The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
2503
Print made by William Blake, 1757–1827
Illustrations of The Book of Job, in Twenty-one Plates
1825
2504
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
2505
Print made by William Blake, 1757–1827
Job and His Family
2506
Print made by William Blake, 1757–1827
Title Page, Illustrations of The Book of Job
2507
Print made by William Blake, 1757–1827
Satan before the Throne of God
2508
Print made by William Blake, 1757–1827
Satan Going Forth from the Presence of the Lord and Job's Charity
2509
Print made by William Blake, 1757–1827
Job's Comforters
2510
Print made by William Blake, 1757–1827
Job Rebuked by His Friends
2511
Print made by William Blake, 1757–1827
Job's Despair
2512
Print made by William Blake, 1757–1827
Behemoth and Leviathan
2513
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
2514
William Blake, 1757–1827
From Antique Coins
1821
2515
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
2516
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
2517
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
2518
William Blake, 1757–1827
Theocritus
1821
2519
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
2520
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
2521
Print made by William Blake, 1757–1827
The Death of Juliet
1799
2522
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
2523
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
2524
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
2525
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
2526
Print made by William Blake, 1757–1827
Pericles, Frontispiece
1800
2527
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
2528
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
2529
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
2530
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
2531
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
2532
Print made by William Blake, 1757–1827
The Death of Demosthenes
1800
2533
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
2534
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
2535
William Blake, 1757–1827
A Woody Landscape
ca. 1801
2536
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
2537
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
2538
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
2539
Print made by William Blake, 1757–1827
Pity
ca. 1795
2540
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
2541
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
2542
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
2543
William Blake, 1757–1827
A Visionary Head
1819 to 1820
2544
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
2545
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
2546
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
2547
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
2548
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
2549
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
2550
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
2551
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
2552
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
2553
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
2554
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
2555
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
2556
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
2557
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
2558
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
2559
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
2560
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
2561
attributed to William Blake, 1757–1827
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
2562
William Blake, 1757–1827
Landscape with Spire
ca. 1801
2563
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
2564
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
2565
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
2566
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
2567
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
2568
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
2569
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
2570
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
2571
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
2572
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
2573
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
2574
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
2575
Louis Munro Grier, 1864–1920
Estuary Evening
ca. 1900
2576
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
2577
Amelia Long, 1762–1837
Old Church and House
undated
2578
Sir John Everett Millais, 1829–1896
Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
1849
2579
Robert Nash
Beddington Place, Surrey
undated
2580
Robert Nash
Beddington Place, Surrey
undated
2581
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
2582
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
2583
Francis Nicholson, 1753–1844
Blackfriars Bridge and St. Paul's
ca. 1790
2584
Elias Martin, 1739–1818
Two Schoolboys
undated
2585
Alexander Marshal, active 1651–died 1682
St. Jerome in his Study
1650
2586
Isaac Oliver, ca. 1565–1617
An Angel
undated
2587
Peter Oliver, 1589–1647
A Woman Seated and Holding an Image
undated
2588
Hugh O'Neill, 1784–1824
Oxford from Boar's Hill
1811
2589
Print made by William Say, 1768–1834
Mrs. Siddons
1810
2590
Francis Nicholson, 1753–1844
Westminster from the South Bank
ca. 1790
2591
after Francis Nicholson, 1753–1844
Stourhead, Wiltshire
undated
2592
Thomas Henry Nicholson, Died 1870
Page of Sketches of Cavaliers, Horse's Head, and Plumes
ca. 1839
2593
Isaac Oliver, ca. 1565–1617
Woman's Head Inclined to the Right
undated
2594
James Northcote, 1746–1831
Study for a Tiger and Monkeys
undated
2595
Isaac Oliver, ca. 1565–1617
Head of a Child Looking to Right
undated
2596
Robert Nixon, 1759–1837
Allington Castle, Kent
ca. 1790
2597
Daniel Orme, 1766–1837
Character Studies: A Child, A Man in a Hat, Military Officer