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Period 18th century

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William Hogarth Strolling Actresses Dressing in a Barn
Print made by William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
Sir Richard Colt Hoare View at Valmontone. November 1790
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
Thomas Vivares Design of a Ruineous Bridge for the Garden at Sion
Thomas Vivares, c.1735–c.1790
Design of a Ruineous Bridge for the Garden at Sion
1778
James Caldwall Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
James Caldwall, 1739–1819
Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
1780
Edward Rooker Perspective View of the Bridge at Sion
Edward Rooker, 1724–1774
Perspective View of the Bridge at Sion
1768
James Parker Fainasollis, Borbar and Fingal
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
William Ward The Romps
William Ward, 1766–1826
The Romps
1796
Luigi Balugani Seyali Hindu (Acacia)
Luigi Balugani, 1737–1770
Seyali Hindu (Acacia)
undated
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Edward Rooker, 1724–1774
A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
ca. 1763
Luigi Balugani A Fish from the Red Sea
Luigi Balugani, 1737–1770
A Fish from the Red Sea
undated
John Raphael Smith Bellsane and Parcival under the Enchantment of Urma
John Raphael Smith, 1752–1812
Bellsane and Parcival under the Enchantment of Urma
1782
William Woollett [Shooting] The Spanish Pointer
William Woollett, 1735–1785
[Shooting] The Spanish Pointer
1768
William Woollett Shooting, Plate I
William Woollett, 1735–1785
Shooting, Plate I
1769
William Woollett Shooting, Plate II
William Woollett, 1735–1785
Shooting, Plate II
1770
Sarah Stone A Red Parrot
Sarah Stone, active 1786
A Red Parrot
1786
James Watson Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter
Print made by James Watson, 1740–1790
Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter
1768
John Raphael Smith Mrs. Montagu
Print made by John Raphael Smith, 1752–1812
Mrs. Montagu
1776
James Watson James Paine and his Son
Print made by James Watson, 1740–1790
James Paine and his Son
1767
Joseph Grozer Miss Mary Palmer as "The Young Shepherdess"
Print made by Joseph Grozer, ca. 1755–1798
Miss Mary Palmer as "The Young Shepherdess"
ca. 1785
John Raphael Smith Miss Theophila Palmer
Print made by John Raphael Smith, 1752–1812
Miss Theophila Palmer
1777
William Dickinson Elizabeth Godden (née Houghton), Lady Taylor
Print made by William Dickinson, 1746–1823
Elizabeth Godden (née Houghton), Lady Taylor
ca. 1775
John Finlayson Miss Wynyard
Print made by John Finlayson, 1730–1776
Miss Wynyard
1771
George Townly Stubbs [Lion and Horse]
George Townly Stubbs, 1748–1815
[Lion and Horse]
1770
William Dickinson Lady Charles Spencer
Print made by William Dickinson, 1746–1823
Lady Charles Spencer
1776
William Dickinson Richard Grenville-Temple, 2nd Earl Temple
Print made by William Dickinson, 1746–1823
Richard Grenville-Temple, 2nd Earl Temple
1778
Edward Fisher The Ladies Amabel and Mary Jemina Yorke
Print made by Edward Fisher, 1722–1785
The Ladies Amabel and Mary Jemina Yorke
1762
Joseph Grozer St. John
Print made by Joseph Grozer, ca. 1755–1798
St. John
c.1799
Thomas Park The Honorable Mrs. Watson
Print made by Thomas Park, ca. 1760–1834
The Honorable Mrs. Watson
ca. 1785
James Watson Margaret Caroline, Countess of Carlisle
Print made by James Watson, 1740–1790
Margaret Caroline, Countess of Carlisle
1776
William Doughty Samuel Johnson, L. L. D.
Print made by William Doughty, 1757–1782
Samuel Johnson, L. L. D
1779
John Spilsbury Miss Jacobs
Print made by John Spilsbury, 1730–1795
Miss Jacobs
ca. 1762
Thomas Watson Miss Polly Kennedy
Print made by Thomas Watson, 1743–1781
Miss Polly Kennedy
1771
William Pether Officer of State
Print made by William Pether, ca. 1738–1821
Officer of State
1764
Richard Earlom The Enchantress
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
Richard Earlom The Enchantress
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
John Finlayson Elizabeth, Duchess of Hamilton and Brandon and of Argyll
Print made by John Finlayson, 1730–1776
Elizabeth, Duchess of Hamilton and Brandon and of Argyll
1770
John Murphy Hiram King of Tyre, Sends Presents to King Solomon
Print made by John Murphy, ca. 1748–1820
Hiram King of Tyre, Sends Presents to King Solomon
1790
John Raphael Smith Mrs. Stables and Two Daughters, Harriet & Maria
John Raphael Smith, 1752–1812
Mrs. Stables and Two Daughters, Harriet & Maria
1781
Richard Earlom Rubens' Son and Nurse
Print made by Richard Earlom, 1743–1822
Rubens' Son and Nurse
1785
Valentin Daniel Preissler Der Geiz sucht Fäden
Print made by Valentin Daniel Preissler, 1717–1765
Der Geiz sucht Fäden
undated
unknown artist The South West Prospect of St. Paul's Cathedral
unknown artist
The South West Prospect of St. Paul's Cathedral
undated
Henry Holland Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
Paul Sandby Bothwell Castle, from the South
Paul Sandby, 1731–1809
Bothwell Castle, from the South
ca. 1777
Francesco Bartolozzi Venus Attired By The Graces
Francesco Bartolozzi, 1728–1815
Venus Attired By The Graces
1784
James Walker Bridgenorth
Print made by James Walker, 1748–1808
Bridgenorth
1795
Valentine Green Sir Joshua Reynolds
Valentine Green, 1739–1813
Sir Joshua Reynolds
1780
Edward Fisher Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
Edward Fisher, 1722–1785
Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
1762
John Finlayson The Right Honorable Elizabeth Lady Melbourne
John Finlayson, 1730–1776
The Right Honorable Elizabeth Lady Melbourne
1771
Francesco Bartolozzi The Cottagers
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
Giuseppe Marchi Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe
Print made by Giuseppe Marchi, ca. 1735–1808
Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe
1770
James McArdell The Holy Family at Night
Print made by James McArdell, ca. 1729–1765
The Holy Family at Night
ca. 1750
Valentine Green William Lord Newbottle and His Sister
Print made by Valentine Green, 1739–1813
William Lord Newbottle and His Sister
1768
Richard Earlom Mordecai
Print made by Richard Earlom, 1743–1822
Mordecai
1787
Richard Earlom A Brewhouse Yard
Print made by Richard Earlom, 1743–1822
A Brewhouse Yard
1791
William Dickinson A Lady and Children
Print made by William Dickinson, 1746–1823
A Lady and Children
1780
John Raphael Smith Lady Elizabeth Compton
Print made by John Raphael Smith, 1752–1812
Lady Elizabeth Compton
1780
John Jones James Boswell of Auchinleck, Esq.
Print made by John Jones, ca. 1745–1797
James Boswell of Auchinleck, Esq
1786