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On-site Access Accessible by appointment in the Study Room

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Period 18th century

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Subject Terms theater

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George Romney Standing Figure, Probably for Lady Macbeth
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
Samuel Wale The Theatre-Goers
Samuel Wale, 1721–1786
The Theatre-Goers
undated
Giovanni Battista Borra Plan of the Second Theater of Laodicea and Details of a Composite Order
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
Giovanni Battista Borra Plan and View of the Third Theater at Laodicea
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
Giovanni Battista Borra Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
Giovanni Battista Borra View and Plan of the Theater of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Reconstruction of the Proscenium of the Theater at Hierapolis
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
Giovanni Battista Borra Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
Giovanni Battista Borra Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
Giovanni Battista Borra Reconstruction of the Second Theatre at Laodicea
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
Giovanni Battista Borra View of the Ruined Theater of Aezani at Tjaden
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra View of a Valley with Ruins at Sardis
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
Giovanni Battista Borra Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
Giovanni Battista Borra View of the Theater and Plan of the Ionic Temple at Sardis
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
William Byrne A View in the Villa Madama, near Rome, called II Teatro
William Byrne, 1743–1805
A View in the Villa Madama, near Rome, called II Teatro
1765
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
Samuel William Reynolds Garrick, In the Character of Abel Drugger
Samuel William Reynolds, 1773–1835
Garrick, In the Character of Abel Drugger
1825
Thomas Rowlandson An Audience Watching a Play at Drury Lane Theatre
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
John Dixon David Garrick, Esq.
John Dixon, ca. 1740–1811
David Garrick, Esq
1779