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Height [cm] 45

George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

George Stubbs, 1724–1806

Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

1795 to 1806

George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Lateral View

George Stubbs, 1724–1806

Human Skeleton, Lateral View

1795 to 1806

William Hogarth Strolling Actresses Dressing in a Barn

Print made by William Hogarth, 1697–1764

Strolling Actresses Dressing in a Barn

1738

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake Study for a Destroying Deity

William Blake, 1757–1827

Study for a Destroying Deity

1820 to 1825

George Romney Classical Male Nude with a Rearing Horse

George Romney, 1734–1802

Classical Male Nude with a Rearing Horse

undated

Henry Holland Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

Henry Holland, 1745–1806

Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

between 1783 and 1796

John Farey Jr. Machinery for the Manufacture of Paper

John Farey Jr., 1791–1851

Machinery for the Manufacture of Paper

ca. 1810

John Frederick Lewis Study for the Proclamation of Don Carlos

John Frederick Lewis, 1804–1876

Study for the Proclamation of Don Carlos

between 1834 and 1838

John Glover St. Donat's Castle, Glamorganshire

John Glover, 1767–1849

St. Donat's Castle, Glamorganshire

undated

John Samuel Hayward Netley Abbey, the East Window

John Samuel Hayward, 1778–1822

Netley Abbey, the East Window

1804

unknown artist Elevations of a Room

unknown artist

Elevations of a Room

undated

James C. Allen Lowestoffe Lighthouse

Print made by James C. Allen, active 1821–1831

Lowestoffe Lighthouse

ca. 1830

Daniel Lysons Stained Glass Window of St. Catherine from Heston Church

Attributed to Daniel Lysons, 1762–1834

Stained Glass Window of St. Catherine from Heston Church

between 1796 and 1811

Daniel Lysons Tomb of Dame Katherine Darcy from Isleworth Church

Attributed to Daniel Lysons, 1762–1834

Tomb of Dame Katherine Darcy from Isleworth Church

between 1796 and 1811

Edward Goodall Cologne on the Rhine

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Edward Goodall Perugia

Print made by Edward Goodall, 1795–1870

Perugia

1830

Edward Goodall The Forum

Print made by Edward Goodall, 1795–1870

The Forum

1830

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

Edward Goodall Marengo

Print made by Edward Goodall, 1795–1870

Marengo

1830

Henry Moore Ideas for Metal Sculpture I

Print made by Henry Moore, 1898–1986

Ideas for Metal Sculpture I

1981

Edward Goodall Venice

Print made by Edward Goodall, 1795–1870

Venice

1830

John Pye Ehrenbreitstein, During the Demolition of the Fortress in 1817

Print made by John Pye, 1782–1874

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1828

Robert Blyth John Hamilton Mortimer

Robert Blyth, 1750–1784

John Hamilton Mortimer

1782

Colen Campbell Lowther House, Westmorland: Lower Ground Floor Plan

Colen Campbell, 1676–1729

Lowther House, Westmorland: Lower Ground Floor Plan

between 1718 and 1729

Augustus Welby Northmore Pugin Design for the Roof Truss, Rampisham Rectory

Augustus Welby Northmore Pugin, 1812–1852

Design for the Roof Truss, Rampisham Rectory

between 1846 and 1848

Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Samuel Davis Man of War Moored in Harbor, Mountains in the Background

Samuel Davis, 1760–1819

Man of War Moored in Harbor, Mountains in the Background

undated

Joseph Bishop Pratt Mrs. Gregory

Print made by Joseph Bishop Pratt, 1854–1910

Mrs. Gregory

1898

Richard Purcell A Jewess

Print made by Richard Purcell, active 1746–1766

A Jewess

undated

Thomas Watson Resignation

Thomas Watson, 1743–1781

Resignation

1772

William Woollett Shooting, Plate II

William Woollett, 1735–1785

Shooting, Plate II

1770

Sarah Stone A Red Parrot

Sarah Stone, ca. 1760–1844

A Red Parrot

1786

George Morland Travellers

George Morland, 1763–1804

Travellers

1794

John Raphael Smith Mrs. Stables and Two Daughters Harriet & Maria

Print made by John Raphael Smith, 1752–1812

Mrs. Stables and Two Daughters Harriet & Maria

1781

Thomas Watson Miss Polly Kennedy

Print made by Thomas Watson, 1743–1781

Miss Polly Kennedy

1771

William Ward Portrait of the Short Horned Bull Patriot

Print made by William Ward, 1766–1826

Portrait of the Short Horned Bull Patriot

1810

George Morland Fishermen

George Morland, 1763–1804

Fishermen

1793

Francesco Bartolozzi The Cottagers

Print made by Francesco Bartolozzi, 1728–1815

The Cottagers

1794

Joseph Grozer Miss Mary Palmer as "The Young Shepherdess"

Print made by Joseph Grozer, ca. 1755–1798

Miss Mary Palmer as "The Young Shepherdess"

ca. 1785

John Raphael Smith Miss Theophila Palmer

Print made by John Raphael Smith, 1752–1812

Miss Theophila Palmer

1777

William Dickinson Lady Charles Spencer

Print made by William Dickinson, 1746–1823

Lady Charles Spencer

1776

Charles Howard Hodges Mrs. Ann Warren

Print made by Charles Howard Hodges, 1764–1837

Mrs. Ann Warren

undated

Thomas Park The Honorable Mrs. Watson

Print made by Thomas Park, ca. 1760–1834

The Honorable Mrs. Watson

ca. 1785

Jan van de Velde IV Oliver Cromwell, P.R.O.C.

Print made by Jan van de Velde IV, ca. 1620–1686

Oliver Cromwell, P.R.O.C

ca. 1655

Thomas Kitchin Battle of the Boyne, July 1st 1690

Thomas Kitchin, 1719–1784

Battle of the Boyne, July 1st 1690

undated

Valentine Green Miss Sarah Campbell

Valentine Green, 1739–1813

Miss Sarah Campbell

1779

James Ward Sir William Fawcett

James Ward, 1769–1859

Sir William Fawcett

1801

John Blackmore Samuel Foote

John Blackmore, active 1740–1780

Samuel Foote

1771

Robert Dunkarton Mrs. Mary Gwyn (née Horneck)

Robert Dunkarton, 1744–1811

Mrs. Mary Gwyn (née Horneck)

1778

William Skelton The Right Honourable Spencer Perceval

William Skelton, 1763–1848

The Right Honourable Spencer Perceval

1813

Peter Vanderbank Frederick Schomburg, 1st Duke of Schonberg, 1st Count Mertola

Peter Vanderbank, 1649–1697

Frederick Schomburg, 1st Duke of Schonberg, 1st Count Mertola

undated

Joseph Grozer Shepherdess (Miss Mary Palmer as the Young Shepherdess)

Joseph Grozer, ca. 1755–1798

Shepherdess (Miss Mary Palmer as the Young Shepherdess)

1799

William Dickinson A Lady and Children

Print made by William Dickinson, 1746–1823

A Lady and Children

1780

John Finlayson Elizabeth, Duchess of Hamilton and Brandon and of Argyll

Print made by John Finlayson, 1730–1776

Elizabeth, Duchess of Hamilton and Brandon and of Argyll

1770

Valentine Green William Lord Newbottle and His Sister

Print made by Valentine Green, 1739–1813

William Lord Newbottle and His Sister

1768

William Pether Officer of State

Print made by William Pether, ca. 1738–1821

Officer of State

1764

William Pether Officer of State

Print made by William Pether, ca. 1738–1821

Officer of State

1764