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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
24
Creator
Goodall, Edward, 1795–1870
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24
Turner, J. M. W. (Joseph Mallord William), 1775–1851
24
Date
1834
126
1837
59
1830
45
1827
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24
1835
10
1839
9
1814
7
1836
5
1822
4
1824
4
1826
4
1833
4
1829
3
1838
3
1859
3
1828
2
1831
2
1841
2
1842
2
1832
1
1844
1
On-site Access
Accessible by appointment in the Study Room
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24
Image Use
Free to Use
24
Image Available
Available
24
Classification
Prints
24
Creator Gender
male
24
Collective Title
Picturesque Views in England and Wales
17
The Keepsake
3
Period
19th century
24
Materials & Techniques
line engraving
13
wove paper
11
etching (printing process)
9
chine collé
8
laid paper
3
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127
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89
Work Type
intaglio print
24
Genre
landscape
15
architectural subject
9
cityscape
8
marine art
7
Subject Terms
river
15
architectural subject
7
cityscape
7
landscape (representation)
7
marine art
5
mountain
4
tower (single built work)
4
waterfall
4
basilica
3
bridges
3
palace
3
temple
3
bridge
1
Associated Places
Italy
6
England
5
United Kingdom
5
Alde
4
Aldeburgh
4
Durham
4
High Force
4
Middleton in Teesdale
4
Pennines
4
Slaughden Martello Tower
4
Suffolk
4
Tees
4
Aniene
3
Arno
3
Basilica di Santa Maria del Fiore
3
Europe
3
Florence
3
Lazio
3
Palazzo Vecchio
3
Ponte Santa Trinita
3
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Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
24
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On-site Access
Accessible by appointment in the Study Room
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Date
1827
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Creator
Goodall, Edward, 1795–1870
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1
Print made by Edward Goodall, 1795–1870
Florence, from San Miniato
1827
2
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827-1838
3
Print made by Edward Goodall, 1795–1870
Old London Bridge and Vicinity
1827
4
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
5
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
6
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
7
Print made by Edward Goodall, 1795–1870
Prudoe Castle, Northumberland
1827-1838
8
Print made by Edward Goodall, 1795–1870
Prudoe Castle, Northumberland
1827-1838
9
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
10
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
11
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
12
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
13
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
14
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
15
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
16
Print made by Edward Goodall, 1795–1870
Florence, from San Miniato
1827
17
Print made by Edward Goodall, 1795–1870
Florence, from San Miniato
1827
18
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827-1838
19
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827-1838
20
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827-1838
21
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
22
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
23
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
24
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827-1838