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Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Edward Lear Mqabba, Qrendi
Edward Lear, 1812–1888
Mqabba, Qrendi
1866
Edward Lear Harb. Gozo
Edward Lear, 1812–1888
Harb. Gozo
1866
Edward Lear Albenga
Edward Lear, 1812–1888
Albenga
1864
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Nice from the Genoa Road
Edward Lear, 1812–1888
Nice from the Genoa Road
1865
Edward Lear Corpo di Cava, 28 June 1838
Edward Lear, 1812–1888
Corpo di Cava, 28 June 1838
1838
Edward Lear Calder Abbey, September 12. 1836
Edward Lear, 1812–1888
Calder Abbey, September 12. 1836
1836
Edward Lear Derwentwater, September 1836
Edward Lear, 1812–1888
Derwentwater, September 1836
1836
Edward Lear Ullswater
Edward Lear, 1812–1888
Ullswater
1836
Edward Lear Burpham Oct.4.1834
Edward Lear, 1812–1888
Burpham Oct.4.1834
1834
Edward Lear North Stoke. Oct. 21.1834.
Edward Lear, 1812–1888
North Stoke. Oct. 21.1834
1834
Edward Lear Furness Abbey East, 29 August 1836
Edward Lear, 1812–1888
Furness Abbey East, 29 August 1836
1836
Edward Lear Bassenthwaite
Edward Lear, 1812–1888
Bassenthwaite
1836
Edward Lear Brothers Water from Patterdale
Edward Lear, 1812–1888
Brothers Water from Patterdale
1836
Edward Lear A Ruined Tower House
Edward Lear, 1812–1888
A Ruined Tower House
1836
Edward Lear Calder Bridge
Edward Lear, 1812–1888
Calder Bridge
1836
Edward Lear Albania
Edward Lear, 1812–1888
Albania
between 1848 and 1849
Edward Lear Wady Feiran, Peninsula of Mt. Sinai
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888
A View of the Pine Woods Above Cannes
1869
Edward Lear Gozo, near Malta
Edward Lear, 1812–1888
Gozo, near Malta
1866
Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857
Edward Lear, 1812–1888
On the Road, Two Hours from Tepelene, 19 April 1857
1857
Edward Lear La Cava, 20 July 1838
Edward Lear, 1812–1888
La Cava, 20 July 1838
1838
Edward Lear Corfu
Edward Lear, 1812–1888
Corfu
ca. 1856
Edward Lear Pettenasco, Lago d'Orta
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
Edward Lear Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
Edward Lear A Dry Halfeh Grass
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
Edward Lear Kurayim
Edward Lear, 1812–1888
Kurayim
1867
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
George Barret Tree Study with Stags (Landscape)
George Barret, ca. 1728/32–1784
Tree Study with Stags (Landscape)
undated
James Duffield Harding Willows by a Stream, Horse and Cart Crossing Bridge
James Duffield Harding, 1798–1863
Willows by a Stream, Horse and Cart Crossing Bridge
undated
John Linnell Figures on a Bank, Kensington Gravel Pits
John Linnell, 1792–1882
Figures on a Bank, Kensington Gravel Pits
1812
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864
Aldenham Church
ca. 1817
John Linnell Llanberis, North Wales
John Linnell, 1792–1882
Llanberis, North Wales
1813
Patrick Nasmyth Part of Regent's Park
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
Francis Place A Study for the Pilkington Crest, a mower with a scythe
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
unknown artist Deer and Dog
unknown artist
Deer and Dog
undated
Charles Tomkins Hanworth Park, Middlesex
Charles Tomkins, 1757–1823
Hanworth Park, Middlesex
undated
Charles Tomkins Swakeley House, Middlesex
Charles Tomkins, 1757–1823
Swakeley House, Middlesex
undated
Thomas Streatfield Wanstead House, Essex
Thomas Streatfield, 1777–1848
Wanstead House, Essex
1807
George Richmond Study of a Tree on a Grassy Bank
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
Thomas Hearne The Trees and River in the Park at Coleorton Hall, Leicestershire
Thomas Hearne, 1744–1817
The Trees and River in the Park at Coleorton Hall, Leicestershire
undated
Thomas Hearne Trees in Ashtead Park, Surrey
Thomas Hearne, 1744–1817
Trees in Ashtead Park, Surrey
undated
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
Thomas Hearne The Ruins of the College of Lincluden, near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, near Dumfries
ca. 1806
Thomas Hearne Gundulf's Tower, Rochester Cathedral, Kent
Thomas Hearne, 1744–1817
Gundulf's Tower, Rochester Cathedral, Kent
undated
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist
Roundway Park, Wiltshire: Exterior View
ca. 1840
John Linnell Horses in a Paddock
John Linnell, 1792–1882
Horses in a Paddock
1811
Samuel Prout Bolton Abbey
Samuel Prout, 1783–1852
Bolton Abbey
undated
Cornelius Varley Remains of Purton Hall, Staffordshire
Cornelius Varley, 1781–1873
Remains of Purton Hall, Staffordshire
1820
James Sowerby A Quail
James Sowerby, 1756–1822
A Quail
undated
James Sowerby Meadow Pipit
James Sowerby, 1756–1822
Meadow Pipit
undated
James Sowerby Elephant with Rider
James Sowerby, 1756–1822
Elephant with Rider
undated
James Sowerby Quagga Zebra
James Sowerby, 1756–1822
Quagga Zebra
ca. 1824
James Sowerby A House Sparrow
James Sowerby, 1756–1822
A House Sparrow
undated
James Sillett The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples
James Sillett, 1764–1840
The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples
1832
unknown artist St. John with the Lamb
Print made by unknown artist
St. John with the Lamb
undated
unknown artist St. John with the Lamb
Print made by unknown artist
St. John with the Lamb
undated
John Smith, the mezzotinter Cupid
Print made by John Smith, the mezzotinter, 1652–1743
Cupid
undated
John Robert Cozens South View of Bath
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
John Robert Cozens Bath: The South Parade
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
Francis Haward Master Bunbury
Print made by Francis Haward, 1759–1797
Master Bunbury
1781
Joshua Cristall Tarbert Castle
Joshua Cristall, 1768–1847
Tarbert Castle
undated