On-site Access: Accessible by appointment in the Study Room / Period: 18th century / Subject Terms: garden

Print made by William Blake, 1757–1827

Night (Plate 30)

1789

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake, 1757–1827

A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

between 1797 and 1798

Print made by William Blake, 1757–1827

Night (Plate 16)

1789

unknown artist

Heveningham Hall, Suffolk

between 1782 and 1790

Thomas Hearne, 1744–1817

The Cheesecake House, Hyde Park

ca. 1795

Print made by Richard Earlom, 1743–1822

Susanna and the Elders

1769

Verso by John Talman, 1677–1726

Studies, with Gardens, Possibly for a Talman Family House

undated

Thomas Jones, 1742–1803

The Garden of the Villa Borghese

ca. 1776

Samuel Scott, 1701/2–1772

Westminster Abbey and Bridge from Somerset Garden

1759

Guillaume Philippe Benoist, 1725–ca. 1770

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

1762

John Donowell, active 1753–1786

A View of Esq. Turner's Garden at Valence in Kent

undated

James Lambert of Lewes, 1725–1788

South View of a House at Ringmer with Gardeners at Work

1787

Samuel Hieronymus Grimm, 1733–1794

Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall

undated

Print made by Richard Earlom, 1743–1822

Susanna and the Elders

1769

Print made by John Robert Cozens, 1752–1797

Bath: Queen Square

1773

James Wyatt, 1746–1813

Cobham Hall, Kent: Plan of the chamber story of part of the offices

1798

James Lambert of Lewes, 1725–1788

Herstmonceux Castle, East Sussex: The North Front

undated

Print made by Johann Jacobus Haid, 1704–1767

Vertumnus et Pomona

undated

Print made by William Byrne, 1743–1805

View of Leiston Abbey

1781

unknown artist

Design for the Parterre at Hampton Court

early 18th century

Henry William Bunbury, 1750–1811

The Duel: 'Twelfth Night,' Act III, Scene IV

ca. 1790

John Robert Cozens, 1752–1797

Obelisk and Statues in a Garden

undated

Canaletto, 1697–1768

View of Old Somerset House from the Thames

undated

Samuel Wale, 1721–1786

Catherine Parr, Henry VIII and Bishop Gardner

undated

Paul Sandby, 1731–1809

The Norman Gate and Deputy Governor's House

ca. 1765

Print made by Johann Jacobus Haid, 1704–1767

Das Lombre-Spiel

undated

Edward Fisher, 1722–1785

Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey

1762

Print made by Remi Parr, 1743–after 1750

The Triumphal Arch in the Garden of Versailles..

between 1768 and 1779

Print made by unknown artist

View of the Flower Garden, & part of the Palace of Fountainbleau

Nathaniel Parr, active 1742–1751

A Perspective View of the Cascade of St. Cloud

unknown artist

View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

1799

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green

1792

Capt. Francis Grose, 1731–1791

Mr. Grose's House at Wandsworth

1767

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green: English and French Text

1792

William Ellis, 1747–1810

Baskerville House, the Residence of John Ryland, Esq

1792

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

James Miller, active 1773–1814

River Wharf / Figure Sketching in a Lane

1770s

William Ellis, 1747–1810

Beddington

1792

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745