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Date 1789

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George Stubbs Labourers
Print made by George Stubbs, 1724–1806
Labourers
1789
Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
Joseph Mallord William Turner Villa in a Valley near Vietri sul Mare
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake A Dream (Plate 4)
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Little Girl Found (Plate 6)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake The Book of Thel
Prints made by William Blake, 1757–1827
The Book of Thel
1789
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake Original Wrapper to The Book of Thel
William Blake, 1757–1827
Original Wrapper to The Book of Thel
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
George Romney Group of Four Women Embracing
George Romney, 1734–1802
Group of Four Women Embracing
between 1789 and 1790
George Holmes Study of a Girl with Two Children at a Stile
George Holmes, active 1789–1802
Study of a Girl with Two Children at a Stile
undated
Charles Gore Konigstein
Charles Gore, 1729–1807
Konigstein
1789
Charles Heathcote Tatham Furniture Designs
Charles Heathcote Tatham, 1772–1842
Furniture Designs
undated
James Wyatt Cobham Hall, Kent: Elevation of the Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Stables
1789
James Wyatt Cobham Hall, Kent: Elevations of Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1789
James Wyatt Cobham Hall, Kent: South Elevation of Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: South Elevation of Stables
1789
James Wyatt Cobham Hall, Kent: Plan of Stables and Coach Houses
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Stables and Coach Houses
1789
James Wyatt Cobham Hall, Kent: Chamber Floor Plan of the Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Chamber Floor Plan of the Stables
1789
James Wyatt Cobham Hall, Kent: Mezzanine Floor Plan of Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Mezzanine Floor Plan of Stables
1789
James Wyatt Cobham Hall, Kent: East Front Elevation of Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: East Front Elevation of Stables
1789
James Wyatt Cobham Hall, Kent: West Front Elevation of the Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: West Front Elevation of the Stables
1789
James Wyatt Cobham Hall, Kent: Section through Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Section through Stables
1789
James Wyatt Cobham Hall, Kent: Elevation of the South Front of the Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the South Front of the Stables
1789
John Webber View of the Harbour of Taloo in the Island of Eimeo
John Webber, 1752–1793
View of the Harbour of Taloo in the Island of Eimeo
1789
John Webber Waheiadooa, Chief of Oheitepha, Lying in State
John Webber, 1752–1793
Waheiadooa, Chief of Oheitepha, Lying in State
1789
unknown artist A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
unknown artist
A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
1789
John Webber The Narta or Sledge for Burdens in Kamtschatka
John Webber, 1752–1793
The Narta or Sledge for Burdens in Kamtschatka
1789
John Webber A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
John Webber, 1752–1793
A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
1789
John Webber A Toopapapoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
John Webber, 1752–1793
A Toopapapoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
1789
Michael "Angelo" Rooker Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
George Morland Youth Diverting Age
George Morland, 1763–1804
Youth Diverting Age
1789
Peter Simon Miss Francis Isabella Gordon
Print made by Peter Simon, 1750–1810
Miss Francis Isabella Gordon
1789
George Morland Childish Amusement
George Morland, 1763–1804
Childish Amusement
1789
Francesco Bartolozzi Jane, Countess of Harrington, Lord Viscount Petersham and the Honourable Lincoln Stanhope
Francesco Bartolozzi, 1728–1815
Jane, Countess of Harrington, Lord Viscount Petersham and the Honourable Lincoln Stanhope
1789
Charles Turner Dinant
Print made by Charles Turner, 1774–1857
Dinant
undated
James Heath Rack 1789
James Heath, 1757–1834
Rack 1789
1789
Peter Simon Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
Peter Simon, 1750–1810
Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
1789
James Heath Ergett el Krome 1789
James Heath, 1757–1834
Ergett el Krome 1789
1789
James Heath Kolquall 1789
James Heath, 1757–1834
Kolquall 1789
1789
James Heath Ensete 1789
James Heath, 1757–1834
Ensete 1789
1789
James Heath Ensete 1789
James Heath, 1757–1834
Ensete 1789
1789
James Heath Cusso or Banksia Abissinica 1789
James Heath, 1757–1834
Cusso or Banksia Abissinica 1789
1789
James Heath Gaguedi
James Heath, 1757–1834
Gaguedi
1789
James Heath Wooginoos or Bruces Antidysenterica
James Heath, 1757–1834
Wooginoos or Bruces Antidysenterica
1789
James Heath Walkuffa 1789
James Heath, 1757–1834
Walkuffa 1789
1789
James Heath Flower of the Banskia Abissinica 1789
James Heath, 1757–1834
Flower of the Banskia Abissinica 1789
1789
James Heath Kuara 1789
James Heath, 1757–1834
Kuara 1789
1789
James Heath Gaguedi
James Heath, 1757–1834
Gaguedi
1789
James Heath Farek 1789
James Heath, 1757–1834
Farek 1789
1789
James Heath Wanzey
James Heath, 1757–1834
Wanzey
1789
Thomas Ryder Henry Bunbury, Esq.
Thomas Ryder, 1746–1810
Henry Bunbury, Esq
1789
William Woollett The Scene Before Gilbraltar on the Morning of 14th September 1782
William Woollett, 1735–1785
The Scene Before Gilbraltar on the Morning of 14th September 1782
1789
Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789