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Collection
Prints and Drawings
14
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
10
Cooke, William Bernard, 1778–1855
4
Reynolds, Samuel William, 1773–1835
2
Smith, William R., active 1819–1851
2
Wilkins, William, 1778–1839
2
Gillray, James, 1756–1815
1
Murray, John, founded 1768
1
Rawle, Samuel, 1771–1860
1
Say, William, 1768–1834
1
Turner, Charles, 1774–1857
1
Weld, Isaac, 1774–1856
1
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1834
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1847
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1795
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1
On-site Access
Accessible by appointment in the Study Room
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14
Image Use
Free to Use
14
Image Available
Available
14
Classification
Prints
11
Drawing & Watercolors-Architectural
2
Drawings & Watercolors
1
Creator Gender
male
14
Collective Title
Cooke's Views in Sussex
4
Liber Studiorum
3
Whitaker's History of Richmondshire
2
Surtees' History of Durham
1
Period
19th century
14
Materials & Techniques
etching (printing process)
10
laid paper
7
line engraving
7
wove paper
7
brown ink
5
mezzotint
4
graphite
3
black ink
2
chine collé
2
watercolor
2
hand coloring
1
Height [cm]
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60
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56
Work Type
intaglio print
11
drawing
3
Genre
landscape
10
architectural subject
4
cityscape
3
religious and mythological subject
2
animal art
1
portrait
1
Subject Terms
architectural subject
4
cityscape
4
castle
2
church
2
landscape
2
landscape (representation)
2
religious and mythological subject
2
river
2
water well
2
waterfall
2
woman
2
Bible
1
Christ explaining his doctrine to women and children
1
Grand Tour
1
New Testament
1
arch
1
archways
1
building
1
bush
1
city
1
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Subject Terms
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Associated Places
Church of St. Mary the Virgin
2
England
2
North Yorkshire
2
Richmond
2
Richmond Castle
2
Richmond Falls
2
Swale
2
United Kingdom
2
Asia
1
Israel
1
Rome
1
Samaria
1
Associated People
Christ
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
14
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On-site Access
Accessible by appointment in the Study Room
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Date
1819
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Width [cm]
44
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1
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
2
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
4
Print made by Samuel Rawle, 1771–1860
Gibside, County of Durham
1819
5
Isaac Weld, 1774–1856
St. Peter's and Environs, Rome
1819
6
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1819
7
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
8
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: North Elevation
1819
9
William Wilkins, 1778–1839
Castle Fraser, Aberdeenshire, Scotland: East Elevation
1819
10
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The Spot where Harold Fell
1819
11
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
12
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1819
13
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1819
14
Charles Turner, 1774–1857
James Gillray
1819