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On-site Access Accessible by appointment in the Study Room

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Height [cm] 45

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Subject Terms man

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George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
George Stubbs, 1724–1806
Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
David Hockney Ossie Seated
David Hockney, born 1937
Ossie Seated
1966
William Doughty Samuel Johnson, L. L. D.
Print made by William Doughty, 1757–1782
Samuel Johnson, L. L. D
1779
Matthew Darly The Preposterous Head Dress, or the Feathered Lady
Print made by Matthew Darly, active 1754–1778
The Preposterous Head Dress, or the Feathered Lady
1776
John Blackmore Samuel Foote Esq.
Print made by John Blackmore, active 1740–1780
Samuel Foote Esq
1771
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
Robert Dunkarton Reverend John Fisher, Bishop of Salisbury
Robert Dunkarton, 1744–1811
Reverend John Fisher, Bishop of Salisbury
1811
Charles Turner Hon. James Yorke, Bishop of Ely
Charles Turner, 1774–1857
Hon. James Yorke, Bishop of Ely
1810
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
Valentine Green John Boydell, Engraver
Valentine Green, 1739–1813
John Boydell, Engraver
1772
William Say Reverend. Shute Barrington L.L.D.
William Say, 1768–1834
Reverend. Shute Barrington L.L.D
1812
John Bogle Night Watchman
Print made by John Bogle, 1746–1804
Night Watchman
1776
John Raphael Smith Joseph Deane Bourke, 3rd Earl of Mayo
John Raphael Smith, 1752–1812
Joseph Deane Bourke, 3rd Earl of Mayo
1784
William Doughty The Rev. William Mason, M. A.
Print made by William Doughty, 1757–1782
The Rev. William Mason, M. A
1779
Richard Earlom James McArdell
Print made by Richard Earlom, 1743–1822
James McArdell
1771
Glyn Warren Philpot Study of a Man's Left Leg
Glyn Warren Philpot, 1884–1937
Study of a Man's Left Leg
undated
William Whiston Barney Thomas Stewardson
Print made by William Whiston Barney, active 1805–1817
Thomas Stewardson
between 1805 and 1808
James S. Storer Birmingham
Print made by James S. Storer, 1771–1853
Birmingham
1795
James Walker Bridgenorth
Print made by James Walker, 1748–1808
Bridgenorth
1795
Lewis Morley Joe Orton
Lewis Morley, 1925–2013
Joe Orton
1965
Charles Turner Cyril Jackson
Charles Turner, 1774–1857
Cyril Jackson
1811
George Clint Robert Haldane, Esq.
George Clint, 1770–1854
Robert Haldane, Esq
1805
Charles Turner William Hawley
Charles Turner, 1774–1857
William Hawley
1817