<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Creator Bartolozzi, Francesco, 1727–1815

Remove constraint Creator: Bartolozzi, Francesco, 1727–1815

Subject Terms literary theme

Remove constraint Subject Terms: literary theme

Search Results

Francesco Bartolozzi Gualtherus and Griselda
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
Francesco Bartolozzi Alphonso and Aciloe
Print made by Francesco Bartolozzi, 1728–1815
Alphonso and Aciloe
1788
William Woollett Dido and Aeneas
William Woollett, 1735–1785
Dido and Aeneas
1787
Francesco Bartolozzi Lovelace in Prison
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
Francesco Bartolozzi Tom Jones Assisting Molly Seagrim
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
Francesco Bartolozzi A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
Francesco Bartolozzi Queen Katherine's Dream - "Henry VIII"
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
Francesco Bartolozzi Ophelia: There Is Rue for You and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
Francesco Bartolozzi Cordelia
Francesco Bartolozzi, 1728–1815
Cordelia
1784
Francesco Bartolozzi Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
Francesco Bartolozzi Tancred and Clorinda
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
Amedeo Gabrielli Griselda Returning to her Father
Print made by Amedeo Gabrielli, 1749–1817
Griselda Returning to her Father
after 1785
Francesco Bartolozzi The Death of Cora
Print made by Francesco Bartolozzi, 1728–1815
The Death of Cora
1788
Francesco Bartolozzi And Ah! Let Pity Turn Her Dewy Eyes...
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
Francesco Bartolozzi Ophelia: There's Rue for You, and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
Francesco Bartolozzi Celadon and Amelia
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
Francesco Bartolozzi Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
Francesco Bartolozzi Miss Anna Brunton
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
Francesco Bartolozzi Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
1793