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Collection
Prints and Drawings
76
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
68
Goodall, Edward, 1795–1870
14
Brandard, Robert, 1805–1862
11
Jeavons, Thomas, ca. 1800–1867
10
Wallis, Robert, 1794–1878
10
Varrall, J. C., active 1815–1827
8
Smith, William R., active 1819–1851
6
Pugin, Augustus Charles, 1762–1832
5
Pugin, Augustus Welby Northmore, 1812–1852
5
Radclyffe, William, 1780–1855
3
Allen, James C., active 1821–1831
2
Miller, William, 1796–1882
2
Cousins, Samuel, 1801–1887
1
Dubufe, Claude-Marie, 1790–1864
1
Fairburn, John, active 19th century
1
Fores, S. W., 1761–1838
1
Heath, Henry, active 1824–1835
1
Phillips, John, active 1840–1852
1
Westwood, Charles, active 1819–1838
1
Willmore, James Tibbits, 1800–1863
1
Date
1752
82
1830
78
1827
[remove]
76
1834
49
1960
46
1814
42
1745
38
1825
30
1800
22
1820
22
1818
21
1832
21
1775
20
1784
20
1794
20
1795
18
1808
18
1819
18
1829
18
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14
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14
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12
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12
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12
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11
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11
1826
11
1828
11
1833
11
1768
10
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10
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10
1751
9
1763
9
1788
9
1839
9
1748
8
1764
8
1780
8
1790
8
1799
8
1805
8
1813
8
1821
8
1822
8
1836
8
1947
8
1737
7
1771
7
1777
7
1785
7
1793
7
1796
7
1812
7
1823
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1859
7
1964
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1732
6
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5
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5
0
4
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4
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4
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4
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4
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4
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4
1798
4
1804
4
1810
4
1815
4
1841
4
1848
4
1857
4
1868
4
1882
4
1885
4
1898
4
On-site Access
Accessible by appointment in the Study Room
[remove]
76
Image Use
Free to Use
76
Image Available
Available
75
Unavailable
1
Classification
Prints
72
Drawings & Watercolors
3
Drawing & Watercolors-Architectural
1
Creator Gender
male
76
Collective Title
Picturesque Views in England and Wales
62
Rogers's Italy
1
Period
19th century
73
18th century
1
18th century-19th century
1
Materials & Techniques
wove paper
25
etching (printing process)
18
line engraving
17
chine collé
11
black ink
4
graphite
3
hand coloring
2
pen
2
watercolor
2
brown ink
1
mezzotint
1
Height [cm]
Height [cm] range begin
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6
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127
Width [cm]
Width [cm] range begin
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Current results range from
9
to
58
Work Type
intaglio print
72
drawing
4
Genre
landscape
42
marine art
26
architectural subject
21
cityscape
18
genre subject
6
figure study
1
portrait
1
Subject Terms
river
26
marine art
16
cityscape
13
landscape (representation)
10
architectural subject
7
Gothic (Medieval)
4
castle
4
cathedral
4
dockyard
4
tower (single built work)
4
abbey
3
church
3
mountain
3
waterfall
3
architecture
2
bridge
2
design
2
military art
2
ornamentation
2
aerial perspective
1
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Subject Terms
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Associated Places
England
22
United Kingdom
22
Devon
6
Tamar
6
Alde
4
Aldeburgh
4
Devonport
4
Devonshire
4
Durham
4
Exe
4
Exeter
4
Exeter Cathedral
4
Plymouth
4
Slaughden Martello Tower
4
Suffolk
4
Cornwall
3
High Force
3
Middleton in Teesdale
3
Pennines
3
Tees
3
more
Associated Places
»
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
73
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, Paul Mellon Fund
1
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On-site Access
Accessible by appointment in the Study Room
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Date
1827
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Width [cm]
31
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1
Print made by Robert Wallis, 1794–1878
St. Maurice
1827
2
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827-1838
3
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827-1838
4
Print made by Edward Goodall, 1795–1870
Prudoe Castle, Northumberland
1827-1838
5
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey, Devonshire
1827-1838
6
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
7
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
8
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
9
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
10
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
11
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
12
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
13
Print made by Charles Westwood, active 1819–1838
Hampton Court Palace
1827-1838
14
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827-1838
15
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827-1838
16
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827-1838
17
Print made by James C. Allen, active 1821–1831
The Custom House
1827
18
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827-1838
19
Print made by James C. Allen, active 1821–1831
The Custom House
1827
20
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827-1838
21
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
22
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
23
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
24
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
25
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
26
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
27
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1827-1838
28
Print made by Edward Goodall, 1795–1870
Prudoe Castle, Northumberland
1827-1838
29
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1827-1838
30
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1827-1838
31
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
32
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1827-1838
33
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
34
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
35
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
36
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
37
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
38
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
39
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
40
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
41
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1827-1838
42
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
43
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle, Northumberland
1827-1838
44
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
45
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
46
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
47
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
48
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
49
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827-1838
50
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
51
Augustus Welby Northmore Pugin, 1812–1852
Design for Gothic Ornamentation
undated
52
Augustus Welby Northmore Pugin, 1812–1852
Design for Inkstand for Westminster No. 1, End Elevation
undated
53
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church and Monastery
undated
54
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
55
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1827-1838
56
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1827-1838
57
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1827-1838
58
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1827-1838
59
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
60
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
61
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
62
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
63
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
64
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
65
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
66
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
67
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
68
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827
69
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
70
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
71
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827
72
Print made by Samuel Cousins, 1801–1887
La Surprise
1827
73
Print made by Augustus Welby Northmore Pugin, 1812–1852
Design for a Town Hall
undated
74
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
75
Print made by Henry Heath, active 1824–1835
A Parti Carré for a Crown
1827
76
Print made by John Phillips, active 1840–1852
Removing Rubbish. Cabinet In's and Out's
1827