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Collection
Prints and Drawings
69
Creator
Blake, William, 1757–1827
58
Girtin, Thomas, 1775–1802
2
Howitt, Samuel, 1756–1822
2
Laurie, Robert, 1755?–1836
2
Rowlandson, Thomas, 1756–1827
2
Alexander, William, 1767–1816
1
Bone, Henry Pierce, 1779–1855
1
Burford, Thomas, ca. 1710–after 1774
1
Grignion, Charles, 1717–1810
1
Heckel, Augustin, 1690–1770
1
Seymour, James, 1702–1752
1
Unknown artist
1
Zoffany, Johann, 1733–1810
1
Date
1800
127
1772
107
1797
85
1804
72
1794
[remove]
69
1792
53
1793
49
1789
39
1807
37
1825
37
1818
33
1850
33
1745
32
1771
31
1798
28
1780
27
1821
27
1749
26
1770
25
1799
25
1795
24
1790
23
1819
23
1826
23
1835
23
1748
22
1783
22
1784
22
1805
22
1830
22
1839
22
1773
21
1775
21
1801
21
1817
21
1822
21
1960
21
1700
20
1767
20
1774
20
1812
20
1815
20
1820
20
1715
19
1787
19
1808
19
1810
19
1824
19
1831
19
1841
19
1890
19
1802
18
1717
17
1755
17
1785
17
1848
17
1762
16
1809
16
1855
15
1765
14
1827
14
1965
14
1741
13
1782
13
1811
13
1814
12
1823
12
1842
12
1847
12
1901
12
1712
11
1751
11
1768
11
1779
11
1788
11
1813
11
1843
11
1908
11
1761
10
1791
10
1796
10
1806
10
1873
10
1675
9
1756
9
1764
9
1776
9
1816
9
1828
9
1832
9
1838
9
1840
9
1863
9
1912
9
1923
9
2004
9
1753
8
1754
8
1759
8
1786
8
On-site Access
Accessible by appointment in the Study Room
[remove]
69
Image Use
Free to Use
69
Image Available
Available
69
Classification
Prints
61
Drawings & Watercolors
8
Creator Gender
male
69
unknown
1
Collective Title
The First Book of Urizen, Copy A
21
The First Book of Urizen, Copy C
19
Europe. A Prophecy, Copy A
11
Songs of Innocence and of Experience, Copy F
7
The Tragedy of Macbeth
1
Period
18th century
67
18th century-19th century
2
Materials & Techniques
wove paper
67
watercolor
64
color printing
58
relief etching
58
black ink
16
oil paint
11
brown ink
6
graphite
6
pen
6
gray ink
3
ink
3
gray wash
2
laid paper
2
line engraving
2
blue wash
1
etching (printing process)
1
hand coloring
1
mezzotint
1
red ink
1
white gouache
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
51
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
7
to
63
Work Type
watercolor
64
relief print
58
drawing
27
intaglio print
3
frontispiece
2
Genre
literary theme
43
religious and mythological subject
32
historical subject
9
landscape
5
genre subject
3
sporting art
3
architectural subject
2
marine art
1
military art
1
Subject Terms
men
[remove]
69
literary theme
42
text
41
nudes
39
religious and mythological subject
32
fire
20
beard
19
flames
19
women
18
trees
16
vines
16
historical subject
10
leaf
10
night
7
branches
6
hammer
6
kneeling
6
landscape
6
book
5
chain
5
more
Subject Terms
»
Associated Places
United Kingdom
5
England
4
Europe
3
Hampshire
2
Southampton
2
Glasgow
1
Glasgow Cathedral
1
Greater London
1
Kent
1
Maidstone
1
Mote Park
1
Richmond Hill
1
Richmond upon Thames (borough)
1
Scotland
1
Thames
1
Associated People
Barret, George (1732?–1784), landscape painter
1
Bartolozzi, Francesco (1728–1815), engraver
1
Burch, Edward (bap. 1730, d. 1814), gem-engraver
1
Carlini, Agostino (c.1718–1790), sculptor
1
Catton, Charles, the younger (1756–1819), landscape painter and book illustrator
1
Chamberlin, Mason (bap. 1722, d. 1787), portrait painter
1
Chambers, Sir William (1722–1796), architect
1
Cipriani, Giovanni Battista (1727–1785), decorative painter and draughtsman
1
Cosway, Richard (bap. 1742, d. 1821), artist and collector
1
George III (1738–1820), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
Gwynn, John (bap. 1713, d. 1786), architect
1
Hayman, Francis (1707/8–1776), painter, engraver, and book illustrator
1
Hoare, William (1707/8–1792), portrait painter
1
Hone, Nathaniel (1718–1784), Irish painter
1
Hunter, William (1718–1783), physician, anatomist, and man-midwife
1
Kauffmann, Angelica (1741–1807), history and portrait painter
1
Lady Macbeth (character in Macbeth)
1
Meyer, Jeremiah (1735–1789), miniature painter
1
Moser [married name Lloyd], Mary (1744–1819), flower painter
1
Moser, George Michael (1706–1783)
1
more
Associated People
»
Exhibition History
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
31
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
28
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
28
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
23
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
23
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
5
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
2
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
2
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
2
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
1
The Fuseli Circle in Rome - Early Romantic Art in the 1770s (Yale Center for British Art, 1979-09-12 - 1979-11-11)
1
Thomas Rowlandson (Art Services Int'l) (The Baltimore Museum of Art, 1990-06-23 - 1990-08-05)
1
Thomas Rowlandson (Art Services Int'l) (The Frick Art Museum, 1990-04-21 - 1990-06-03)
1
Thomas Rowlandson (Art Services Int'l) (The Frick Collection, 1990-02-10 - 1990-04-08)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
67
Yale Center for British Art, Paul Mellon Fund
2
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On-site Access
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Date
1794
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Subject Terms
men
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1
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
2
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
3
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
4
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
5
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
6
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
7
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
8
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
9
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
10
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
11
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
12
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
13
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
14
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
15
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
16
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
17
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
18
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
19
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
1794
20
Print made by William Blake, 1757–1827
Los Falls through Fire (Plate 21)
1794
21
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
22
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 3)
1794
23
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
24
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 7)
1794
25
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
26
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
27
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
28
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
29
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
30
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
31
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
32
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
33
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
34
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
35
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
36
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
37
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
38
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
39
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
40
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
41
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
42
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
43
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
44
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 27)
1794
45
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
46
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
47
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
48
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
49
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
50
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
51
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
52
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
53
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
54
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
55
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
56
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
57
Print made by William Blake, 1757–1827
London (Plate 39)
1794
58
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
59
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
60
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
61
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
62
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
63
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
64
Print made by Thomas Burford, ca. 1710–after 1774
Making a Cast at a Fault
1794
65
Print made by unknown artist
Key to Life School at the Royal Academy
1794
66
Thomas Girtin, 1775–1802
Boat Building
ca. 1799
67
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
68
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794 (Version A)
1794
69
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794