<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Search Results

2501. The Book of Thel

The Book of Thel
Creator:
Prints made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Bound volume of eight relief etchings printed in brown ink, with watercolor and pen and ink
Dimensions:
Plate: 6 x 4 1/4in. (15.2 x 10.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2502. The First Book of Urizen

The First Book of Urizen
Creator:
Prints made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Bound volume of 28 color-printed relief etchings, with hand coloring in watercolor
Dimensions:
Sheet: 10 x 7 1/8in. (25.4 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2503. Title Page, Illustrations of The Book of Job

Title Page, Illustrations of The Book of Job
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2504. Satan before the Throne of God

Satan before the Throne of God
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2505. Satan Going Forth from the Presence of the Lord and Job's Charity

Satan Going Forth from the Presence of the Lord and Job's Charity
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2506. Satan Smiting Job with Sore Boils

Satan Smiting Job with Sore Boils
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2507. The Messengers Tell Job of His Misfortunes

The Messengers Tell Job of His Misfortunes
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2508. Job's Sons and Daughters Overwhelmed by Satan

Job's Sons and Daughters Overwhelmed by Satan
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2509. Job's Comforters

Job's Comforters
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2510. The Vision of Eliphaz

The Vision of Eliphaz
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2511. Job Rebuked by His Friends

Job Rebuked by His Friends
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2512. The Wrath of Elihu

The Wrath of Elihu
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2513. Job's Evil Dreams

Job's Evil Dreams
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2514. The Vision of Christ

The Vision of Christ
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2515. The Fall of Satan

The Fall of Satan
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2516. Job and His Family

Job and His Family
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2517. When the Morning Stars Sang Together

When the Morning Stars Sang Together
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2518. The Lord Answering Job out of the Whirlwind

The Lord Answering Job out of the Whirlwind
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2519. Every One also Gave Him a Piece of Money

Every One also Gave Him a Piece of Money
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2520. Job's Sacrifice

Job's Sacrifice
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2521. Job and His Daughters

Job and His Daughters
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2522. Job and His Family Restored to Prosperity

Job and His Family Restored to Prosperity
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2523. Illustrations of the Book of Job, Cover

Illustrations of the Book of Job, Cover
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2524. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2525. The Entrance Front of Hayley's House at Eartham

The Entrance Front of Hayley's House at Eartham
Creator:
William Blake, 1757–1827
Date:
1801
Materials & Techniques:
Pen and black ink with watercolor and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2526. Albion Compelling the Four Zoas to Their Proper Tasks

Albion Compelling the Four Zoas to Their Proper Tasks
Creator:
William Blake, 1757–1827
Date:
1804 to 1810
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 12 1/4 inches (25.1 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

2527. 'We censure nature for a span too short' (Page 23)

'We censure nature for a span too short' (Page 23)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2528. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2529. Abraham and Isaac

Abraham and Isaac
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera and pen and black ink on canvas
Dimensions:
Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2530. Christ Giving Sight to Bartimaeus

Christ Giving Sight to Bartimaeus
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera with pen and black ink on canvas
Dimensions:
Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2531. Satan Approaching the Court of Chaos

Satan Approaching the Court of Chaos
Creator:
William Blake, 1757–1827
Date:
1784 to 1785
Materials & Techniques:
Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2532. Moses Receiving the Law

Moses Receiving the Law
Creator:
William Blake, 1757–1827
Date:
ca. 1780
Materials & Techniques:
Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2533. Thomas Alphonso Hayley, Half-Length Drawing

Thomas Alphonso Hayley, Half-Length Drawing
Creator:
attributed to William Blake, 1757–1827
Date:
ca. 1800
Materials & Techniques:
Graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 5 1/4 inches (17.1 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles Rosenbloom

2534. Tiriel Supporting the Dying Myratana and Cursing His Sons

Tiriel Supporting the Dying Myratana and Cursing His Sons
Creator:
William Blake, 1757–1827
Date:
1786 to 1789
Materials & Techniques:
Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2535. Landscape with Spire

Landscape with Spire
Creator:
William Blake, 1757–1827
Date:
ca. 1801
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 8 7/8 inches (15.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2536. A Woody Landscape

A Woody Landscape
Creator:
William Blake, 1757–1827
Date:
ca. 1801
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 9 inches (14.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2537. The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/16 × 12 1/2 inches (46.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2538. An Angel with a Trumpet

An Angel with a Trumpet
Creator:
William Blake, 1757–1827
Date:
between 1805 and 1808
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2539. Study for a Destroying Deity

Study for a Destroying Deity
Creator:
William Blake, 1757–1827
Date:
1820 to 1825
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2540. Sealing the Stone and Setting a Watch

Sealing the Stone and Setting a Watch
Creator:
William Blake, 1757–1827
Date:
1800 to 1803
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

2541. Joseph and Potiphar's Wife

Joseph and Potiphar's Wife
Creator:
William Blake, 1757–1827
Date:
1803 to 1805
Materials & Techniques:
Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2542. Mary Magdalen at the Sepulchre

Mary Magdalen at the Sepulchre
Creator:
William Blake, 1757–1827
Date:
ca. 1805
Materials & Techniques:
Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2543. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2544. 'Behold him, when past by; what then is seen' (Page 25)

'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2545. The Parable of the Wise and Foolish Virgins

The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2546. Christ Appearing to the Apostles after the Resurrection

Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827
Date:
1795 to 1805
Materials & Techniques:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

2547. The Man Sweeping the Interpreter's Parlour

The Man Sweeping the Interpreter's Parlour
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1822
Materials & Techniques:
White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2548. Fable XVI. The Pin and the Needle

Fable XVI. The Pin and the Needle
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2549. Fable XXII. The Goat Without a Beard

Fable XXII. The Goat Without a Beard
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2550. Fable XXVIII. The Persian, the Sun, and the Cloud

Fable XXVIII. The Persian, the Sun, and the Cloud
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2551. Fable XXX. The Setting-dog and the Partridge

Fable XXX. The Setting-dog and the Partridge
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2552. Fable I. The Dog and the Fox

Fable I. The Dog and the Fox
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2553. Fable XII. Pan and Fortune

Fable XII. Pan and Fortune
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2554. Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2555. The Widow Embracing Her Husband's Grave

The Widow Embracing Her Husband's Grave
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2556. Copy of the Laocoön, for Rees's Cyclopædia

Copy of the Laocoön, for Rees's Cyclopædia
Creator:
William Blake, 1757–1827
Date:
1815
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/8 × 9 inches (32.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2557. A Visionary Head

A Visionary Head
Creator:
William Blake, 1757–1827
Date:
1819 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2558. Five Visionary Heads of Women

Five Visionary Heads of Women
Creator:
William Blake, 1757–1827
Date:
1819 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 12 3/4 inches (27 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2559. Socrates, a Visionary Head

Socrates, a Visionary Head
Creator:
William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2560. Pity

Pity
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:
Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2561. Illustrations of Imitation of Eclogue I, Frontispiece

Illustrations of Imitation of Eclogue I, Frontispiece
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2562. Pericles, Frontispiece

Pericles, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Engraving
Dimensions:
Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2563. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Thomas Hayley the Disciple of John Flaxman, from a Medallion
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Engraving
Dimensions:
Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2564. Publius Virgilius Maro

Publius Virgilius Maro
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2565. A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2566. The Death of Demosthenes

The Death of Demosthenes
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Engraving
Dimensions:
Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2567. Beggar's Opera, Act III

Beggar's Opera, Act III
Creator:
William Blake, 1757–1827
Date:
c.1790
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 7/16 x 22 9/16in. (44.3 x 57.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2568. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Thomas Hayley the Disciple of John Flaxman, from a Medallion
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/16 x 8 11/16 inches (28.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2569. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2570. Introduction to the Fables, The Shepherd and the Philosopher

Introduction to the Fables, The Shepherd and the Philosopher
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2571. Fable VI. The Miser and Plutus

Fable VI. The Miser and Plutus
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2572. Fable XIII. The Tame Stag

Fable XIII. The Tame Stag
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2573. Fable XXIV. The Butterfly and the Snail

Fable XXIV. The Butterfly and the Snail
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2574. Fable XLI. The Owl and the Farmer

Fable XLI. The Owl and the Farmer
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2575. Estuary Evening

Estuary Evening
Creator:
Louis Munro Grier, 1864–1920
Date:
ca. 1900
Materials & Techniques:
Oil on canvas
Dimensions:
Overall: 25 × 59 inches (63.5 × 149.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961

2576. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2577. Costessy Hall, Norfolk

Costessy Hall, Norfolk
Creator:
John Chessell Buckler, 1793–1894
Date:
1831
Materials & Techniques:
Graphite, pen and brown ink, and watercolor on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2578. Design for a Mythological Scene, with Jupiter and Juno

Design for a Mythological Scene, with Jupiter and Juno
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and black and brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 6 3/8 inches (13.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2579. Sarsden House and Gardens, Oxfordshire: Bird's-eye View

Sarsden House and Gardens, Oxfordshire: Bird's-eye View
Creator:
Humphry Repton, 1752–1818
Date:
ca. 1795
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 12 7/8 inches (24.1 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2580. Design for Polychromatic Decoration of a Church

Design for Polychromatic Decoration of a Church
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 10 1/8 × 6 1/4 inches (25.7 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2581. Perspective for a Church Interior

Perspective for a Church Interior
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 × 11 5/8 inches (30.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2582. Langley Park, Norfolk: Elevation of the South Front

Langley Park, Norfolk: Elevation of the South Front
Creator:
John Sanderson, active 1730; died 1774
Date:
ca. 1750
Materials & Techniques:
Pen and black, brown and gray ink with gray and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 × 21 7/8 inches (37.3 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2583. Interior of Lancaster House

Interior of Lancaster House
Creator:
Sir Richard Westmacott, 1775–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on moderately thick, slightly texture, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 inches (36.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2584. Hinton St. George, Somerset: Plan of the Principal Story

Hinton St. George, Somerset: Plan of the Principal Story
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pink wash, graphite, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 22 3/4 x 14 inches (57.8 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2585. Stables at Hinton St. George, Somerset: Plan

Stables at Hinton St. George, Somerset: Plan
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pink wash on graphite, pen and brown and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 3/8 × 14 1/4 inches (56.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2586. Hinton St. George, Somerset: Plan of Staircase

Hinton St. George, Somerset: Plan of Staircase
Creator:
James Wyatt, 1746–1813
Date:
1804
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 5/8 x 13 3/8 inches (54.9 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2587. Hinton St. George, Somerset: Plan of the New Staircase

Hinton St. George, Somerset: Plan of the New Staircase
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/4 x 13 3/8 inches (55.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2588. Designs for Two Chiffoniers

Designs for Two Chiffoniers
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2589. Designs for Furniture

Designs for Furniture
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
undated
Materials & Techniques:
Brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 1/8 inches (21 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2590. Design of Apollo and the Python for a Painted over-door Decoration

Design of Apollo and the Python for a Painted over-door Decoration
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink with brown wash on thin, slightly textured, beige laid paper laid down on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 x 8 1/2 inches (21.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2591. Unidentified House for Giles Hudson, Putney, Surrey: Chamber Floor Plan

Unidentified House for Giles Hudson, Putney, Surrey: Chamber Floor Plan
Creator:
William Wickham, born ca.1750
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, watercolor on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 10 1/4 × 9 1/4 inches (26 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2592. Elevations of a Room

Elevations of a Room
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black and gray ink with gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 × 12 3/8 inches (44.8 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2593. Elevation of the Ordnance Office

Elevation of the Ordnance Office
Creator:
unknown artist
Date:
after 1780
Materials & Techniques:
Watercolor with gouache and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 21 9/16 inches (34.7 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2594. Design for the Decoration of a Staircase

Design for the Decoration of a Staircase
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Image: 10 1/4 × 15 1/8 inches (26 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2595. Perspective View of a Fanciful Acropolis Complex

Perspective View of a Fanciful Acropolis Complex
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Graphite and watercolor on Slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 8 3/8 × 16 inches (21.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2596. Variant Designs for the Somerset Monument: Elevation

Variant Designs for the Somerset Monument: Elevation
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on smooth, thick, cream wove paper
Dimensions:
Sheet: 10 1/2 × 7 inches (26.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2597. Design for a Plinth

Design for a Plinth
Creator:
Joseph Wilton, 1722–1803
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, gray wash on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 11 × 10 3/8 inches (27.9 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2598. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/4 x 18 inches (56.5 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2599. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1838
Materials & Techniques:
Watercolor, pen and brown ink, gray wash, and graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2600. A View of Several Palaces at Naples at Sun Rise

A View of Several Palaces at Naples at Sun Rise
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection