'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
2
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
3
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
4
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
5
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
6
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
7
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
8
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
9
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
10
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
11
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
12
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
13
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
14
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
15
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
16
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
17
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
18
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
19
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
20
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
21
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
22
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
23
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
24
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
25
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
26
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
27
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
28
George Barret, ca. 1728/32–1784
Tree Study with Stags (Landscape)
undated
29
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
30
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
31
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
32
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
33
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
34
Print made by Francis Haward, 1759–1797
Master Bunbury
1781
35
John Dean, 1754–1798
Moses in the Bulrushes [Reclining Child]
1786
36
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
37
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
38
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
39
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
40
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
41
Print made by George Bickham the Elder, 1683/4–1758
A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)
1731
42
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
43
Print made by George Bickham the Elder, 1683/4–1758
Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
44
Print made by George Bickham the Elder, 1683/4–1758
Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
45
Print made by George Bickham the Elder, 1683/4–1758
Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
46
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
47
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
48
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
49
Print made by Jean B. C. Chatelain, 1710–1771
Man Chopping Wood
1737
50
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
51
Print made by Jean B. C. Chatelain, 1710–1771
Shepherd and Flock Outside a Village
1737
52
Print made by George Bickham the Elder, 1683/4–1758
A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
undated
53
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
54
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
55
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
56
Print made by Thomas Bewick, 1753–1828
The Wild Bull of Chillingham
1781
57
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
58
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
59
Edward Fisher, 1722–1785
Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
1762
60
Print made by James Caldwall, 1739–1819
Hagley Hall
undated
61
Print made by Anthony Cardon, 1772–1813
Credulity
1796
62
unknown artist
A Donkey
1756
63
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
64
unknown artist
Design for Wall Paper
ca. 1760
65
unknown artist
Unidentified Country House
between 1700 and 1715
66
Peter Tillemans, 1684–1734
From Hampstead
1730
67
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
68
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
69
Andrew Fyfe, 1752–1824
Eragrostis Tef
1775
70
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
71
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
72
Print made by Gerhard Bockman, 1686–1773
The Guitar Player
undated
73
Robert Dighton, 1752–1814
A Jack in Office
1793
74
Thomas Girtin, 1775–1802
View of Rochester
1791
75
Thomas Girtin, 1775–1802
Lichfield Cathedral, Staffordshire
1794
76
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
77
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
78
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
79
Thomas Girtin, 1775–1802
A Village in a Wood
ca. 1796
80
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
81
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
82
Print made by Jean B. C. Chatelain, 1710–1771
Man and Woman Digging
1737
83
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
84
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "One Day as I was Walking in the Woods..."