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On-site Access Accessible by appointment in the Study Room

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Period 18th century

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Subject Terms woman

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George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
William Hogarth Study of a Female Nude
William Hogarth, 1697–1764
Study of a Female Nude
undated
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake The Serpent who Girds the Earth (Design 77)
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake A Circular Dance (Design 23)
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
George Romney A Seated Woman
George Romney, 1734–1802
A Seated Woman
undated
George Romney Studies for the Head of a Lady (Studies of a Woman's Head)
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
George Romney Seated Nude Woman (Hygeia at Doctor Graham's)
George Romney, 1734–1802
Seated Nude Woman (Hygeia at Doctor Graham's)
undated
George Romney Woman Resting Her Head on a Bent Arm
George Romney, 1734–1802
Woman Resting Her Head on a Bent Arm
undated
George Romney Iphigenia Kneeling over an Altar
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
George Romney Children with a Goat and a Dog
George Romney, 1734–1802
Children with a Goat and a Dog
undated
George Romney Reclining Nude
George Romney, 1734–1802
Reclining Nude
undated
George Romney Captive or Dejected Woman: Possibly Andromache
George Romney, 1734–1802
Captive or Dejected Woman: Possibly Andromache
undated
George Romney Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
George Romney Prostrate Woman
George Romney, 1734–1802
Prostrate Woman
undated
George Romney Pamela
George Romney, 1734–1802
Pamela
undated
George Romney Woman at a Column
George Romney, 1734–1802
Woman at a Column
undated
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
undated
George Romney Studies of a Seated Woman
George Romney, 1734–1802
Studies of a Seated Woman
undated
George Romney A Pensive Lady
George Romney, 1734–1802
A Pensive Lady
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Seated Woman and Child
George Romney, 1734–1802
Seated Woman and Child
undated
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
George Romney Shepherdess Cutting an Inscription on a Tree
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
George Romney Samson Overpowered
George Romney, 1734–1802
Samson Overpowered
undated
George Romney Two Figures: Probably for the Bath of Diana
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
undated
George Romney Head in Profile
George Romney, 1734–1802
Head in Profile
undated
Ozias Humphry Study of the Artist's Mother Sewing
Ozias Humphry, 1742–1810
Study of the Artist's Mother Sewing
ca. 1776
Paul Sandby View in Wales
attributed to Paul Sandby, 1731–1809
View in Wales
undated
Thomas Day Portrait of a Lady
Thomas Day, ca.1733–1807
Portrait of a Lady
1783
Thomas Rowlandson Bucks of the First Head
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
Francis Towne Dunkerswell Abbey, August 20, 1783
Francis Towne, 1740–1816
Dunkerswell Abbey, August 20, 1783
1783
Johan Joseph Zoffany Samson Overcome by the Philistines
Print made by Johan Joseph Zoffany, 1733–1810
Samson Overcome by the Philistines
ca. 1758
Lydia Bates Literary Characters Assembled around the Medallion of Shakespeare
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
Louis Philippe Boitard A Young Woman in a Blue Dress
Louis Philippe Boitard, active 1734–1760
A Young Woman in a Blue Dress
undated
Louis Philippe Boitard Hannah Snell - From the Life (in Male Dress)
Louis Philippe Boitard, active 1734–1760
Hannah Snell - From the Life (in Male Dress)
undated
Paul Sandby Portrait of a Lady at a Drawing Table
Paul Sandby, 1731–1809
Portrait of a Lady at a Drawing Table
undated
Mauritius Lowe Allegorical Subject
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
Nathaniel Plimer Portrait of a Lady
Nathaniel Plimer, 1757–1822
Portrait of a Lady
undated
Louis Philippe Boitard A Fisherwoman, Hands under Apron
Louis Philippe Boitard, active 1734–1760
A Fisherwoman, Hands under Apron
undated
Louis Philippe Boitard Woman with a Blue Smock
Louis Philippe Boitard, active 1734–1760
Woman with a Blue Smock
undated
Nathaniel Smith Study of a Woman
Nathaniel Smith, 1740–1787
Study of a Woman
1743
Samuel Wale An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
Samuel Wale, 1721–1786
An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
undated
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
Valentine Green Miss Polly Jones
Print made by Valentine Green, 1739–1813
Miss Polly Jones
1771
Richard Earlom The Enchantress
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
Richard Houston Miss Catherine Wodhull
Print made by Richard Houston, ca. 1721–1775
Miss Catherine Wodhull
1772
John Blackmore Sigismonda
Print made by John Blackmore, active 1740–1780
Sigismonda
between 1769 and 1771
Philip Dawe Constantia
Print made by Philip Dawe, ca.1750–ca.1790
Constantia
1780
Philip Dawe Courtship for Money
Print made by Philip Dawe, ca.1750–ca.1790
Courtship for Money
1771
Philip Dawe Reading by a Paper-Bell Shade
Print made by Philip Dawe, ca.1750–ca.1790
Reading by a Paper-Bell Shade
1768
Thomas Cheesman Lady Hamilton as The Sempstress
Print made by Thomas Cheesman, 1760–1834/35
Lady Hamilton as The Sempstress
1787
Charles Howard Hodges Hebe
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
Charles Howard Hodges Hebe
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
William Doughty Miss Mary Palmer
Print made by William Doughty, 1757–1782
Miss Mary Palmer
1779
Richard Earlom Susanna and the Elders
Print made by Richard Earlom, 1743–1822
Susanna and the Elders
1769
Philip Dawe The Pretty Ballad Singer
Print made by Philip Dawe, ca.1750–ca.1790
The Pretty Ballad Singer
1769
John Faber the Younger The Housewife's Employment
Print made by John Faber the Younger, ca. 1695–1756
The Housewife's Employment
undated
John Faber the Younger Sta. Maria Magdelena
Print made by John Faber the Younger, ca. 1695–1756
Sta. Maria Magdelena
undated
John Faber the Younger Lady with Glass
Print made by John Faber the Younger, ca. 1695–1756
Lady with Glass
1739
John Faber the Younger A Scene in "The Recruiting Officer"
Print made by John Faber the Younger, ca. 1695–1756
A Scene in "The Recruiting Officer"
ca. 1739
Johann Jacobus Haid La gouvernante
Print made by Johann Jacobus Haid, 1704–1767
La gouvernante
undated
Johann Lorenz Haid Portrait of a Man and Woman
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Man and Woman
undated
Paul Sandby London Cries: A Muffin Man
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
Paul Sandby London Cries: "Black Heart Cherries..."
Paul Sandby, 1731–1809
London Cries: "Black Heart Cherries..."
ca. 1759
Paul Sandby London Cries: Throws for a Ha'penny Have You a Ha'penny
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
Paul Sandby London Cries: A Lace Seller
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
Paul Sandby London Cries: Flowers
Paul Sandby, 1731–1809
London Cries: Flowers
undated
Paul Sandby London Cries: Fun upon Fun
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
Paul Sandby London Cries: Last Dying Speech and Confession
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
James Ward Study of a Seated Woman
attributed to James Ward, 1769–1859
Study of a Seated Woman
1787
Paul Sandby A Lady Copying at a Drawing Table
Paul Sandby, 1731–1809
A Lady Copying at a Drawing Table
ca. 1765
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Paul Sandby London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
Paul Sandby London Cries: Shoe Cleaner
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
Paul Sandby London Cries: "Do You Want any Spoons..."
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759