Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
9902
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
9903
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
9904
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
9905
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
9906
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
9907
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
9908
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
9909
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
9910
Monro School
Buildings Overlooking Water, near Naples
ca. 1796
9911
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
9912
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
9913
Thomas Rowlandson, 1756–1827
The Scold, with News of Olivia
ca. 1817
9914
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
9915
Thomas Rowlandson, 1756–1827
A Tour in a Cathedral
undated
9916
Thomas Rowlandson, 1756–1827
Fruit and Nut Picking
undated
9917
Thomas Rowlandson, 1756–1827
Scene in a Monastery
undated
9918
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Gourmands at Dinner
1798
9919
Thomas Rowlandson, 1756–1827
A Cavalry Barracks
undated
9920
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
9921
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
9922
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
9923
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
9924
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
9925
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
9926
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
9927
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
9928
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
9929
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
9930
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
9931
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
9932
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
9933
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
9934
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
9935
unknown artist
Survey view of a lobby, Palace of Westminster
undated
9936
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
9937
unknown artist
Peers' Entrance
undated
9938
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
9939
unknown artist
New Rooms at Westminster for the Bishops
undated
9940
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
9941
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
9942
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
9943
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
9944
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
9945
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
9946
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
9947
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
9948
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
9949
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
9950
George Harley, 1791–1871
Ruins of Westminster Palace
1834
9951
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
9952
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
9953
unknown artist
Near Chiavenna
ca. 1796
9954
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
9955
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
9956
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
9957
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
9958
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
9959
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
9960
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
9961
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
9962
Thomas Rowlandson, 1756–1827
Spanish Inquisition
undated
9963
Thomas Rowlandson, 1756–1827
One Way to Stop Your Horse
undated
9964
Thomas Rowlandson, 1756–1827
A Bit of Blood
undated
9965
Thomas Rowlandson, 1756–1827
How to Ride Genteel and Agreeably Downhill
undated
9966
Thomas Rowlandson, 1756–1827
The Arrival of a Company of Militia at an Inn
undated
9967
Thomas Rowlandson, 1756–1827
The Kill
undated
9968
Albert Louden, born 1942
Untitled
undated
9969
Thomas Rowlandson, 1756–1827
Fortune-Telling
ca. 1817
9970
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
9971
unknown artist
Sky study
undated
9972
unknown artist
Sky study
undated
9973
Thomas Rowlandson, 1756–1827
The Family Picture
1817
9974
Thomas Rowlandson, 1756–1827
Crowd by a Gibbet
undated
9975
Thomas Rowlandson, 1756–1827
Elegant Company Dancing
undated
9976
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
9977
Thomas Rowlandson, 1756–1827
The Vicar Preaching to the Prisoners
ca. 1817
9978
Thomas Rowlandson, 1756–1827
The Slaughterhouse
undated
9979
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
9980
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
9981
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Music Master
1798
9982
attributed to Peter DeWint, 1784–1849
Houses at Teddington on the Thames
1809
9983
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Seated Woman and Standing Man
ca. 1835
9984
Willey Reveley, 1760–1799
Views in the Levant: The Colossus of Barletta
ca. 1785
9985
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
9986
Edward Kennion, 1743–1809
A View of Hall-head Sugar Plantation, Jamaica
ca. 1780
9987
Peter le Vasseur, Born 1938
Portrait of William Shakespeare, 1965
1965
9988
Thomas Rowlandson, 1756–1827
Women Drinking Punch
undated
9989
Henry Moore, 1898–1986
Reclining Figure
1939
9990
Thomas Rowlandson, 1756–1827
Chess Players
undated
9991
Thomas Rowlandson, 1756–1827
A Legal Wrangle
undated
9992
Thomas Rowlandson, 1756–1827
Jack Bannister in his Dressing Room
1783
9993
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated
9994
Thomas Rowlandson, 1756–1827
A Park Scene
undated
9995
Thomas Rowlandson, 1756–1827
A Group of Five Bulls about to Fight
ca. 1810
9996
Thomas Rowlandson, 1756–1827
The Riding School
undated
9997
Peter Biegel, 1913–1988
Mill Reef Wins the Eclipse in Record Time, Sandown, July 3rd, 1971
1971
9998
Louis Philippe Boitard, active 1734–1760
Man Asleep leaning against a table
undated
9999
Hablot Knight Browne, 1815–1882
The Shyer suddenly Departs but not in Peace
undated
10000
Samuel Daniell, 1775–1811
A Landscape in Ceylon, With Barking Deer and Fawn and a Pair of Paradise Fly-Catchers