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Subject Terms spears (weapons)

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1. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1815
Materials & Techniques:
Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Putting Arms in Hands of the Indians

Putting Arms in Hands of the Indians
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

3. Putting Arms in the Hands of the Indians

Putting Arms in the Hands of the Indians
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/8 × 9 1/2 inches (15.6 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

4. Andromache Bewailing the Death of Hector

Andromache Bewailing the Death of Hector
Creator:
Domenico Cunego, 1726–1803
Date:
1764
Materials & Techniques:
Line engraving
Dimensions:
Plate: 15 7/8 x 24 1/8in. (40.3 x 61.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of David Bindman

5. The Religion of Europe: Professed and Practiced

The Religion of Europe: Professed and Practiced
Creator:
Print made by Gregory, Collins and Reynolds, active 1843
Date:
ca. 1845
Materials & Techniques:
Wood-engraving and color printed woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Illustration to Tonson's Ovid Metamorphosis (two of four)

Illustration to Tonson's Ovid Metamorphosis (two of four)
Creator:
unknown artist
Date:
ca. 1710
Materials & Techniques:
Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 8 3/8 inches (35.9 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion

Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink with brown wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/4 x 14 3/8 inches (17.1 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Apotheosis of Shakespeare's Characters

Apotheosis of Shakespeare's Characters
Creator:
Sir John Gilbert, 1817–1897
Date:
1871
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper mounted on wood panel
Dimensions:
Sheet: 41 x 28 inches (104.1 x 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. L'Age du Fer

L'Age du Fer
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. The Seven Bishops Going To Trial

The Seven Bishops Going To Trial
Creator:
Richard Westall, 1765–1836
Date:
1790
Materials & Techniques:
Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 13 1/2 x 18 3/8 inches (34.3 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

11. Duchess of Manchester with Her Son George, Viscount Mandeville, as 'Diana and Cupid'

Duchess of Manchester with Her Son George, Viscount Mandeville, as 'Diana and Cupid'
Creator:
Print made by James Watson, 1740–1790
Date:
1769
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 15/16 × 17 5/8 inches (65.9 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Design after a Greek Vase

Design after a Greek Vase
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 26 1/4 × 19 9/16 inches (66.7 × 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Unidentified Periodical / Play Illustration

Unidentified Periodical / Play Illustration
Creator:
Isaac Taylor, 1730–1807
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 3 1/4 inches (14 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Pylades and Orestes

Pylades and Orestes
Creator:
Print made by James Basire, 1730–1802
Date:
1771
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 x 22 1/4in. (45.7 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret

16. Study of Three Lampstands

Study of Three Lampstands
Creator:
John Flaxman, 1755–1826
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 6 inches (19.1 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Bindman