Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
47
Print made by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
48
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
49
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
50
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
51
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
52
Print made by Joseph Mallord William Turner, 1775–1851
Paestum
between 1820 and 1826
53
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
between 1820 and 1826
54
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
55
Attributed to Joseph Mallord William Turner, 1775–1851
Whitchurch, Devonshire
1800
56
Edward Lear, 1812–1888
Garf Hassai, Malta
1866
57
Edward Lear, 1812–1888
Albenga
1864
58
Edward Lear, 1812–1888
Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
1849
59
Edward Lear, 1812–1888
Catania
1847
60
Edward Lear, 1812–1888
A Weasel
1832
61
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
62
Print made by William Blake, 1757–1827
The Lord Answering Job out of the Whirlwind
1825
63
Print made by William Blake, 1757–1827
When the Morning Stars Sang Together
1825
64
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
65
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
66
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
67
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
68
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
69
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
70
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
71
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
72
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
73
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
74
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
75
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
76
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
77
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
78
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
79
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
80
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
81
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
82
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
83
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
84
William Blake, 1757–1827
A Visionary Head
1819 to 1820
85
George Romney, 1734–1802
Study of a Horse's Hooves
undated
86
George Romney, 1734–1802
Study of Two Figures and a Face
undated
87
George Romney, 1734–1802
Standing Figure with Upraised Arms
undated
88
George Romney, 1734–1802
Charity
undated
89
George Romney, 1734–1802
Seated Woman
undated
90
George Romney, 1734–1802
Standing Figure
undated
91
William Brockedon, 1787–1854
Sketch of an Unknown Device
92
unknown artist
A View of the Maison Dieu at Dover
between 1826 and 1866
93
William Taverner, 1703–1772
An Italian Landscape: village on a hill left, hillside sloping towards right, with distant valley beyond
undated
94
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape Composition
1801
95
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
96
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
97
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
98
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
99
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance