On-site Access: Accessible by appointment in the Study Room / Subject Terms: bed

1. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "Fear & hope are -- Vision" (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Fear & Hope Are -- Vision (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Songs of Experience, Title Page (Plate 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Introduction (Plate 34)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Romeo and Juliet, Act IV, Scene V

Creator:: Print made by William Blake, 1757–1827
Date:: 1799
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 5/16 × 16 9/16 inches (31.2 × 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

11. Figures Mourning at the Bier of a Woman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 19 1/4 inches (30.5 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

12. Two Lovers (Man Awakening from a Dream)

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 19 3/4 inches (32.4 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

13. Andromache Mourning the Death of Hector

Creator:: Gavin Hamilton, 1723–1798
Date:: between 1760 and 1763
Materials & Techniques:: Pen and brown ink with gray wash and brown wash on medium, slightly textured, cream wove paper mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Annuciation

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 × 3 3/4 inches (14.1 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. Cupid and Psyche

Creator:: Print made by William Say, 1768–1834
Date:: 1816
Materials & Techniques:: Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Study of a Cottage Interior

Creator:: John Henry Mole, 1814–1886
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 11/16 inches (29.5 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Morning

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1758
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Morning

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1758
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. Bathsheba Bringing Abishag to David

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1779
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 5/8 × 19 3/8 inches (65.1 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Jupiter and Semele

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 7 7/8 inches (16.8 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. Lucretia Romana

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1678 and 1717
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 15/16 x 8 3/8 inches (30.4 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

22. The Death of Arcite

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

23. Elisha on His Death-Bed (II Kings 12:17)

Creator:: Richard Westall, 1765–1836
Date:: before 1835
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/4 x 5 1/4 inches (8.3 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. And Ah! Let Pity Turn Her Dewy Eyes...

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1775
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 x 29 inches (51.4 x 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Christ Healing the Palsied Man

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Woman in Bed

Creator:: Laura Sylvia Gosse, 1881–1968
Date:: ca. 1920
Materials & Techniques:: Black chalk and graphite on medium, smooth, blue wove paper
Dimensions:: Sheet: 11 1/8 × 9 inches (28.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 26 3/4 inches (51.4 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Sophia, Honour, and the Chambermaid

Creator:: James Gillray, 1756–1815
Date:: 1780
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

30. Girl Standing by a Bed

Creator:: David Jones, 1895–1974
Date:: undated
Materials & Techniques:: Graphite, watercolor and pastel on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

31. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Creator:: Simon François Ravenet, 1706–1774
Date:: 1753
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 21 5/8 inches (42.9 × 55 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Chamber Idyll

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1831
Materials & Techniques:: Wood-engraving on thin, smooth, cream Asian paper
Dimensions:: Sheet: 2 1/8 x 3 7/16 inches (5.4 x 8.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Juliet About to Take her Sleeping Draught

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 1/2 inches (16.5 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Untitled (one of three)

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 1/16 x 2 5/8 inches (5.2 x 6.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. Sir Gareth and Lady Lionesse

Creator:: David Jones, 1895–1974
Date:: ca. 1940
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 1/4 x 19 inches (61.6 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: between 1809 and 1811
Materials & Techniques:: Black chalk, pen and brown ink on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 5 1/16 inches (11.1 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Murder of Duncan - Macbeth Stabbing Duncan

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: between 1809 and 1811
Materials & Techniques:: Pen and brown ink on moderately thick, textured, brown laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 9 9/16 inches (14.4 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Murder of Duncan - Macbeth with the Daggers

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: between 1809 and 1811
Materials & Techniques:: Graphite, black chalk and white chalk on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 5 11/16 × 8 5/8 inches (14.4 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: between 1809 and 1811
Materials & Techniques:: Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 x 5 1/16in. (11.1 x 12.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Study of the Hermaphrodite

Creator:: John Brown, 1749–1787
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 8 3/4 inches (13.7 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Samson Overcome by the Philistines

Creator:: Print made by Johan Joseph Zoffany, 1733–1810
Date:: ca. 1758
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 10 5/8 inches (17.5 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. Christopher Sly and the Page, as His Wife

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. King Lyncus Turned Into a Lynx by Ceres

Creator:: Print made by Jacob Gole, 1660–1737
Date:: between 1675 and 1700
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 7/8 × 17 7/16 inches (35.2 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Der Keusche Joseph - Joseph Castus

Creator:: Print made by Johann Philip Koch, ca. 1716–1796
Date:: undated
Materials & Techniques:: Mezzotint printed in blue ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 19 3/4 inches (40.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Phoebus and Leucothea

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 5 7/16 inches (18.1 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Queen Katherine's Dream - "Henry VIII"

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 17 x 20in. (43.2 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 8 13/16 inches (17 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Cuckold Departs for the Hunt

Creator:: Isaac Cruikshank, 1764–1811
Date:: ca. 1800
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 15/16 inches (17.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Four O'Clock in the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1788 and 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Rag Gatherers

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1858
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/16 x 4 15/16 inches (18 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

56. Jack Sheppard and Blueskin in Mr. Woods Bedroom

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 3/8 inches (21.8 x 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

57. "Captain Kelly conveys a slight remonstance"

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 × 5 3/4 inches (20.4 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

58. The Arrest of Lord Edward Fitzgerald

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 9/16 × 8 11/16 inches (14.1 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

59. Mr. Wood Offers to Adopt Little Jack Sheppard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 11/16 x 7 7/16 inches (22 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

60. The Use of Tears

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Watercolor and white gouache over graphite on thick, smooth card
Dimensions:: Sheet: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Mrs. Sheppard Expostulating with her Son

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 1/4 x 6 15/16 inches (21 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

63. Design for a Bed

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on two sheets of moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 1/2 inches (33 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Design for a Bed

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 1/8 × 9 3/16 inches (35.9 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Bauldy, Symon and Sir William Worthy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

66. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

68. Mother and Children in Bed

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 5 7/8 inches (11.1 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

69. The Shelter

Creator:: Bert Hardy, 1913–1995
Date:: 1948
Materials & Techniques:: Vintage gelatin silver print on photographic paper
Dimensions:: Sheet: 6 5/8 × 9 3/8 inches (16.8 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)

70. Charlotte Rampling

Creator:: Lewis Morley, 1925–2013
Date:: 1963
Materials & Techniques:: Gelatin silver print on resin-coated photographic paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

71. Charlotte Rampling

Creator:: Lewis Morley, 1925–2013
Date:: 1963
Materials & Techniques:: Gelatin silver print on resin-coated photographic paper
Dimensions:: Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

72. David Frost Contact Sheet

Creator:: Lewis Morley, 1925–2013
Date:: 1963
Materials & Techniques:: Gelatin silver print on glossy photographic paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

73. 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1809 and 1811
Materials & Techniques:: Watercolor with pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 3/8 inches (14 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Dissecting Scene

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 7/8 x 6 1/2 inches (9.8 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

75. The Rose Bower

Creator:: After Edward Burne-Jones, 1833–1898
Date:: 1892
Materials & Techniques:: Photogravure on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 30 3/4 inches (41.9 × 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

76. Female Nude on a Bed

Creator:: Walter Richard Sickert, 1860–1942
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 x 13 1/8 inches (20.3 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

77. A Death-Bed Scene

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 9 inches (17.1 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Lynn Redgrave and Maggie Smith in 'The Recruiting Officer' by George Farquhar

Creator:: Lewis Morley, 1925–2013
Date:: 1963
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 19 7/8 × 16 inches (50.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

79. Harry H. Corbett

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 19 7/8 × 16 inches (50.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

80. Kenny Everett and Wife

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Chromogenic color print on resin-coated photographic paper
Dimensions:: Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

81. Percival Frees Belisane from the Spell of Urma

Creator:: Henry Fuseli, 1741–1825
Date:: 1811
Materials & Techniques:: Graphite and gray wash; verso: pen and black ink and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 8 3/4 inches (18.4 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Lady Percy Watching the Sleeping Hotspur

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Lady Macbeth, Sleepwalking

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink, scraping, and gouache over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 21 1/16 x 14 1/2 inches (53.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Joshua Cristall, 1768–1847
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Cupid & Psyche

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Lydia

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 15/16 × 13 1/8 inches (30.3 × 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Lydia

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 13 3/4 inches (31.8 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Cobham Hall, Kent: Sketch for a bed

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 14 7/8 × 11 3/16 inches (37.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Gil Blas Practicing Medicine Under Dr. Sangrado

Creator:: Thomas Uwins, 1782–1857
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash with brown pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper, laid in contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 17 3/8 x 20 1/2 inches (44.2 x 52 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. City of Sleep

Creator:: Gerald Spencer Pryse, 1882–1956
Date:: 1912
Materials & Techniques:: Lithograph in brown and yellow
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Donald & Willi Holden

99. Awake

Creator:: William Lee Hankey, 1869–1952
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 13/16 x 14 1/16 inches (32.5 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

100. Untitled

Creator:: Andy Summers, born 1942
Date:: between 1983 and 2008
Materials & Techniques:: Gelatin silver print on photographic paper
Dimensions:: Sheet: 24 × 20 inches (61 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

YCBA Collections Search

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1. 'We censure nature for a span too short' (Page 23)

2. 'Like that, the dial speaks; and points to thee' (Page 33)

3. 'Angels should paint it, angels ever there' (Page 40)

4. "Fear & hope are -- Vision" (Plate 15)

5. 'The present moment terminates our sight' (Page 13)

6. Fear & Hope Are -- Vision (Plate 15)

7. 'Angels should paint it, angels ever there' (Page 40)

8. Songs of Experience, Title Page (Plate 33)

9. Introduction (Plate 34)

10. Romeo and Juliet, Act IV, Scene V

11. Figures Mourning at the Bier of a Woman

12. Two Lovers (Man Awakening from a Dream)

13. Andromache Mourning the Death of Hector

14. Annuciation

15. Cupid and Psyche

16. Study of a Cottage Interior

17. Morning

18. Morning

19. Bathsheba Bringing Abishag to David

20. Jupiter and Semele

21. Lucretia Romana

22. The Death of Arcite

23. Elisha on His Death-Bed (II Kings 12:17)

24. And Ah! Let Pity Turn Her Dewy Eyes...

25. A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital

26. Christ Healing the Palsied Man

27. Woman in Bed

28. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

29. Sophia, Honour, and the Chambermaid

30. Girl Standing by a Bed

31. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

32. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

33. The Chamber Idyll

34. Juliet About to Take her Sleeping Draught

35. Untitled (one of three)

36. Sir Gareth and Lady Lionesse

37. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

38. The Murder of Duncan - Macbeth Stabbing Duncan

39. The Murder of Duncan - Macbeth with the Daggers

40. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

41. Study of the Hermaphrodite

42. Samson Overcome by the Philistines

43. Christopher Sly and the Page, as His Wife

44. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

45. King Lyncus Turned Into a Lynx by Ceres

46. Der Keusche Joseph - Joseph Castus

47. The Soul Hovering over the Body reluctantly Parting with Life

48. Phoebus and Leucothea

49. Queen Katherine's Dream - "Henry VIII"

50. Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

51. The Cuckold Departs for the Hunt

52. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

53. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

54. Four O'Clock in the Country

55. The Rag Gatherers

56. Jack Sheppard and Blueskin in Mr. Woods Bedroom

57. "Captain Kelly conveys a slight remonstance"

58. The Arrest of Lord Edward Fitzgerald

59. Mr. Wood Offers to Adopt Little Jack Sheppard

60. The Use of Tears

61. April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

62. Mrs. Sheppard Expostulating with her Son

63. Design for a Bed

64. Design for a Bed

65. Bauldy, Symon and Sir William Worthy

66. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

67. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

68. Mother and Children in Bed

69. The Shelter

70. Charlotte Rampling

71. Charlotte Rampling

72. David Frost Contact Sheet

73. 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'

74. A Dissecting Scene