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Collection
Prints and Drawings
73
Creator
Girtin, Thomas, 1775–1802
30
Malton, James, 1761–1803
19
Lewis, Frederick Christian the Elder, 1779–1856
5
Smirke the Younger, Robert, Sir, 1781–1867
4
Varley, Cornelius, 1781–1873
3
Basire, James, 1769–1822
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Varley, John, 1778–1842
2
Alexander, William, 1767–1816
1
Annesley, Charles Rev., 1787–1863
1
Baker, Benjamin, 1766–1841
1
Burney, Edward Francis, 1760–1848
1
Comte, Benjamin, 1760–1851
1
Cotman, John Sell, 1782–1842
1
Dayes, Edward, 1763–1804
1
Edridge, Henry, 1769–1821
1
Harraden, Richard Banks, 1778–1862
1
Hearne, Thomas, 1744–1817
1
Nasmyth, Patrick, 1787–1831
1
Nicholson, Peter, 1765–1844
1
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Creator
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Date
1791
727
1796
361
1800
303
1745
241
1827
130
1785
129
1835
123
1834
120
1790
117
1968
114
1818
101
1799
100
1700
89
1839
87
1772
76
1802
[remove]
73
1811
73
1833
73
1795
72
1793
66
1820
65
1767
64
1780
64
1825
61
1831
61
1832
61
1705
60
1775
59
1792
59
1830
59
1836
59
1814
56
1764
55
1781
54
1794
52
1815
49
1826
49
1817
44
1823
43
1770
42
1812
42
1819
42
1837
42
1751
40
1776
39
1788
39
1806
39
1797
38
1803
38
1807
38
1829
38
1805
37
1850
37
1789
36
1798
36
1813
36
1771
35
1810
35
1822
35
1929
35
1867
34
1761
33
1784
33
1860
33
1912
33
1964
33
1778
31
1763
30
1765
29
1933
29
1746
28
1804
28
1824
28
1801
27
1842
27
1871
27
1740
26
1777
26
1787
26
1828
26
1840
26
1782
25
1786
25
1925
25
1809
24
1845
24
1859
24
1715
23
0
22
1783
22
1808
22
1816
22
1901
22
1920
22
1863
21
1909
21
1752
19
1755
19
1861
19
1900
19
On-site Access
Accessible by appointment in the Study Room
[remove]
73
Image Use
Free to Use
73
Image Available
Available
73
Classification
Prints
34
Drawings & Watercolors
28
Drawing & Watercolors-Architectural
11
Creator Gender
male
73
Collective Title
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
4
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
4
The Oxford Almanack
2
The Beauties of England and Wales
1
Period
19th century
72
Materials & Techniques
wove paper
51
graphite
38
soft-ground etching
30
laid paper
20
gray wash
16
watercolor
13
black ink
11
aquatint
7
line engraving
4
pen
3
pens
3
yellow wash
3
brown ink
2
etching (printing process)
2
blue wash
1
colored ink
1
drypoint
1
gouache
1
green wash
1
marbling
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
52
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
81
Work Type
drawing
38
intaglio print
35
watercolor
26
Genre
architectural subject
73
cityscape
28
landscape
10
religious and mythological subject
4
genre subject
3
historical subject
1
marine art
1
Subject Terms
architectural subject
[remove]
73
river
26
trees
19
cityscape
16
country house
14
windows
14
boats
13
buildings
13
people
13
castle
10
house
10
carts
9
Architectural rendering
8
barges (flat-bottomed watercraft)
8
bridge (built work)
8
horse (animal)
8
houses
8
landscape
8
mullions
8
preparatory drawing
8
more
Subject Terms
»
Associated Places
Europe
36
France
30
Île-de-France
30
Seine
28
Paris
21
United Kingdom
16
Cathédrale Notre-Dame de Paris
9
England
9
Pont Neuf
8
Bassin de l'Arsenal
6
Wales
6
Jardins des Tuileries
5
Musée du Louvre
5
Palais des Tuileries
5
Acqueduct of Louveciennes
4
Cymru
4
Louveciennes
4
Marly-le-Roi
4
Panthéon
4
Yvelines
4
more
Associated Places
»
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
British Painting and the European Continent (Haus der Kunst Munich, 1979-11-20 - 1980-01-27)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
John Sell Cotman (Bristol Museum and Art Gallery, - 1983-02-01)
1
John Sell Cotman (Victoria and Albert Museum, 1983-08-01 - )
1
John Sell Cotman (Whitworth Art Gallery, - )
1
Sainte-Genevieve La Pantheon - Symbole des revolutions (Canadian Centre for Architecture, 1989-09-26 - 1989-11-30)
1
Sites and Sensibilities - Views of Rome 1500-1992 (Mount Holyoke College Art Museum, 1992-09-01 - 1992-11-08)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
70
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
1
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
1
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1802
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1
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
2
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
3
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
4
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
5
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
6
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
7
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
8
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
9
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
10
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
11
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
12
Sir Robert Smirke the younger, 1781–1867
Doric Order Septastyle Temple
between 1802 and 1804
13
Sir Robert Smirke the younger, 1781–1867
The Convent of St. Nicholas
1802-1804
14
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
15
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michel, Taken from Pont Neuf
1802
16
Thomas Girtin, 1775–1802
View of Pont Neuf, The Mint etc
1802
17
Cornelius Varley, 1781–1873
Carnarvon Castle
1802
18
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
19
Edward Francis Burney, 1760–1848
Farmhouse
1802
20
Sir Robert Smirke the younger, 1781–1867
Cave of Trophonius
1802-1804
21
Sir Robert Smirke the younger, 1781–1867
Interior of a Church
1802-1804
22
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
23
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
24
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
25
Cornelius Varley, 1781–1873
Carnarvon
1802
26
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
27
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
28
Samuel Rawle, 1771–1860
Part of Audley House, Dukes Place
1802
29
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
30
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
31
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
32
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
33
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
34
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
35
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
36
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
37
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
38
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
39
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
40
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
41
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
42
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
43
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
44
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
45
Print made by Benjamin Baker, 1766–1841
Plan of the West India Docks
1802
46
Thomas Girtin, 1775–1802
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
1802
47
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
48
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
49
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
50
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
51
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
52
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
53
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
54
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
55
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
56
Rev. Charles Annesley, 1787–1863
The Devil's Bridge, Aberystwyth
undated
57
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
58
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
59
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
60
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
61
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
62
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
63
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
64
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
65
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
66
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
67
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
68
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
69
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
70
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
71
John Sell Cotman, 1782–1842
Norwich Cathedral: Entrance to Jesus Chapel
ca. 1807
72
Peter Nicholson, 1765–1844
Barshaw House
1802
73
John Warwick Smith, 1749–1831
The Colosseum, Rome
1802