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1. Dutch Fishing Boats at Anchor in an Estuary

Dutch Fishing Boats at Anchor in an Estuary
Creator:
William Joy, 1803–1867
Date:
ca. 1850
Materials & Techniques:
Watercolor with scraping and gum on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 16 3/16in. (28.6 x 41.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Dutch Fishing Boats at Anchor in an Estuary

Dutch Fishing Boats at Anchor in an Estuary
Creator:
William Joy, 1803–1867
Date:
undated
Materials & Techniques:
Watercolor with scraping and gum on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 16 1/4in. (28.7 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Ships and Hulks Moored in an Estuary

Ships and Hulks Moored in an Estuary
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/16 × 18 13/16 inches (28.4 × 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Castle Above an Estuary

A Castle Above an Estuary
Creator:
William James Muller, 1812–1845
Date:
ca. 1831
Materials & Techniques:
Watercolor, goauche, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 5/16 x 16 3/8 inches (28.7 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Shipping in an Estuary

Shipping in an Estuary
Creator:
Bernard Lens III, 1682–1740
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/16 x 12 1/4in. (21.4 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Sheerness and the Isle of Sheppey, with the Junction of the Thames and Medway, from the Nore

Sheerness and the Isle of Sheppey, with the Junction of the Thames and Medway, from the Nore
Creator:
Print made by unknown artist
Date:
1821
Materials & Techniques:
Etching and line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 × 18 1/8 inches (33.7 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. St. Mawes, Cornwall

St. Mawes, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Bristol: Sketch of Boats and Buildings

Bristol: Sketch of Boats and Buildings
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 × 6 5/8 inches (7.6 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground

A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
Creator:
William Anderson, 1757–1837
Date:
1790
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

10. Pleasure Boats in an Estuary

Pleasure Boats in an Estuary
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 8 15/16 inches (12.1 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Estuary on the River Taw, Devon

Estuary on the River Taw, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Prospect of ye Town of Dundee

The Prospect of ye Town of Dundee
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 3/4 x 16 3/4in. (27.3 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Prospect of the Town of St. Andrews

The Prospect of the Town of St. Andrews
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Inn, Purfleet

The Inn, Purfleet
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1869
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 11 9/16 inches (22 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

15. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

16. The Breaking Up of the Agamemnon, no. 1

The Breaking Up of the Agamemnon, no. 1
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1870
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 18 3/4 inches (27.6 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

17. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

18. The Junction of the Severn and the Wye with Chepstow in the Distance

The Junction of the Severn and the Wye with Chepstow in the Distance
Creator:
David Cox, 1783–1859
Date:
1830
Materials & Techniques:
Watercolor with stopping out, scraping out, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 31 x 42 inches (78.7 x 106.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Cader Idris from the Mawddach Estuary above Barmouth

Cader Idris from the Mawddach Estuary above Barmouth
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1802
Materials & Techniques:
Black ink and gray wash over graphite on medium smooth cream wove paper
Dimensions:
Sheet: 4 3/4 x 8 3/8 inches (12.1 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Barmouth Estuary with Cader Idris, North Wales

Barmouth Estuary with Cader Idris, North Wales
Creator:
attributed to John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 12 inches (15.9 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Wooded Landscape Overlooking an Estuary

Wooded Landscape Overlooking an Estuary
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 19 3/8 inches (14.6 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Estuary with Castle and village

Estuary with Castle and village
Creator:
Anthony Devis, 1729–1817
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash and graphite on medium, slightly textured cream wove paper
Dimensions:
Sheet: 5 3/8 × 8 inches (13.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge

The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
Creator:
John White Abbott, 1763–1851
Date:
1811
Materials & Techniques:
Gray wash and pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left

The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
Creator:
John White Abbott, 1763–1851
Date:
1810
Materials & Techniques:
Watercolor, gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection