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Collection
Prints and Drawings
220
Creator
Ward, James, 1769–1859
129
Hills, Robert, 1769–1844
42
Edridge, Henry, 1769–1821
14
Barker, Thomas, 1769–1847
7
Daniell, William, 1769–1837
7
Unknown artist
6
Pyne, William Henry, 1769–1843
4
Basire, James, 1769–1822
3
Lawrence, Thomas, Sir, 1769–1830
3
Bromley, William, 1769–1842
2
La, Cave Peter, active 1769–1810
2
Owen, William, 1769–1825
2
West, Raphael Lamar, 1769–1850
2
Bartolozzi, Francesco, 1727–1815
1
Basire, James, 1730–1802
1
Gainsborough, Thomas, 1727–1788
1
Gore, Charles, 1729–1807
1
Havell, Robert, 1769–1832
1
Joy, John Cantiloe, 1806–1859
1
Joy, William, 1803–1867
1
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Date
1796
366
1771
365
1772
296
1749
284
1784
[remove]
220
1795
209
1748
207
1782
189
1799
168
1775
157
1764
129
1700
82
1793
77
1789
76
1790
73
1768
72
1791
70
1770
67
1786
65
1774
64
1755
63
1765
54
1797
52
1743
45
1788
45
1787
42
1778
41
1780
39
1756
38
1785
36
1767
35
1794
35
1781
32
1745
30
1762
30
1759
29
1777
29
1766
28
1751
27
1773
27
1792
26
1760
25
1798
25
1750
24
1753
24
1747
23
1763
23
1783
23
1746
22
1740
21
1757
21
1779
20
1758
19
1744
18
1739
17
1800
17
1741
15
1742
12
1776
12
1872
12
1827
9
1769
8
1807
8
0
7
1761
7
1801
7
1754
6
1808
6
1814
6
1737
5
1825
4
1898
4
1701
3
1736
3
1752
3
1802
3
1804
3
1806
3
1809
3
1811
3
1819
3
1821
3
1823
3
1830
3
1706
2
1738
2
1805
2
1812
2
1813
2
1815
2
1820
2
1834
2
1836
2
1863
2
1665
1
1674
1
1699
1
1732
1
1735
1
1803
1
On-site Access
Accessible by appointment in the Study Room
[remove]
220
Image Use
Free to Use
220
Image Available
Available
220
Classification
Drawings & Watercolors
211
Prints
9
Creator Gender
male
220
unknown
6
Collective Title
Iconographie Anglaise par Reynolds et Autres
1
King Lear
1
Period
18th century-19th century
[remove]
220
Materials & Techniques
graphite
185
wove paper
159
watercolor
81
laid paper
60
brown ink
35
gray wash
29
black chalk
20
brown wash
17
pen
13
white chalk
12
black ink
8
gouache
8
red chalk
4
scratching out
4
line engraving
3
brown chalk
2
scraping
2
stipple engraving
2
charcoal
1
fixative
1
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Materials & Techniques
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Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
4
to
71
Unknown
3
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
76
Unknown
3
Work Type
drawing
201
watercolor
100
intaglio print
4
Genre
landscape
83
genre subject
46
animal art
42
architectural subject
27
figure study
17
still life
13
sporting art
11
portrait
10
marine art
7
cityscape
4
anatomical study
2
botanical subject
2
literary theme
2
Subject Terms
landscape
79
animal art
43
genre subject
37
trees
37
architectural subject
28
figure study
20
study (visual work)
16
still life
15
science
14
tree
13
horses (animals)
12
fence
11
portrait
11
clouds
10
dog (animal)
10
farm
10
men
10
sporting art
10
castle
9
man
9
more
Subject Terms
»
Associated Places
United Kingdom
29
England
20
Europe
13
Wales
9
Cymru
7
Kent
3
Surrey
3
Berkshire
2
Aberdulais
1
Albury
1
Althorp
1
Ashtead
1
Asia
1
Avon
1
Barvas
1
Belvoir
1
Belvoir Castle
1
Bilzen
1
Cambridge
1
Cardiganshire
1
more
Associated Places
»
Associated People
Cordelia (character in King Lear)
1
Derby, James
1
Duke of Wellington
1
Fuseli, Henry (1741–1825), painter and writer
1
King Lear (character in King Lear)
1
Shakespeare, William (1564–1616), playwright and poet
1
Stanhope, Philip, fifth earl of Chesterfield (1755–1815), politician
1
Exhibition History
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
20
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
1
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
216
Yale Center for British Art
1
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art; Gift of Herman W. Liebert
1
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On-site Access
Accessible by appointment in the Study Room
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Date
1784
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Period
18th century-19th century
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1
Peter La Cave, active 1769–1810
Haymakers
undated
2
James Ward, 1769–1859
Sky Study
undated
3
James Ward, 1769–1859
Scottish Peasant Women
undated
4
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
5
James Ward, 1769–1859
Sky Study
undated
6
James Ward, 1769–1859
Study of a Drayman (A Study for "Sides - all")
undated
7
Robert Hills, 1769–1844
In Knole Park
undated
8
James Ward, 1769–1859
The Quarry
undated
9
James Ward, 1769–1859
Landscape with Trees
undated
10
James Ward, 1769–1859
Study of the Head of a Ram
undated
11
James Ward, 1769–1859
Head and Shoulders of a Cart Horse
undated
12
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
13
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
14
William Daniell, 1769–1837
Druidical Stone at Strather, near Barvas, Isle of Lewis
undated
15
Robert Hills, 1769–1844
Reminiscence of Gainsborough
undated
16
Robert Hills, 1769–1844
Between Netley Heath and Albury
undated
17
Robert Hills, 1769–1844
Studies of Farmhouses by a Gate, Ploughing and Harrows
undated
18
Robert Hills, 1769–1844
Studies of a Turkey
undated
19
James Ward, 1769–1859
A Thatched Shelter Suspended from a Tree
undated
20
James Ward, 1769–1859
Plant Study
undated
21
James Ward, 1769–1859
Elijah Casting off His Mantle
undated
22
James Ward, 1769–1859
Studies of Boats on a Riverside
undated
23
James Ward, 1769–1859
Coastal Village with Fishing Boats
undated
24
James Ward, 1769–1859
Cloud Study
undated
25
James Ward, 1769–1859
Studies of a Hilly Coast, and a Rocky Waterfall
undated
26
James Ward, 1769–1859
Thatched Huts
undated
27
James Ward, 1769–1859
Landscape
undated
28
James Ward, 1769–1859
A Human Skeleton
undated
29
James Ward, 1769–1859
A Gnarled Tree
undated
30
James Ward, 1769–1859
Tree on a Hillside
undated
31
James Ward, 1769–1859
Larch Tree
undated
32
James Ward, 1769–1859
A Farm Cart
undated
33
James Ward, 1769–1859
Fishguard, Pembrokeshire, South Wales
undated
34
James Ward, 1769–1859
House among Trees
undated
35
James Ward, 1769–1859
Studies of Hands
undated
36
James Ward, 1769–1859
Figure Studies: Women Laboring
undated
37
James Ward, 1769–1859
Tree Study
undated
38
Thomas Barker, 1769–1847
Landscape with a Man Driving Sheep
undated
39
James Ward, 1769–1859
An Oat Cake
undated
40
James Ward, 1769–1859
Study of a Coat and Breeches
undated
41
James Ward, 1769–1859
A Foliated Branch
undated
42
James Ward, 1769–1859
Study of Undergrowth
undated
43
James Ward, 1769–1859
A Bell on a Notched Post
undated
44
James Ward, 1769–1859
A Sheet of Slight Sketches
undated
45
James Ward, 1769–1859
A Broad-Wheeled Road Waggon
undated
46
James Ward, 1769–1859
Henry James William Ward, Son of the Artist
undated
47
James Ward, 1769–1859
The Artist's Son, Henry, Asleep
undated
48
James Ward, 1769–1859
Mountainous Landscape
undated
49
James Ward, 1769–1859
Sleeping Pig
undated
50
James Ward, 1769–1859
Powis Castle
undated
51
James Ward, 1769–1859
A Craggy Hillside
undated
52
James Ward, 1769–1859
Harlech
undated
53
James Ward, 1769–1859
Study of a Turkey
undated
54
James Ward, 1769–1859
Sheet of Sketches: Wagon, Horse, Milkmaid and Other Figure Studies
undated
55
James Ward, 1769–1859
A Turkey Sitting on Eggs
undated
56
James Ward, 1769–1859
Studies of Gulls
undated
57
James Ward, 1769–1859
Head of a Man Wearing a Loose Scarf
undated
58
James Ward, 1769–1859
Mr. James Derby Playing the Violin
undated
59
James Ward, 1769–1859
A Boy and Girl Conversing
undated
60
James Ward, 1769–1859
Hand-rolling Machine: to Wash Potatoes
undated
61
James Ward, 1769–1859
A Mill
undated
62
James Ward, 1769–1859
Study of Trees
undated
63
James Ward, 1769–1859
Study of Sculpture: from the Elgin Marbles
undated
64
James Ward, 1769–1859
A Human Skeleton
undated
65
James Ward, 1769–1859
A Rocky Hillside with Trees and Figures
undated
66
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
67
Thomas Barker, 1769–1847
Man Leading a Horse
undated
68
Charles Gore, 1729–1807
Garden of Vieux Joncs near Maestricht
between 1784 and 1794
69
James Ward, 1769–1859
The Vale of Llangollen
undated
70
Follower of Henry Edridge, 1769–1821
View of Harrow Church
undated
71
James Ward, 1769–1859
Farm Buildings
undated
72
James Ward, 1769–1859
A Shepherd Boy
undated
73
James Ward, 1769–1859
A View near Hamilton
undated
74
Thomas Barker, 1769–1847
Woodland Landscape
undated
75
James Ward, 1769–1859
Study for the View of Cambridge from Castle Hill
undated
76
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
77
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
78
Robert Hills, 1769–1844
A Woodcutter and Other Studies
undated
79
Robert Hills, 1769–1844
Budds Green, Kent
undated
80
Henry Edridge, 1769–1821
Arundel Castle, Sussex
undated
81
Robert Hills, 1769–1844
Farm Laborers and Other Studies
undated
82
Robert Hills, 1769–1844
Carting Hops and Other Studies
undated
83
James Ward, 1769–1859
Studies of Geese
undated
84
James Ward, 1769–1859
A Timber Cart Laden with Tree Trunks, Drawn by a Pair of Horses and a Pair of Oxen
undated
85
James Ward, 1769–1859
Study of a Thistle
undated
86
James Ward, 1769–1859
Collcombe Castle, Devonshire
undated
87
Print made by James Basire II, 1769–1822
Monument of Richard II and his Queen Anne 1395-1399
undated
88
Print made by Francesco Bartolozzi, 1728–1815
Colonel Stanley
undated
89
James Ward, 1769–1859
Sir William Forbes, 6th Baronet of Monymusk and Pitsligo
undated
90
James Ward, 1769–1859
Landscape with a Castle on a Hill
undated
91
James Ward, 1769–1859
Landscape with Three Horses and a Tree in the Foreground
undated
92
James Ward, 1769–1859
Study of a Tree
undated
93
James Ward, 1769–1859
A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
undated
94
Raphael Lamar West, 1769–1850
Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)
undated
95
James Ward, 1769–1859
Dolbadarn Castle
undated
96
James Ward, 1769–1859
An Approaching Storm
undated
97
James Ward, 1769–1859
Boy Carrying a Pail on His Head
undated
98
James Ward, 1769–1859
The Wood Cutter
undated
99
James Ward, 1769–1859
Cottage and Farm Buildings
undated
100
James Ward, 1769–1859
Farm Workers Flailing Corn
undated
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