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On-site Access Accessible by appointment in the Study Room

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Exhibition History The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

Remove constraint Exhibition History: The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)

Collective Title Picturesque Views in England and Wales

Remove constraint Collective Title: Picturesque Views in England and Wales

Search Results

Stone Henge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Line engraving and etching, 2nd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/2 × 14 9/16 inches (26.7 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Etching and line engraving; second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Keswick Lake, Cumberland
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1837
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 9/16 × 14 15/16 inches (26.8 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
ca. 1827
Materials & Techniques:
Etching and line engraving; 1st published state, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 13/16 × 12 7/16 inches (24.9 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Folkestone Harbour and Coast to Dover
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Folkestone Harbour and Coast to Dover
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chain Bridge over the River Tees
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1838
Materials & Techniques:
Etching and engraving; third state on moderately thick, smooth, cream wove paper
Dimensions:
Plate: 9 1/2 x 12 7/8in. (24.2 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dudley, Worcestershire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1835
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 × 15 inches (27.5 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Great Yarmouth, Norfolk
Creator:
Print made by William Miller, 1796–1882
Date:
1829
Materials & Techniques:
Etching and line engraving; third state on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 9/16 inches (27.1 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Folkestone Harbour and Coast to Dover
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 × 14 3/4 inches (27.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection