1821
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chiswick House in Middlesex, the Seat of the Duke of Devonshire
Creator:
William Watts, 1752–1851
Date:
1781
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chiswick House in Middlesex, the Seat of Duke of Devonshire
Creator:
William Watts, 1752–1851
Date:
1783
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Twickenham from the River
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Rt. Hon. The Earl of Burlington's House at Chiswick, and part of the Town
Creator:
J. Fougeron, active 1761
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Perspective View of Twickenham
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Glasgow Exhibition: From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
The Fishmarket, Venice, No. 2
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1912
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 3/8 x 15 7/8 inches (26.4 x 40.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Glasgow Exhibition: Entrance from the Piazza
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:
Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Plan of the Tower of London MDCCXXVI
Creator:
James Basire II, 1769–1822
Date:
1815
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3449. Arundel

Arundel
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1908
Materials & Techniques:
Drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 5 1/2 x 8 9/16 inches (13.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Self-Portrait
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1908
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 11 5/16 x 9 1/8 inches (28.7 x 23.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3451. Ayr Prison

Ayr Prison
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1905
Materials & Techniques:
Drypoint and etching with plate tone on moderately thick, slightly textured, beige Asian paper
Dimensions:
Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Portrait of Joseph Conrad
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1923
Materials & Techniques:
Drypoint on moderately thick, slightly textured, beige Asian paper
Dimensions:
Sheet: 14 3/4 x 11 3/16 inches (37.5 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
L'Eglise de St. Gervais et St. Protais
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
A View of the Earl of Radner's House at Twickenham
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Salvage Men, World War I
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1919
Materials & Techniques:
Drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 13 3/4 inches (28.6 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Tower of London
Creator:
James Tibbits Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Elevated View of the New Dock in Wapping
Creator:
William Daniell, 1769–1837
Date:
1803
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 34 5/8 × 21 5/8 inches (87.9 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of London, taken from Albion Place, Blackfryar Bridge
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1802
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Annual Ceremony of adminishing the Oaths of Allegiance and Church on November 8th, the Day proceeding Lord Mayors Day
Creator:
Benjamin Smith, 1775–1833
Date:
1801
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Bridge now Building over the Thames at Vauxhall
Creator:
William Daniell, 1769–1837
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3461. Fisherman

Fisherman
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
undated
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 4 11/16 inches (9.8 × 11.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894
Creator:
Print made by Aubrey Vincent Beardsley, 1872–1898
Date:
1894
Materials & Techniques:
Photomechanical reproduction on medium, smooth, contemporary glossy paper, laid on contemporary mount made of medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/16 x 8 1/2 inches (28.1 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Christ Church, Oxford
Creator:
Print made by unknown artist
Date:
1907
Materials & Techniques:
Drypoint on thick, smooth, cream laid paper
Dimensions:
Sheet: 12 3/16 x 17 1/2 inches (31 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Loading Vraic, St. Malo
Creator:
Print made by Edmund Blampied, 1886–1966
Date:
1926
Materials & Techniques:
Drypoint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/16 x 15 1/2 inches (25.5 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Tower of London
Creator:
William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Jersey Vraic Cart
Creator:
Print made by Edmund Blampied, 1886–1966
Date:
1939
Materials & Techniques:
Etching on laid paper
Dimensions:
Plate: 8 1/2 x 11 inches (21.6 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Paul Moore
The End of the Day
Creator:
Print made by Edmund Blampied, 1886–1966
Date:
1919
Materials & Techniques:
Drypoint on wove paper
Dimensions:
Plate: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Seat of the Rt. Hon. Welbore Ellis, at Twickenham in Middlesex
Creator:
William Watts, 1752–1851
Date:
1782
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
San Frediano in Cestello, Florence
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1915
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/8 x 15 15/16 inches (27.6 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Edwin M. Herr Memorial Collection by Mrs. Herr in memory of her husband Edwin M. Herr, Yale PhD 1884, transfer from the Yale University Art Gallery
Baroness Howe's Villa & Pope's Grotto
Creator:
James C. Allen, active 1821–1831
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The House at Chiswick in the County of Middlesex one of the Seats of the Rt. Hon. Charles Boyle
Creator:
Johannes Kip, 1653–1722
Date:
ca. 1715
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 3/8 x 19 1/4in. (34 x 48.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View near Twickenham
Creator:
John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Twickenham Meadows
Creator:
John Landseer, 1769–1852
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ballantrae Road
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1907
Materials & Techniques:
Drypoint and etching, with plate tone on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:
Sheet: 7 13/16 x 10 3/8 inches (19.9 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Glasgow Exhibition: Ireland and Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:
Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Under the Pincian Trees
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1911
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 1/16 x 10 3/4 inches (20.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Windy Night, Stockholm
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1935
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 15 3/4 x 10 13/16 inches (40 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
East Blatchington
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1908
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3479. Bologna

Bologna
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/16 x 7 3/8 inches (26.2 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund
To the King's most excellect Majesty, This Plate of Westminster Abbey
Creator:
Joseph Collyer, 1748–1827
Date:
1796
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Tower from the Pool
Creator:
Thomas Abiel Prior, 1809–1886
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bloody Gate, Tower of London
Creator:
unknown artist
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the East India Docks
Creator:
William Daniell, 1769–1837
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vue de Charing Cross a Londres
Creator:
Charles H. Onghena, 1806–1886
Date:
undated
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gate-Way of the Bloody Tower
Creator:
Frederick Nash, 1782–1856
Date:
1821
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Key To The Figures In "The Death Of Chatham"
Creator:
Abraham Raimbach, 1784–1868
Date:
1794
Materials & Techniques:
Etching and engraving, published state
Dimensions:
Plate: 10 5/8 x 30 5/8in. (27 x 77.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South View of the Bloody Tower
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gateway of the Bloody Tower
Creator:
unknown artist
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Reform Bill receiving The King's Assent by Royal Commission
Creator:
Samuel William Reynolds, 1773–1835
Date:
1836
Materials & Techniques:
Mezzotint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 33 1/4 × 23 3/4 inches (84.5 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A New and Exact Prospect of the North side of the City of London taken from the Upper Pond near Islington
Creator:
unknown artist
Date:
1730
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
This Print Representing His Majesty Reviewing the Volunteer Corps assembled in Hyde Park, in honor of his Birthday, June 4 1799
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames
Creator:
Samuel Buck, 1696–1779
Date:
1749
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chapel of St. John
Creator:
unknown artist
Date:
1888
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chapel of St. Peter's ad Vincula
Creator:
unknown artist
Date:
1889
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Johns Chapel in the White Tower London
Creator:
James Peller Malcolm, 1767–1815
Date:
1799
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames
Creator:
Samuel Buck, 1696–1779
Date:
1749
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower from the River
Creator:
unknown artist
Date:
1888
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames
Creator:
Samuel Buck, 1696–1779
Date:
1749
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Beauchamp Tower
Creator:
unknown artist
Date:
1888
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames
Creator:
Samuel Buck, 1696–1779
Date:
1749
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection