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Creator Ireland, Samuel, died 1800

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101. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, 1744–1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

102. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, 1744–1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

103. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, 1744–1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

104. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, 1744–1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

105. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, 1744–1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

106. Design for a New Order of Architecture

Design for a New Order of Architecture
Creator:
Samuel Ireland, 1744–1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

107. Staple Inn

Staple Inn
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Temple Church

Temple Church
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Banditti Regaling

Banditti Regaling
Creator:
Samuel Ireland, 1744–1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Westminster Hall

Westminster Hall
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Rolls Chapel

Rolls Chapel
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Serjeant's Inn, Chanery Lane

Serjeant's Inn, Chanery Lane
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Serjeant's Inn, Chanery Lane

Serjeant's Inn, Chanery Lane
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Lion's Inn

Lion's Inn
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Lincoln's Inn Gate

Lincoln's Inn Gate
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Lincoln's Inn Hall and Chapel

Lincoln's Inn Hall and Chapel
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Three etchings laid down on one sheet: Three Soldiers

Three etchings laid down on one sheet: Three Soldiers
Creator:
Samuel Ireland, 1744–1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Three etchings laid down on one sheet: Two Mythological Figures

Three etchings laid down on one sheet: Two Mythological Figures
Creator:
Samuel Ireland, 1744–1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Guildhall and Church

Guildhall and Church
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

121. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

122. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

123. Furnival's Inn

Furnival's Inn
Creator:
Print made by unknown artist
Date:
1800
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

124. Head of Diana

Head of Diana
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1785
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

125. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

126. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

127. Garden Front of Furnival's Inn

Garden Front of Furnival's Inn
Creator:
Print made by unknown artist
Date:
1800
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

128. Doctors, Birds, Dog, Rat and Skeleton attending a Corpse

Doctors, Birds, Dog, Rat and Skeleton attending a Corpse
Creator:
Samuel Ireland, 1744–1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Skeletons with an Hour Glass

Skeletons with an Hour Glass
Creator:
Samuel Ireland, 1744–1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Two Men beside a Water Jar (Laid down on the same sheet as B1977.14.12075)

Two Men beside a Water Jar (Laid down on the same sheet as B1977.14.12075)
Creator:
Samuel Ireland, 1744–1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)

The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)
Creator:
Samuel Ireland, 1744–1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)

The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)
Creator:
Samuel Ireland, 1744–1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

134. Falstaff Examining His Recruits

Falstaff Examining His Recruits
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

135. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

136. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

137. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

138. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

139. Bitford, Warwickshire

Bitford, Warwickshire
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1795
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

140. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

141. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

142. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

143. Scene at a Banking House in 1745

Scene at a Banking House in 1745
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

144. The Right Hon. Gustavus Lord Viscount Boyne &c

The Right Hon. Gustavus Lord Viscount Boyne &c
Creator:
Print made by A. M. Ireland, active before 1801
Date:
before 1800
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

145. Pershore, Worcestershire

Pershore, Worcestershire
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1795
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

146. Valenciennes

Valenciennes
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

147. Somerset Place

Somerset Place
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1791
Materials & Techniques:
Aquatint printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

148. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

149. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

150. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

151. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

152. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

153. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

154. Falstaff Examining His Recruits

Falstaff Examining His Recruits
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

155. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

156. Somerset Place

Somerset Place
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1791
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

157. Head of a Female Moor

Head of a Female Moor
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1785
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

158. Head of a Female Moor

Head of a Female Moor
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1785
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

159. Head of Diana

Head of Diana
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1785
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

160. Head of Diana

Head of Diana
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1785
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

161. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

162. Head of Diana

Head of Diana
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1785
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

163. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

164. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

165. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

166. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

167. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

168. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

169. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

170. Female Curiosity

Female Curiosity
Creator:
Printed by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

171. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

172. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

173. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

174. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

175. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

176. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

177. False Perspective Exemplified

False Perspective Exemplified
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

178. False Perspective Exemplified

False Perspective Exemplified
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

179. False Perspective Exemplified

False Perspective Exemplified
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

180. Garden Front of Furnivals Inn

Garden Front of Furnivals Inn
Creator:
Print made by unknown artist
Date:
1800
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

181. False Perspective Exemplified

No cover image available
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

182. Inner Temple

No cover image available
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1800
Materials & Techniques:
Etching and aquatint printed in brown ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

183. Staple's Inn

No cover image available
Creator:
unknown artist
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Drawings for "Picturesque Views with an Historical Account of the Inns of Court in London and Westminster," London, 1800, Plus Eleven Unpublished Drawings

No cover image available
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Spine: 9 inches (22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Picturesque views on the River Wye : from its source at Plinlimmon Hill, to its junction with the Severn below Chepstow : with observations on the public buildings, and other works of art, in its vicinity / by Samuel Ireland ...

Picturesque views on the River Wye : from its source at Plinlimmon Hill, to its junction with the Severn below Chepstow : with observations on the public buildings, and other works of art, in its vicinity / by Samuel Ireland ...
Creator:
Ireland, Samuel, died 1800
Date:
1797
Physical Description:
xii, 159, [1] pages, [32] leaves of plates : illustrations, map, portrait ; 24 cm
Collection:
Rare Books and Manuscripts

186. Original watercolors for A picturesque tour through Holland, Brabant, and part of France, 1789.

Original watercolors for A picturesque tour through Holland, Brabant, and part of France, 1789.
Creator:
Ireland, Samuel, died 1800
Date:
1789
Physical Description:
46 drawings : watercolor ; 11 x 16 cm.
Collection:
Rare Books and Manuscripts

187. Picturesque views on the River Thames : from its source in Gloucestershire to the Nore : with observations on the public buildings and other works of art in its vicinity / by Samuel Ireland.

No cover image available
Creator:
Ireland, Samuel, died 1800
Date:
1792
Physical Description:
2 v. (xvi, 209, viii, 258 p., [29, 27] leaves of plates) : ill. (chiefly col.), maps ; 36 cm.
Collection:
Rare Books and Manuscripts

188. Picturesque views on the river Medway : from the Nore to the vicinity of its source in Sussex : with observations on the public buildings and other works of art in its neighbourhood / by Samuel Ireland, author of "A picturesque tour through Holland, Brabant, and part of France", and of "Picturesque views on the river Thames.".

No cover image available
Creator:
Ireland, Samuel, died 1800
Date:
MDCCXCIII [1793]
Physical Description:
[5], p. viii, [1], viii-xii, 206, [2] p., [29] leaves of plates : ill., map ; 34 cm.
Collection:
Rare Books and Manuscripts

189. Picturesque views on the upper, or Warwickshire Avon : from its sources at Naseby to its junction with the Severn at Tewkesbury : with observations on the public buildings, and other works of art in its vicinity / by Samuel Ireland.

No cover image available
Creator:
Ireland, Samuel, died 1800
Date:
1795
Physical Description:
xviii, 284, [1] p., [32] leaves of plates : ill., map ; 25 cm.
Collection:
Rare Books and Manuscripts

190. A picturesque tour through Holland, Brabant, and part of France : made in the autumn of 1789 / illustrated with copper plates in aqua tinta from drawings on the spot, by Samuel Ireland ...

No cover image available
Creator:
Ireland, Samuel, died 1800
Date:
[1790]
Physical Description:
2 v. : ill. ; 34 cm.
Collection:
Rare Books and Manuscripts

191. Picturesque views, with an historical account of the Inns of Court, in London and Westminster / by Samuel Ireland ...

No cover image available
Creator:
Ireland, Samuel, died 1800
Date:
1800
Physical Description:
xvi, 254, [2] p., [24] leaves of plates : ill. ; 24 cm.
Collection:
Rare Books and Manuscripts

192. A picturesque tour through Holland, Brabant, and part of France : made in the autumn of 1789 / by Samuel Ireland ; author of the Histories and picturesque scenery of the Rivers Thames, Medway, and Avon, and graphic illustrations of Hogarth.

No cover image available
Creator:
Ireland, Samuel, died 1800
Date:
1796
Physical Description:
2 v. : ill. ; 24 cm.
Collection:
Rare Books and Manuscripts

193. Tour through Holland.

No cover image available
Creator:
Ireland, Samuel, died 1800
Date:
1795
Physical Description:
2 vols.
Collection:
Rare Books and Manuscripts