View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
3
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
4
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
5
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
6
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
7
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
8
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
9
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
10
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
11
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
12
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
13
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
14
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
15
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
16
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
17
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
18
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
19
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
20
James de Carle Sowerby, 1787–1871
Zebra
undated
21
Edward Francis Burney, 1760–1848
Farmhouse
1802
22
James de Carle Sowerby, 1787–1871
A Crane
undated
23
James de Carle Sowerby, 1787–1871
A Parrot
undated
24
James de Carle Sowerby, 1787–1871
A Parrot
undated
25
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
26
James de Carle Sowerby, 1787–1871
Three Toucans
undated
27
James de Carle Sowerby, 1787–1871
A Parrot
undated
28
James de Carle Sowerby, 1787–1871
A Parrot
undated
29
James de Carle Sowerby, 1787–1871
A Cockatoo
undated
30
Patrick Nasmyth, 1787–1831
Cloud Study
undated
31
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
32
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
33
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
34
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
35
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
36
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
37
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
38
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
39
Francesco Bartolozzi, 1728–1815
He Was Wounded For Our Transgressions
1802
40
Print made by Richard Earlom, 1743–1822
Vulcan's Forge
1802
41
Print made by Henry Fuseli, 1741–1825
A Woman Sitting by the Window (Evening thou Bringest All)
1802, published 1806
42
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
43
Print made by William Daniell, 1769–1837
Francis Wheatley, R.A
between 1802 and 1814
44
William Henry Pyne, 1769–1843
Hay Making, from "Picturesque groups for the Embellishment of Landscape in a series of above 1000 Subjects..."
1802
45
William Henry Pyne, 1769–1843
Miscellaneous Figures
1802
46
William Henry Pyne, 1769–1843
Brickmakers
1802
47
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
48
Isaac Weld, 1774–1856
Killarney (Ireland)
ca. 1807
49
Sir Robert Smirke the younger, 1781–1867
From the Ramparts on the East Side of Genoa
1802
50
Sir Robert Smirke the younger, 1781–1867
Near Genoa
1802-1804
51
Sir Robert Smirke the younger, 1781–1867
Picturesque View of a Village, With Mountains in the Background and a Stone Bridge in the Foreground
1802-1804
52
Sir Robert Smirke the younger, 1781–1867
Near Genoa
1802-1804
53
Sir Robert Smirke the younger, 1781–1867
Part of the New Town of Misistra
1802-1804
54
Sir Robert Smirke the younger, 1781–1867
Sketches of a Glass Display Case With a Curtain
1802-1804
55
Sir Robert Smirke the younger, 1781–1867
Near Rome
1802-1804
56
Sir Robert Smirke the younger, 1781–1867
Lavora in Terra Cotta Ritrovato in Villa Adriana in Tivoli
1802-1804
57
Sir Robert Smirke the younger, 1781–1867
Interior of a Church
1802-1804
58
Sir Robert Smirke the younger, 1781–1867
Arched Gateway Into a Ruined Structure
1802-1804
59
Sir Robert Smirke the younger, 1781–1867
The Fitting Up of the Medal Room in the Arsenal, Venice
1802-1804
60
Sir Robert Smirke the younger, 1781–1867
View of the Interior of One of the Churches in Ancona
1802-1804
61
Sir Robert Smirke the younger, 1781–1867
Tomb of Theron
1802-1804
62
Sir Robert Smirke the younger, 1781–1867
A Village About Six Miles from Messina Towards Calanca
1802-1804
63
Sir Robert Smirke the younger, 1781–1867
Port of Zakynthos, Greece
1802-1804
64
Sir Robert Smirke the younger, 1781–1867
Coastal Town on a Greek Island
1802-1804
65
Sir Robert Smirke the younger, 1781–1867
Argostoli in Kefalonia, Greece
1802-1804
66
Sir Robert Smirke the younger, 1781–1867
A Greek Family
1802-1804
67
Sir Robert Smirke the younger, 1781–1867
An Ancient Inscription in the Post House at Argos
1802-1804
68
Sir Robert Smirke the younger, 1781–1867
Trifylia, Greece
1802-1804
69
Sir Robert Smirke the younger, 1781–1867
Among the Taygetos Mountains of Mystras
1802-1804
70
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Sunias Minerva
1802-1804
71
Sir Robert Smirke the younger, 1781–1867
Temple of Sunias Minerva
1802-1804
72
Sir Robert Smirke the younger, 1781–1867
Figures in a Sailboat, With a Temple in the Distance
1802-1804
73
Sir Robert Smirke the younger, 1781–1867
An Architectural Drawing of One of the Pillars in the Interior of a Temple
1802-1804
74
Sir Robert Smirke the younger, 1781–1867
Study of the Capital of a PIllar
1802-1804
75
Sir Robert Smirke the younger, 1781–1867
Study of the Capital of a Pillar
1802-1804
76
Sir Robert Smirke the younger, 1781–1867
A View of Mountains From a Balcony
1802-1804
77
Sir Robert Smirke the younger, 1781–1867
Detailed Sketch of the Stone Relief of a Flower
1802-1804
78
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
1802-1804
79
Sir Robert Smirke the younger, 1781–1867
Landscape With Mountains in the Horizon
1802-1804
80
Sir Robert Smirke the younger, 1781–1867
Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon
1802-1804
81
Sir Robert Smirke the younger, 1781–1867
Landscape of Stone Ruins and Mountains Views
1802-1804
82
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Temple Near Ancient Phigalia
1802-1804
83
Sir Robert Smirke the younger, 1781–1867
Ruins of a Temple
1802-1804
84
Sir Robert Smirke the younger, 1781–1867
The Choragic Monument of Thrasyllus
1802-1804
85
Sir Robert Smirke the younger, 1781–1867
Moldings on the Temple of Minerva
1802-1804
86
Sir Robert Smirke the younger, 1781–1867
Sketch of the Line of the Shaft and Inner Angle of the Abacus
1802-1804
87
Sir Robert Smirke the younger, 1781–1867
Sketch of the Molding of the Interior of the Propylaea
1802-1804
88
Sir Robert Smirke the younger, 1781–1867
Ancient Gateway in Ruins
1802-1804
89
Sir Robert Smirke the younger, 1781–1867
The Castalian Spring
1802-1804
90
Sir Robert Smirke the younger, 1781–1867
View of Delos
1802-1804
91
Sir Robert Smirke the younger, 1781–1867
Mountains in the Distance
1802-1804
92
Sir Robert Smirke the younger, 1781–1867
Entrance into Girgenti From the Port
1802-1804
93
Sir Robert Smirke the younger, 1781–1867
Inscriptions in Greek Alphabet
1802-1804
94
Sir Robert Smirke the younger, 1781–1867
The Convent of St. Nicholas
1802-1804
95
Sir Robert Smirke the younger, 1781–1867
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
96
Sir Robert Smirke the younger, 1781–1867
Site of Ancient City of Agrigentum
1802-1804
97
Sir Robert Smirke the younger, 1781–1867
Sketch of the Temple of Asclepius at Agrigento, Sicily
1802-1804
98
Sir Robert Smirke the younger, 1781–1867
Temple of Juno
1802-1804
99
Sir Robert Smirke the younger, 1781–1867
Doric Order Septastyle Temple
between 1802 and 1804
100
Sir Robert Smirke the younger, 1781–1867
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum