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Collection
Prints and Drawings
547
Rare Books and Manuscripts
65
Creator
Gay, John, 1685–1732
73
Stockdale, John, ca. 1749–1814
71
Blake, William, 1757–1827
59
Varley, John, 1778–1842
49
Hastings, Thomas Capt., 1778–1854
46
Unknown artist
42
Wootton, John, approximately 1682–1764
29
Bartolozzi, Francesco, 1727–1815
27
Labruzzi, Carlo, 1748–1817
26
Kent, William, ca.1686–1748
23
Cockburn, James Pattison, 1779–1847
16
Gravelot, Hubert-François, 1699–1773
16
Skelton, William, 1763–1848
15
Cruikshank, Isaac, 1764–1811
14
Girtin, Thomas, 1775–1802
14
Hamilton, William, 1751–1801
13
Grainger, W., active 1793
12
Carter, John, 1748–1817
11
Gillray, James, 1756–1815
11
Moore, James, 1762–1799
11
more
Creator
»
Date
1800
1,789
1791
1,229
1802
1,150
1834
856
1825
736
1830
728
1796
723
1827
682
1795
680
1835
676
1820
648
1832
640
1745
636
1793
[remove]
612
1804
606
1789
597
1749
591
1826
588
1836
570
1792
567
1771
565
1799
564
1790
561
1775
557
1814
548
1823
534
1794
529
1808
529
1797
521
1833
520
1700
518
1840
505
1803
501
1818
480
2004
480
1784
475
1801
459
1850
456
1772
455
1821
450
0
447
1807
442
1828
429
1812
421
1824
420
1867
418
1853
411
1810
406
1782
404
1819
400
1839
400
1815
394
1831
393
1780
389
1813
388
1805
386
1811
386
1817
382
1798
380
1785
377
1829
375
1837
374
1809
371
1870
368
1855
367
1768
365
1822
363
1960
353
1816
341
1838
326
1788
325
1767
322
1783
316
1851
316
1806
310
1787
307
1748
305
1900
303
1860
300
1845
295
1773
290
1770
288
1846
287
1880
286
1786
284
1752
282
1764
282
1854
281
1778
278
1841
263
1755
257
1739
256
1890
253
1546
250
1843
248
1842
247
1844
242
1877
235
1781
233
1857
230
On-site Access
Accessible by appointment in the Study Room
[remove]
612
Image Use
Free to Use
544
Under Certain Circumstances
68
Image Available
Available
496
Unavailable
116
Classification
Prints
309
Drawings & Watercolors
233
Books
57
Drawings & Watercolors-Miniatures
8
Archives & Manuscripts
2
Maps & Atlas (printed)
2
Three-Dimensional Artifacts
1
Creator Gender
male
528
unknown
107
female
6
Collective Title
Gay's Fables
72
Fables by John Gay, Vol. I
54
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
39
For Children: The Gates of Paradise, Copy E
19
America. A Prophecy, Copy M
18
Fables by John Gay, Vol. II
18
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
7
Cries of London
7
Visions of the Daughters of Albion, Copy I
7
Iconographie Anglaise par Reynolds et Autres
6
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
5
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
2
Antiquities of London and Environs
1
Collection of Prints by Notable Dilettanti
1
Europe. A Prophecy, Copy A
1
The Costume of China
1
The Cries of London
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
485
18th century-19th century
77
19th century
49
Materials & Techniques
wove paper
297
graphite
149
watercolor
122
etching (printing process)
116
line engraving
103
laid paper
63
black ink
53
stipple engraving
39
relief etching
24
brown ink
22
brown wash
20
mezzotint
20
color printing
17
gouache
16
gray wash
15
pens
14
aquatint
9
hand coloring
8
ivory
8
black chalk
7
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
72
Unknown
138
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
87
Unknown
138
Work Type
drawing
230
intaglio print
164
watercolor
138
relief print
24
aquatint
9
miniature
6
auction catalog
5
engraving
5
frontispiece
4
ephemera
3
extra-illustrated copies (provenance)
3
armorial bookplates (provenance)
2
drawing book
2
etching
2
landscape drawing
2
soft-ground etching
2
travel sketche
2
wood engraving
2
a la poupée print
1
advertisement
1
more
Work Type
»
Genre
landscape
111
literary theme
93
architectural subject
75
animal art
74
portrait
64
genre subject
63
marine art
27
religious and mythological subject
24
historical subject
22
cityscape
16
figure study
12
military art
5
sporting art
2
botanical subject
1
still life
1
Subject Terms
landscape
74
architectural subject
66
trees
66
portrait
55
men
49
text
40
clouds
39
genre subject
31
nudes
27
figures
24
river
23
women
22
historical subject
21
boats
19
religious and mythological subject
19
children
18
costume
18
hills
18
marine art
17
mountains
16
more
Subject Terms
»
Subject Period
19th century
2
18th century
1
Associated Places
United Kingdom
54
England
53
Europe
22
London
20
Great Britain
13
Rocca di Papa
13
City of Westminster
12
Palace of Westminster
12
Wales
8
Asia
7
Cymru
7
China
6
India
6
Thames
5
London (England)
4
Cambridge
3
Cambridgeshire
3
Ellora
3
Greater London
3
Kent
3
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
7
Bute, John Stuart, Earl of, 1713–1792
2
Cornwallis, Charles (1738–1805), lieutenant-general
2
Aesop
1
Bacon, Sir Nathaniel (1585–1627), painter
1
Barker, Robert, 1739–1806
1
Barker, Thomas, 1769–1847
1
Bell, John, 1745–1831
1
Bonasone, Giulio, ca. 1498–ca. 1580
1
Cook, James, 1728–1779
1
Dante Alighieri, 1265–1321
1
De Sausmarez, Martha, -1849
1
Frederick Howard
1
Hastings, Francis Rawdon, first marquess of Hastings and second earl of Moira (1754–1826), army officer and politician
1
Henry VIII (1491–1547), king of England and Ireland
1
Hunter, John, 1728–1793
1
Jackson, William (fl. 1793), Excise man
1
Louis XV (1710–1774), king of France and of Navarre
1
Louis XVI (1754–1793), king of France
1
Percy, Anne (nee Goodriche), wife of Bishop Thomas Percy of Dromore
1
more
Associated People
»
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
29
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
29
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
25
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
20
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
19
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
8
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
420
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
72
Yale Center for British Art, Paul Mellon Fund
18
Yale Center for British Art
9
Yale Center for British Art; Gift of Herman W. Liebert
5
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
4
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
2
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey
2
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art, Gift of Paul F. Walter.
1
Yale Center for British Art, Gift of Robert B. Simon
1
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Francis P. Garvan
1
Language
English
59
French
2
Italian
2
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1793
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1
John Constable, 1776–1837
Flowers in a Pitcher
undated
2
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
3
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
4
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
5
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
6
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
7
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
8
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
9
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
10
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
11
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
12
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
13
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
14
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
15
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
16
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
17
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
18
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
19
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
20
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
21
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
22
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
23
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
24
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
25
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
26
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
27
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
28
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
29
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
30
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
31
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
32
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
33
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
34
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
35
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
36
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
37
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
38
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
39
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
40
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
41
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
42
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
43
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
44
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
45
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
46
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
47
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
48
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
49
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
50
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
51
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
52
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
53
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
54
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
55
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
56
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
57
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
58
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
59
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
60
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
61
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
62
George Romney, 1734–1802
Figure Composition Study 48
1793
63
George Romney, 1734–1802
Figure Composition Study 4
1793
64
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
65
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
66
James Ward, 1769–1859
A Boy Employed in Burning Weeds
1793
67
unknown artist
River and Shipping at Limehouse
1793
68
unknown artist
This View of the River and Shipping at Limehouse
1793
69
Francesco Bartolozzi, 1728–1815
Astronomy
1793
70
Francesco Bartolozzi, 1728–1815
February
1793
71
Francesco Bartolozzi, 1728–1815
August
1793
72
Francesco Bartolozzi, 1728–1815
Aloysis Pisani Eques Et Diri Marci Prourator
1793
73
unknown artist
Henry VII Chapel
1793
74
William Ellis, 1747–1810
Tottenham
1793
75
unknown artist
North West View of Westminster Abbey
1793
76
Francesco Bartolozzi, 1728–1815
March
1793
77
Francesco Bartolozzi, 1728–1815
May
1793
78
Francesco Bartolozzi, 1728–1815
October
1793
79
Francesco Bartolozzi, 1728–1815
September
1793
80
Francesco Bartolozzi, 1728–1815
Cherub Holding A Laurel Wreath
1793
81
Francesco Bartolozzi, 1728–1815
Religion
1793
82
Francesco Bartolozzi, 1728–1815
Ester Accusing Haman
1793
83
unknown artist
Duke's Place
1793
84
unknown artist
Duke's Place
1793
85
Joseph Constantine Stadler, active 1780–1812
View up the River from Milbank
1793
86
James Peller Malcolm, 1767–1815
New Church at Paddington
1793
87
unknown artist
A Front View of the Watch Tower
1793
88
William Sharp, 1749–1824
King Lear: Act III, Scene IV
1793
89
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
90
John Varley, 1778–1842
View of New Street, near London Bridge
undated
91
pupil of John Varley, 1778–1842
On the Thames
undated
92
John Varley, 1778–1842
View of York
undated
93
James Pattison Cockburn, 1779–1847
Tapestry-hung Room in Gothic Mansion
undated
94
James Pattison Cockburn, 1779–1847
Raftered Hall with Figures in 16th Century Dress
undated
95
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
96
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
97
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
98
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
99
William Ellis, 1747–1810
Lovell-Place, Outer Suburb - North
1793
100
unknown artist
View of the Old Church of Hampstead
1793
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