Somerset House, Saint Paul's Cathedral and Blackfriar's Bridge
undated
4
James Bruce, 1730–1794
Elevation and Plan of Arch at Makther
ca. 1768
5
James Bruce, 1730–1794
Tucca Terebinthina; Title Page
undated
6
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
7
William Ward, 1766–1826
Industry and Economy
1794
8
William Say, 1768–1834
Crossing the Brook
1804
9
Robert K. Thomas, 1816–1864
The "Meteor" and "Prince of Wales" Iron Steam Vessels
1844
10
Isaac Weld, 1774–1856
View of Niagara Falls with the Falls in the Background, Right, and Landscape with Houses in the Foreground
between 1795 and 1797
11
James Ward, 1769–1859
The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky
1798
12
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
13
Print made by James Walker, 1748–1808
Lady Isabella Hamilton
1782
14
Print made by Thomas Watson, 1743–1781
Catherine, Lady Bampfylde
1779
15
Print made by William Dickinson, 1746–1823
Diana, Viscountess Crosbie
ca. 1779
16
Print made by William Say, 1768–1834
Lady Mildmay and Child
1803
17
Print made by Thomas Nugent, active 1785–1798
Mrs. Sheridan and Her Son
1800
18
Print made by Charles Turner, 1774–1857
Admiral Lord Nelson
1806
19
Print made by Samuel Cousins, 1801–1887
Countess Gower and Her Daughter Lady Elizabeth Leveson Gower
1832
20
Print made by Thomas Watson, 1743–1781
Elizabeth Lady Melbourne with Her Son, the Honourable. Peniston Lamb
1775
21
Print made by Johann Jacobé, 1733–1797
The Honorable Miss Monckton
1779
22
Print made by John Raphael Smith, 1752–1812
Lady Caroline Montagu as 'Winter'
1777
23
Print made by John Dixon, ca. 1740–1811
Mary, Duchess of Ancaster
between 1765 and 1771
24
Print made by William James Ward, ca. 1800–1840
Frederick Howard, Fifth Earl of Carlisle
1823
25
unknown artist
Asian Openbill Stork (Anastomus oscitans)
undated
26
Print made by Paul Adolphe Rajon, 1842–1888
Charles Robert Darwin
1882
27
Print made by Thomas Cheesman, 1760–1834/35
General Washington
1796
28
Print made by Richard Earlom, 1743–1822
Bathsheba Bringing Abishag to David
1779
29
Print made by Thomas Cheesman, 1760–1834/35
General Washington
1796
30
Print made by John Raphael Smith, 1752–1812
Colonel Tarleton
1782
31
Print made by John Jones, ca. 1745–1797
The Honble Mrs. Tollemache, in the Character of Miranda
1786
32
Print made by John Jones, ca. 1745–1797
Caleb Whitefoord, F.R.S., F.S.A
1793
33
Print made by James Watson, 1740–1790
Charles James Fox, with Lady Sarah Lenox and Lady Susan Strangways
1762
34
Thomas Watson, 1743–1781
Mrs. Theresa (née Robinson) Parker
1773
35
William Ward, 1766–1826
Horne Tooke Esq
1811
36
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
37
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
38
Print made by John Martin, 1789–1854
The Deluge
1828
39
James Gillray, 1756–1815
Evacuation Before Resignation
1782
40
William Emmett, 1671–1736
The Front or West End of the Cathedral Church of St. Pauls, London
1702
41
Francesco Bartolozzi, 1728–1815
The Death of Chatham
1788
42
Print made by Graham Vivian Sutherland, 1903–1980
Owl
1968
43
James Heath, 1757–1834
William Henry West Betty
1806
44
Print made by William Miller, 1796–1882
The Grand Canal, Venice
1838
45
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
46
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
1785
47
James Bruce, 1730–1794
XLX Lower Arch at Makther Details of Cornice
undated
48
James Bruce, 1730–1794
Architectural detail of column at Assuras
undated
49
James Bruce, 1730–1794
Elevation of Pedestal Entableature of the Arch at Tripoli
undated
50
James Bruce, 1730–1794
Elevation and Plan of the Arch at Zanfour
undated
51
James Bruce, 1730–1794
Architectural detail of Column of Arch at Tripoli
undated
52
James Bruce, 1730–1794
Elevation of Arch at Tripoli
undated
53
James Bruce, 1730–1794
Architectural Details of Pedestal Column and Entablature and Pediment Makther
undated
54
James Bruce, 1730–1794
Architectural detail of Plaque above Niches in Arch at Tripoli
undated
55
James Bruce, 1730–1794
Aquaduct at Carthage
undated
56
Thomas Heaphy, 1775–1835
Inattention
1808
57
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
58
Print made by Charles Turner, 1774–1857
George, first Marquis Townshend
1807
59
Print made by Richard Earlom, 1743–1822
George Augustus Elliot Lord Heathfield
1788
60
Print made by Samuel William Reynolds, 1773–1835
Georgiana Elizabeth Duchess of Newcastle
1825
61
Print made by William Say, 1768–1834
Dorothea
1804
62
Print made by William Ward, 1766–1826
Henry Callender
1812
63
James Gillray, 1756–1815
Sawney in the Bog-House
1779
64
James Gillray, 1756–1815
Junction of Parties
1783
65
James Gillray, 1756–1815
Wouski
1788
66
James Gillray, 1756–1815
The Injured Countess
1786-1788
67
James Gillray, 1756–1815
The Castle in the Moon
1782
68
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
69
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
70
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
71
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
72
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
73
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
74
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
75
James Gillray, 1756–1815
Patience on a Monument
1791
76
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
77
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
78
James Gillray, 1756–1815
Wha Wants Me?
1792
79
James Gillray, 1756–1815
Brisk Cathartic
1804
80
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
81
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
82
James Gillray, 1756–1815
National Conveniences
1796
83
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
84
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
85
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
86
James Gillray, 1756–1815
Fashionable Jockeyship
1796
87
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
88
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
89
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
90
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
91
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
92
James Gillray, 1756–1815
The Grand - Signior retiring
1796
93
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
94
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
95
James Gillray, 1756–1815
Duke William's Ghost
1799
96
James Gillray, 1756–1815
Playing in Parts
1801
97
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
98
James Gillray, 1756–1815
Evacuation of Malta
1803
99
James Gillray, 1756–1815
Palemon and Lavinia
1805
100
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"