On-site Access: Accessible by appointment in the Study Room / Genre: religious and mythological subject / Height [cm]: 45

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake, 1757–1827

Study for a Destroying Deity

1820 to 1825

Print made by J. P. Quilley, active 1828

The Deluge

1828

Print made by Joseph Grozer, ca. 1755–1798

St. John

c.1799

Print made by Richard Earlom, 1743–1822

The Enchantress

1786

Print made by Richard Earlom, 1743–1822

The Enchantress

1786

Print made by John Murphy, ca. 1748–1820

Hiram King of Tyre, Sends Presents to King Solomon

1790

James Henry Watt, 1799–1867

St. Cecilia

1834

Francesco Bartolozzi, 1728–1815

Venus Attired By The Graces

1784

Print made by Richard Earlom, 1743–1822

Mordecai

1787

unknown artist

Sketch for the Oil Painting "The Conversion of St. Paul"

undated

Robert Dunkarton, 1744–1811

Reverend John Fisher, Bishop of Salisbury

1811

John Raphael Smith, 1752–1812

Reverend Richard Robinson, Archibishop of Armagh

1775

Thomas Park, ca. 1760–1834

Dr. John Thomas, Lord Bishop of Rochester

1788

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

1805

Print made by Johann Gottfried Haid, 1704–1767

Absalom's Submission to his Father, King David

1766

Charles Turner, 1774–1857

Hon. James Yorke, Bishop of Ely

1810

Print made by Francesco Bartolozzi, 1728–1815

Juvenis auscultans seni de divinis admonenti

1764

Print made by William Woollett, 1735–1785

Meleager and Atalanta

1779

William Woollett, 1735–1785

Ceyx and Alcyone

1769

William Woollett, 1735–1785

Dido and Aeneas

1787

John Raphael Smith, 1752–1812

Joseph Deane Bourke, 3rd Earl of Mayo

1784

William Say, 1768–1834

Reverend. Shute Barrington L.L.D

1812

Print made by Francesco Bartolozzi, 1728–1815

St. Nil

1762

James Bruce, 1730–1794

St. Agnes (after Domenichino)

undated

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Thomas Daniell, 1749–1840

An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

July 1795

Francesco Bartolozzi, 1728–1815

Perseus Relating to Andromeda the Power of Medusa's Head

1788

Print made by John Horsburgh, 1791–1869

Shakespeare's Monument at the Church at Stratford upon Avon

1834

John Martin, 1789–1854

Death of the First Born of Egypt

1836

Print made by Thomas Cook, 1744–1818

Time Smoking a Picture

early 1800s

Charles Turner, 1774–1857

William Hawley

1817

Charles Turner, 1774–1857

Cyril Jackson

1811

George Clint, 1770–1854

Robert Haldane, Esq

1805

Print made by Sir Frank William Brangwyn, 1867–1956

Tramps Resting

1882-1956

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On-site Access Accessible by appointment in the Study Room

Genre religious and mythological subject

Height [cm] 45

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On-site Access Accessible by appointment in the Study Room

Genre religious and mythological subject

Height [cm] 45

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