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12201. Memorial to Bright Hemming, from Acton Church

Memorial to Bright Hemming, from Acton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 7/8 inches (37.5 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12202. Memorial to Elizabeth Hatsell, from Fulham Church

Memorial to Elizabeth Hatsell, from Fulham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12203. Memorials to Martha Ogle, and to Sir Thomas Kinsey and his grandchildren Rober and Elizabeth Kinsey of Fulham Church

Memorials to Martha Ogle, and to Sir Thomas Kinsey and his grandchildren Rober and Elizabeth Kinsey of Fulham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 5/8 inches (27 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12204. Memorial to James Scott and to Francis Wolley from Fulham Church

Memorial to James Scott and to Francis Wolley from Fulham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12205. Design for a Gothic Kneeler

Design for a Gothic Kneeler
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 12 3/8 x 13 1/4 inches (31.4 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12206. Design for a Gothic Table

Design for a Gothic Table
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 12 3/8 x 13 1/4 inches (31.4 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12207. Memorial to Mary Bantock from West Ham Church

Memorial to Mary Bantock from West Ham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12208. Design for a Gothic Chair and Box

Design for a Gothic Chair and Box
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 12 3/8 x 13 1/4 inches (31.4 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12209. Design for Small Tables for the Library of the House of Lords

Design for Small Tables for the Library of the House of Lords
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 5/8 × 12 3/4 inches (52.4 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12210. Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair

Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Watercolor and graphite on thin, smooth, cream tracing paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 12 3/8 x 13 1/4 inches (31.4 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12211. Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby

Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby
Creator:
Follower of Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 3/16 inches (16.9 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12212. Design for a Gothic Staff

Design for a Gothic Staff
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and brown ink on thin, smooth, brown tracing paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 4 7/8 inches (17.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12213. Design for the Brass Eagle Lectern Base

Design for the Brass Eagle Lectern Base
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1846
Materials & Techniques:
Graphite and pen and black ink on moderately thick, smooth, beige paper
Dimensions:
Sheet: 32 1/2 x 27 7/8 inches (82.6 x 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12214. Chapel of the Archbishop's Palace, Croydon: View from the East End

Chapel of the Archbishop's Palace, Croydon: View from the East End
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1827
Materials & Techniques:
Graphite and pen and red ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 7/8 × 10 1/2 inches (22.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12215. Designs for a Baptismal Font and a Tabernacle

Designs for a Baptismal Font and a Tabernacle
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 x 11 3/4 inches (33 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12216. Designs for Gothic Hinges, Keyplates and Doorstraps

Designs for Gothic Hinges, Keyplates and Doorstraps
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 21 inches (32.7 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12217. Design for an Unidentified House: Elevations and Plans

Design for an Unidentified House: Elevations and Plans
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 12 3/4 × 20 1/2 inches (32.4 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12218. Design for the Roof Truss, Rampisham Rectory

Design for the Roof Truss, Rampisham Rectory
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
between 1846 and 1848
Materials & Techniques:
Graphite and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 × 12 inches (45.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12219. Designs for Gothic Ornamentation

Designs for Gothic Ornamentation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1852
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/4 × 12 inches (48.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12220. Design for Inkstand for Westminster No. 1, End Elevation

Design for Inkstand for Westminster No. 1, End Elevation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 12 inches (35.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12221. An East Indiaman Moored, Small Boats Alongside, Other Boats Further Off

An East Indiaman Moored, Small Boats Alongside, Other Boats Further Off
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor with brown ink over graphite on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 7 9/16 × 10 3/16 inches (19.2 × 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12222. Design for Branch for the Speaker's Chair

Design for Branch for the Speaker's Chair
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 19 1/2 inches (30.5 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12223. St. Giles' Catholic Church: Elevation of the Steeple

St. Giles' Catholic Church: Elevation of the Steeple
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and black ink, with line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 17 1/2 × 13 1/8 inches (44.5 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12224. Twenty Designs for Gothic Friezes

Twenty Designs for Gothic Friezes
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1830
Materials & Techniques:
Graphite and pen and blue ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 8 3/4 inches (33.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12225. Two Views of a Gothic Table

Two Views of a Gothic Table
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1830
Materials & Techniques:
Graphite on medium, moderately textured, white laid paper
Dimensions:
Sheet: 3 5/8 x 7 7/8 inches (9.2 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12226. Designs for Gothic Candle Branches

Designs for Gothic Candle Branches
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1830
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/4 x 7 7/8 inches (32.4 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12227. Design for a Monstrance

Design for a Monstrance
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 2 7/8 inches (14 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12228. Fragment with the inscription 'cit 1830'

Fragment with the inscription 'cit 1830'
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1830
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 1/2 × 1 inches (1.3 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12229. Designs for Gothic Friezes

Designs for Gothic Friezes
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1830
Materials & Techniques:
Graphite on medium, slightly texture, white laid paper
Dimensions:
Sheet: 12 1/2 x 7 7/8 inches (31.8 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12230. Design for a Gothic Table

Design for a Gothic Table
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, slightly texture, cream laid paper
Dimensions:
Sheet: 3 5/8 × 3 3/4 inches (9.2 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12231. Design for an Ornamented Spandrel

Design for an Ornamented Spandrel
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 19 7/8 inches (32.1 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12232. Designs for Gothic Ornamentation

Designs for Gothic Ornamentation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1831
Materials & Techniques:
Pen and blue ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 4 3/8 inches (18.4 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12233. Section of Aisles St. Paul's Cathedral

Section of Aisles St. Paul's Cathedral
Creator:
attributed to Augustus Welby Northmore Pugin, 1812–1852
Date:
1823
Materials & Techniques:
Graphite and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 9 1/4 inches (45.7 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12234. Group of Four Seated Men

Group of Four Seated Men
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 1 9/16 × 2 1/2 inches (4 × 6.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12235. Design for a Baptismal Font

Design for a Baptismal Font
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 5 1/2 inches (25.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12236. Classical Figure

Classical Figure
Creator:
Edward Burne-Jones, 1833–1898
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 6 1/4 inches (25.4 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

12237. Barn Interior

Barn Interior
Creator:
William Henry Hunt, 1790–1864
Date:
1836
Materials & Techniques:
Watercolor and gouache, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 5/8 inches (34.6 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12238. Two Studies for a Sculptural Column

Two Studies for a Sculptural Column
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Black ink and pen on medium, slightly textured, cream machine-made laid paper
Dimensions:
Sheet: 9 x 7 1/8 inches (22.9 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12239. The Assassin

The Assassin
Creator:
Charles Phillips, 1737– after 1783
Materials & Techniques:
Etching and mezzotint
Dimensions:
Sheet: 5 7/8 x 4 7/16in. (15 x 11.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12240. The Presentation in the Temple

The Presentation in the Temple
Creator:
Richard Earlom, 1743–1822
Date:
1771
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 21 1/16 x 15 9/16in. (53.5 x 39.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12241. Bridgenorth, Shropshire

Bridgenorth, Shropshire
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1801
Materials & Techniques:
Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12242. Haymaking

Haymaking
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
1792
Materials & Techniques:
Pen and gray ink, watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 3/8 inches (22.2 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12243. Grotesque Profiled a Man Wearing a Hood

Grotesque Profiled a Man Wearing a Hood
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1666
Materials & Techniques:
Etching
Dimensions:
Sheet: 2 11/16 x 2 1/16in. (6.9 x 5.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12244. Due Filosofi

Due Filosofi
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
between 1736 and 1747
Materials & Techniques:
Etching
Dimensions:
Plate: 9 3/4 x 8 1/4in. (24.8 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12245. Crossing the Line Ceremony on Board the Ship, "Vestal"

Crossing the Line Ceremony on Board the Ship, "Vestal"
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 9 5/8 inches (18.1 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12246. Grotesque profiles of a man and woman facing each other

Grotesque profiles of a man and woman facing each other
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1645
Materials & Techniques:
Etching
Dimensions:
Sheet: 2 15/16 x 4 5/8in. (7.5 x 11.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12247. After Work

After Work
Creator:
Paul Drury, 1903–1987
Date:
1926
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 1/8 inches (18.7 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12248. Fall of the Leaf

Fall of the Leaf
Creator:
Print made by Sybil Andrews, 1898–1992
Date:
1934
Materials & Techniques:
Color linocut on thin, slightly textured, beige Asian paper
Dimensions:
Sheet: 15 3/4 x 11 15/16 inches (40 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12249. Position pour la Garde en Quarte

Position pour la Garde en Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12250. Position pour la Garde en Quarte et le Coup de Quarte

Position pour la Garde en Quarte et le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12251. Position de la Garde en Quarte, et le Coup de Flanconnade

Position de la Garde en Quarte, et le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12252. Position de la Garde en Quarte, et le Coup de Quarte Basse

Position de la Garde en Quarte, et le Coup de Quarte Basse
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12253. River Landscape with Cattle Watering

River Landscape with Cattle Watering
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 14 13/16in. (27.3 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12254. Her Majesty Prorogueing Parliament - House of Lords

Her Majesty Prorogueing Parliament - House of Lords
Creator:
John Woods, active 1836–1860
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 5/8 x 8 1/8in. (27 x 20.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

12255. A Country Church Amongst Hills

A Country Church Amongst Hills
Creator:
John Laporte, 1761–1839
Date:
undated
Materials & Techniques:
Gouache on moderately thick, moderately textured, laid paper mounted on linen
Dimensions:
Sheet: 11 5/8 x 15 3/4in. (29.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12256. Entrance to the House of Lords, with the Office of Ordinance; House of Commons

Entrance to the House of Lords, with the Office of Ordinance; House of Commons
Creator:
T. Simpson, active 1763–1768
Dimensions:
Sheet: 4 x 6 1/16in. (10.2 x 15.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

12257. Plan of Westminster Hall and Abbey

Plan of Westminster Hall and Abbey
Creator:
James Wyld, 1790–1836
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 8 1/2 x 11in. (21.6 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

12258. King on His Throne in the House of Lords

King on His Throne in the House of Lords
Creator:
James Fittler, 1758–1835
Date:
ca. 1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 9/16 x 8 1/16in. (16.6 x 20.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

12259. King on His Throne in the House of Lords

King on His Throne in the House of Lords
Creator:
James Fittler, 1758–1835
Date:
ca. 1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 5/8 x 7 15/16in. (16.8 x 20.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

12260. Ruins of the House of Lords, Westminster

Ruins of the House of Lords, Westminster
Creator:
William Woolnoth, active 1806–1830
Dimensions:
Sheet: 5 9/16 x 8 3/4in. (14.2 x 22.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

12261. King on His Throne in the House of Lords

King on His Throne in the House of Lords
Creator:
James Fittler, 1758–1835
Date:
ca. 1820
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 9/16 x 8 1/16in. (16.6 x 20.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

12262. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12263. London: a View toward the City and St. Paul's from the North West

London: a View toward the City and St. Paul's from the North West
Creator:
Bernard Lens III, 1682–1740
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 12 3/4in. (21.3 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12264. De la Parade du Cavé sur le Coup de Flanconnade

De la Parade du Cavé sur le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12265. Windsor Castle from the North

Windsor Castle from the North
Creator:
Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/16 x 13 5/8in. (24 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12266. De la Parade de Prime sur le Coup de Seconde

De la Parade de Prime sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12267. De la Risposte de Quarte apres la Parade de Quarte

De la Risposte de Quarte apres la Parade de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12268. De la Parade Dequinte sur le Coup de Quinte

De la Parade Dequinte sur le Coup de Quinte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12269. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12270. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12271. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12272. Demi Volte sur les Coups Forcés au Dehors des Armes

Demi Volte sur les Coups Forcés au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12273. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Du Desarmement Aprés Avoir Paré le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12274. De la Volte sur la Passe au Dehors des Armes

De la Volte sur la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12275. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12276. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12277. Risposte Aprés Avoir Trompé la Parade du Poignard

Risposte Aprés Avoir Trompé la Parade du Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12278. Still Life with Wheelbarrow and Baskets, April 27, 1840

Still Life with Wheelbarrow and Baskets, April 27, 1840
Creator:
Henry Harris Lines, 1801–1899
Date:
1840
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 3/8 inches (21.9 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12279. Du Desarmement Aprés la Parade au Dehors des Armes

Du Desarmement Aprés la Parade au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12280. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12281. A Welsh Funeral

A Welsh Funeral
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 3/8 inches (34.6 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12282. Lancaster Sands

Lancaster Sands
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12283. Calais Pier

Calais Pier
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
after 1832
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 19 1/2 inches (34.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12284. Representation of Storming and Taking Bangalore, by the Marquis Cornwalls

Representation of Storming and Taking Bangalore, by the Marquis Cornwalls
Creator:
J. Pass, active 1796–1800
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

12285. Gateway at Fountains Abbey

Gateway at Fountains Abbey
Creator:
R. Dunning, active 1819
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

12286. The Lost Receipt

The Lost Receipt
Creator:
Sir David Wilkie, 1785–1841
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

12287. Untitled

Untitled
Creator:
John Bowles, 1701–1779
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

12288. Maternal Instructions

Maternal Instructions
Creator:
George Noble, active 1795–1806
Date:
1790
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

12289. A View in the Villa Madama, near Rome, called II Teatro

A View in the Villa Madama, near Rome, called II Teatro
Creator:
William Byrne, 1743–1805
Date:
1765
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 19 3/8 inches (38.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

12290. Untitled

Untitled
Creator:
Joseph Powell, 1780–1834
Materials & Techniques:
print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

12291. The Cathedral Church of Ely

The Cathedral Church of Ely
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

12292. Archers Stalking a Stag

Archers Stalking a Stag
Creator:
John Martin, 1789–1854
Date:
1821
Materials & Techniques:
Watercolor, brown wash, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12293. Mercury and Battus

Mercury and Battus
Creator:
James Peak, 1703–1782
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

12294. Untitled [frigates, possibly after a battle]

Untitled [frigates, possibly after a battle]
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

12295. Untitled

Untitled
Creator:
John Brown, 1749–1787
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

12296. The Journalist, with a view of Auchinleck or the Land of Stones

The Journalist, with a view of Auchinleck or the Land of Stones
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

12297. Garrick in the Green Room

Garrick in the Green Room
Creator:
William Ward, 1766–1826
Date:
1829
Materials & Techniques:
Mezzotint on moderately thick, smooth, cream wove paper mounted on canvas
Dimensions:
Sheet: 22 7/8 × 27 inches (58.1 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

12298. The Representation of the Dealer of a Squardon of Spanish Ships

The Representation of the Dealer of a Squardon of Spanish Ships
Creator:
Daniel Lerpiniere, c.1745–1785
Date:
1782
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

12299. The Storm

The Storm
Creator:
Peter P. Benazech, 1767–1794
Date:
1779
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

12300. The Battle at La Hogue

The Battle at La Hogue
Creator:
William Woollett, 1735–1785
Date:
1781
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 25 1/16 inches (50.2 × 63.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection