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On-site Access Accessible by appointment in the Study Room
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1
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
2
- Owl Standing, Anterior View
- 1795 to 1806
3
- Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
- 1795 to 1806
4
- Tiger Body, Lateral View (Outline drawing for a key figure)
- 1795 to 1806
5
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
6
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
7
- The First Stage of Cruelty
- ca. 1750
8
- John Wilkes, Esq
- 1763
9
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
10
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
11
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
12
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
13
- Simon Lord Lovat
- 1746
14
- Marriage à la Mode, Plate 6
- 1745
15
- Study for the Foundlings
- ca. 1739
16
- Ship Aground, Brighton, with the Chain Pier Beyond
- 1830
17
- Winchelsea, Sussex
- 1812
18
- Weymouth
- ca. 1811
19
- A Sea Piece - A Rough Sea with a Fishing Boat
- 1820 to 1830
20
- Sketches of a Prostrate Woman
- undated
21
- Miranda, Prospero, and Caliban: The Tempest
- undated
22
- John Henderson as Falstaff
- 1780
23
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
24
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
25
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
26
- "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
- 1794
27
- "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
- 1794
28
- "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
- 1794
29
- Famine (Plate 8)
- 1794
30
- Ciampolo the Barrator Tormented by the Devils (Plate 2)
- 1827
31
- The Serpent Attacking Buoso Donati (Plate 5)
- 1827
32
- Night the First. On Life, Death and Immortality; Title Page
- 1797
33
- 'We censure nature for a span too short' (Page 23)
- 1797
34
- Title Page, Europe a Prophecy (Plate 2)
- 1794
35
- "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
- 1794
36
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
37
- "In thoughts perturb'd they rose..." (Plate 11)
- 1794
38
- Plague (Plate 13)
- 1794
39
- "Shot from the heights of Enitharmon..." (Plate 17)
- 1794
40
- "The shrill winds wake!..." (Plate 6)
- 1794
41
- Dante Striking against Bocca Degli Abati (Plate 7)
- 1827
42
- The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
- 1827
43
- Job and His Family
- 1825
44
- Title Page, Illustrations of The Book of Job
- 1825
45
- Satan Smiting Job with Sore Boils
- 1825
46
- Job and His Family Restored to Prosperity
- 1825
47
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
48
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
49
- The Christian Triumph; Title Page
- ca. 1797
50
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
51
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
52
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
53
- Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
- 1794
54
- "Enitharmon slept. ..." (Plate 10)
- 1794
55
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
56
- "Arise 'O Rintrah eldest born..." (Plate 9)
- 1794
57
- Europe. A Prophecy
- 1793, printed 1795
58
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
59
- Arthur Gore, first Earl of Arran
- undated
60
- Elevation of Amphitheatre of El Djem entitled "Isrus"
- undated
61
- Plan of three quarters of the amphitheatre at El Djem with descriptive notes
- undated
62
- Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
- undated
63
- Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
- undated
64
- XIVI Theatre at Ain Tunga Thignica
- undated
65
- Temple of Jupiter and Minerva, Thugga
- undated
66
- Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
- ca. 1790
67
- Cobham Hall, Kent: Drawing for Wall Decoration
- ca. 1790
68
- The Basilica at Pergamon
- ca. 1750
69
- Herstmonceux
- 1787
70
- The Spoiled Child, Scene I
- ca. 1802
71
- The Spoiled Child, Scene II
- ca. 1802
72
- The Spoiled Child, Scene III
- ca. 1802
73
- The Spoiled Child, Scene IV
- ca. 1802
74
- The Spoiled Child, Scene V
- ca. 1802
75
- Design for a Wall of the Chapel of Revealed Religion
- ca. 1780
76
- Simmer Lake, near Askrig
- 1818-1823
77
- Ingleborough, from Hornby Castle Terrace
- 1818-1823
78
- Kirkby Lonsdale Churchyard
- 1818-1823
79
- Weathercote Cave when Half Filled with Water
- 1821
80
- Edinburgh from Leith Harbour
- 1826
81
- Genoa
- 1832-1834
82
- A View of Worcester College &c
- 1804
83
- The Vale of Ashburnham
- 1816
84
- View of Oxford from the South Side of Heddington Hill
- 1808
85
- Order of the two courts of the Temple at Baalbec
- undated
86
- Plan of upright of the semi circular Exedra of Temple at Baalbec
- undated
87
- Hurstmonceux Castle
- 1820
88
- Edinburgh Castle
- 1826
89
- Landscape, Castle by a River
- undated
90
- View of Lakes Buttermere and Crummock Water
- 1803
91
- Rocks
- ca. 1769
92
- Sketch of Temple Ruins
- ca. 1768
93
- Corinthian Temple at Assuras
- undated
94
- XXIV Lybian Mausoleum at Dougga
- undated
95
- Temple of Jupiter and Minerva, Thugga
- undated
96
- Tomb de la Chretienne/ Juba and Cleopatra
- ca. 1769
97
- The Sailor's Departure
- ca. 1795
98
- Classical Scene: Minerva as the Goddess of Arts and Sciences
- undated
99
- Plan of one quarter of the amphitheatre at El Djem showing seating tiers
- undated
100
- Temple at Thignica Modern, Ain Tunga now totally Destroyed
- undated