The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
5
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
6
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
7
unknown artist
Bambridge on Trial for Murder by a Committee of the House of Commons
1803
8
Sir George Howland Beaumont seventh Baronet, 1753–1827
Romantic Landscape
1803
9
Cornelius Varley, 1781–1873
Mountain Panorama in Wales, Cader Idris
1803
10
John Samuel Hayward, 1778–1822
Liverpool: The Windmill on the Edge of the Quarry
1803
11
Edward Hawke Locker, 1777–1849
Reading Abbey Gateway
1803
12
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
13
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
14
William Collins, 1788–1847
Dartmouth
undated
15
Attributed to Daniel Lysons, 1762–1834
Memorial to Mr. Nathaniel Ravener from Greenford Church
1803
16
George Chinnery, 1774–1852
A River in Ceylon
between 1803 and 1825
17
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
18
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."
1803
19
Henry Bone, 1755–1834
Portrait of Samuel Lyons
1803
20
Thomas Ryder, 1746–1810
Henry IV, Part II: Act III, Justice Shallon's Seat in Gloucestershire
1803
21
Robert Thew, 1758–1802
Henry IV, Part II: Act IV, The Palace at Westminster
1803
22
Robert Thew, 1758–1802
Henry V: Act II, Scene ii, Southamptom. The King, Scroop, etc
1803
23
Charles Gauthier Playter, died 1809
Henry VI, Part II: Act I, Scene iv, Mother Jourdaine, Himi---
1803
24
John Ogborne the Elder, 1755–1795
Henry VI, Part I: Act II, Scene IV, London. The Temple Garden
1803
25
Robert Thew, 1758–1802
Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle
1803
26
John Ogborne the Elder, 1755–1795
Henry VI, Part III: Act II, Scene V, A Field of Battle near Towton . .
1803
27
Jean B. Michel, active 1803
Henry VI, Part III: Act IV, Scene V, A Park Near Middlham Castle in Yorkshire
1803
28
Isaac Taylor, 1759–1829
Henry VIII, Act I, Scene IV, York Place--Cardinal Wolsey, etc
1803
29
Robert Thew, 1758–1802
Henry VIII: Act III, Scene I, A Room in the Queen's Apartments
1803
30
Robert Thew, 1758–1802
Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc
1803
31
And Johann G. Facius, 1750–after 1802
Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . .
1803
32
Robert Thew, 1758–1802
Timon of Athens, Act IV, Scene III, A Wood--Timon, Phyrma, etc
1803
33
Thomas Kirk, 1765–1797
Titus Andromicus, Act IV, Scene I, Titus' House
1803
34
James Caldwall, 1739–1819
Coriolanus, Act IV, Scene III, Coriolanus, etc
1803
35
Thomas Ryder, 1746–1810
Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc
1803
36
Joseph Collyer, 1748–1827
Henry VIII, Act V, Scene IV, The Palace
1803
37
Print made by Thomas Ryder, 1746–1810
Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc
1803
38
Print made by Francis Legat, 1755–1809
Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc
1803
39
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
40
Robert Thew, 1758–1802
MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"
1803
41
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
42
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
43
William S. Leney, 1769–1831
Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"
1803
44
Cornelius Varley, 1781–1873
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
45
William Ridley, 1764–1838
George Romney
1803
46
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
47
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
48
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
49
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
50
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
51
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
52
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
53
John Rubens Smith, 1775–1849
[Shooting]: Innocence Alarm'd
1803
54
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
55
unknown artist
Pamela pointing an error in a direction, Vide, vol. 6, letter 30, page 200
1803
56
Samuel Noble, 1779–1853
Pamela: Mr. and Mrs. Andrews imploring a blessing for their first-born daughter, Pamela. Vide, vol. 4 Letter 21, page 108
1803
57
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
58
George Morland, 1763–1804
The Hard Bargain
1803
59
George Morland, 1763–1804
The Last Litter
1803
60
George Chinnery, 1774–1852
A Garden in India
between 1803 and 1825
61
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
62
Isaac Taylor, 1759–1829
The Murder of David Rizzio on the 9th of March 1566
1803
63
Thomas Sutherland, ca. 1785–1838
View of Blackfriars Bridge and St. Paul's
1803
64
Print made by George Dawe, 1781–1829
James Northcote, Esqr. R. A
1803
65
William Watts, 1752–1851
Sheerness Dockyard
1803
66
Samuel William Reynolds, 1773–1835
Her Grace the Duchess of Bedford
1803
67
Samuel Rawle, 1771–1860
Dr. Lettsom's Fountain Cottage, Camberwell Grove, Surrey
1803
68
unknown artist
The Village of Charing &c. from Rodolphus Aggas's Map
1803
69
Thomas Sutherland, ca. 1785–1838
View of Blackfriars Bridge and St. Paul's
1803
70
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
71
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
72
Print made by William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
73
Amos Green, 1735–1807
Views in England, Scotland and Wales
1803
74
James Neagle, 1760–1822
William Shakspeare
1803
75
unknown artist
Songs of Innocence and of Experience
ca. 1808
76
William Ridley, 1764–1838
William Cowper
1803
77
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
78
George Moutard Woodward, ca. 1760–1809
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
79
Anthony Cardon, 1772–1813
Racing: The Return from Coursing
1803
80
Print made by Thomas Trotter, ca. 1750–1803
MacBeth, Act I, Scene III: "A Heath"
1803
81
Benjamin West, 1738–1820
King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."
1803
82
James Parker, 1750–1805
MacBeth, Act I, Scene V: "Inverness. A Room in MacBeth's Castle"
1803
83
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
84
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
85
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
86
Robert Thew, 1758–1802
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
87
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
88
Print made by William Daniell, 1769–1837
Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
1803
89
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
90
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
91
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
92
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
93
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
94
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
95
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
96
unknown artist
Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front; and Project for a monument to Charles James Fox
c.1803
97
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
98
James Girtin, ca. 1780–after 1820
Title page for: A Selection of the most Picturesque Views in Paris and its environs
1803
99
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
100
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde