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Period 18th century

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William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
George Barret Tree Study with Stags (Landscape)
George Barret, ca. 1728/32–1784
Tree Study with Stags (Landscape)
undated
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
John Robert Cozens South View of Bath
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
John Robert Cozens Bath: The South Parade
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
Francis Haward Master Bunbury
Print made by Francis Haward, 1759–1797
Master Bunbury
1781
John Dean Moses in the Bulrushes [Reclining Child]
John Dean, 1754–1798
Moses in the Bulrushes [Reclining Child]
1786
Charles Bretherton Postiglione Inglese
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
M. Coote Dudley Priory in Worcestershire, Plate 2
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
M. Coote Dudley Priory in Worcestershire, Plate 2
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
George Bickham the Elder A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)
Print made by George Bickham the Elder, 1683/4–1758
A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)
1731
Hubert-François Gravelot The Sporting Lady
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
George Bickham the Elder Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
Print made by George Bickham the Elder, 1683/4–1758
Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
George Bickham the Elder Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
Print made by George Bickham the Elder, 1683/4–1758
Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
George Bickham the Elder Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
Print made by George Bickham the Elder, 1683/4–1758
Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
M. Coote Dudley Priory in Worcestershire, Plate 1
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
Thomas Bonnor Blockley Church
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
John Hamilton Mortimer Death on a Pale Horse
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
Jean B. C. Chatelain Man Chopping Wood
Print made by Jean B. C. Chatelain, 1710–1771
Man Chopping Wood
1737
Jean B. C. Chatelain A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
Jean B. C. Chatelain Shepherd and Flock Outside a Village
Print made by Jean B. C. Chatelain, 1710–1771
Shepherd and Flock Outside a Village
1737
George Bickham the Elder A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
Print made by George Bickham the Elder, 1683/4–1758
A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
undated
George Bickham the Elder A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
Thomas Bewick The Wild Bull of Chillingham
Print made by Thomas Bewick, 1753–1828
The Wild Bull of Chillingham
1781
Benjamin West An Artist Sketching in Windsor Park
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
William Dickinson The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
Edward Fisher Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
Edward Fisher, 1722–1785
Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
1762
James Caldwall Hagley Hall
Print made by James Caldwall, 1739–1819
Hagley Hall
undated
Anthony Cardon Credulity
Print made by Anthony Cardon, 1772–1813
Credulity
1796
unknown artist A Donkey
unknown artist
A Donkey
1756
Thomas Bonnor Blockley Church
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
unknown artist Design for Wall Paper
unknown artist
Design for Wall Paper
ca. 1760
unknown artist Unidentified Country House
unknown artist
Unidentified Country House
between 1700 and 1715
Peter Tillemans From Hampstead
Peter Tillemans, 1684–1734
From Hampstead
1730
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
Andrew Fyfe Eragrostis Tef
Andrew Fyfe, 1752–1824
Eragrostis Tef
1775
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
William Pars Temple of Venus and Rome from the Colosseum
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
Gerhard Bockman The Guitar Player
Print made by Gerhard Bockman, 1686–1773
The Guitar Player
undated
Robert Dighton A Jack in Office
Robert Dighton, 1752–1814
A Jack in Office
1793
Thomas Girtin View of Rochester
Thomas Girtin, 1775–1802
View of Rochester
1791
Thomas Girtin Lichfield Cathedral, Staffordshire
Thomas Girtin, 1775–1802
Lichfield Cathedral, Staffordshire
1794
Thomas Girtin Pevensey Castle, Sussex
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
Thomas Girtin View of Winchelsea, Sussex
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
Thomas Girtin Carlisle Cathedral, Cumberland, from the South-west
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
Thomas Girtin A Village in a Wood
Thomas Girtin, 1775–1802
A Village in a Wood
ca. 1796
Thomas Girtin A Devonshire Farm
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
Thomas Girtin Glasgow Cathedral
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
Jean B. C. Chatelain Man and Woman Digging
Print made by Jean B. C. Chatelain, 1710–1771
Man and Woman Digging
1737
William Hincks Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
Thomas Burke Cupid and Cephisa: "One Day as I was Walking in the Woods..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
Francis Wheatley Donnybrook Fair, 1782
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
Thomas Girtin Rochester, Kent: from the North
Thomas Girtin, 1775–1802
Rochester, Kent: from the North
ca. 1790
Thomas Girtin Kirkstall Abbey from the N.W.
Thomas Girtin, 1775–1802
Kirkstall Abbey from the N.W
ca. 1792
Thomas Girtin Tynemouth Priory, Northumberland
Thomas Girtin, 1775–1802
Tynemouth Priory, Northumberland
ca. 1793
Thomas Girtin Jedburgh Abbey, Roxburghshire
Thomas Girtin, 1775–1802
Jedburgh Abbey, Roxburghshire
ca. 1793
Thomas Girtin Saltwood Castle, Kent
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
Thomas Girtin Tolleshunt-Beckingham, Essex
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
Thomas Girtin Melville Castle, Midlothian
Thomas Girtin, 1775–1802
Melville Castle, Midlothian
ca. 1796
Thomas Girtin Rievaulx Abbey, Yorkshire
Thomas Girtin, 1775–1802
Rievaulx Abbey, Yorkshire
ca. 1796
Thomas Girtin Warkworth Castle, Northumberland
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1796
Thomas Girtin Chapel Church, Surrey
Thomas Girtin, 1775–1802
Chapel Church, Surrey
ca. 1799
Thomas Girtin London from Highgate Hill
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
Thomas Girtin Guisborough Priory
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
Thomas Girtin Pluscardine Abbey, Elgin
Thomas Girtin, 1775–1802
Pluscardine Abbey, Elgin
ca. 1793
Thomas Girtin The New Walk, York
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
Thomas Girtin Country House
Thomas Girtin, 1775–1802
Country House
ca. 1797