On the Sands at Brighton: Figures Walking on the Shore
undated
3
John Nixon, ca. 1760–1818
A Review on Epson Downs
undated
4
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
5
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
6
William Payne, active 1850s
Torquay
undated
7
Jonathan Fisher, active 1763–1809
Southampton and Northam from the River Itchen
undated
8
John Nixon, ca. 1760–1818
Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire
undated
9
Edward Francis Burney, 1760–1848
View in Surrey
undated
10
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
11
Edward Francis Burney, 1760–1848
Distant View of Easton Neston, Northants
undated
12
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
13
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
undated
14
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
15
Edward Francis Burney, 1760–1848
Norbury Park
undated
16
Attributed to Peter Rashleigh, active 1775
Bewdley Bridge, Worcester
1775
17
Attributed to Peter Rashleigh, active 1775
Bridgenorth Bridge
1775
18
Edward Francis Burney, 1760–1848
Labyrinth at Walworth, Surrey
undated
19
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
20
unknown artist
Hill Hall, Essex
ca. 1780
21
William Payne, active 1850s
Mill on the Tavy
undated
22
unknown artist
Brighton Town and Church
ca. 1780
23
Capt. Francis Grose, 1731–1791
South West View of Norwich Castle October 20, 1775
1775
24
Edward Francis Burney, 1760–1848
View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
undated
25
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
26
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
27
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
28
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
29
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
30
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
31
John Robert Cozens, 1752–1797
The Roman Arch at Canterbury
ca. 1780
32
Print made by Michael "Angelo" Rooker, 1746–1801
Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford
1775
33
Attributed to Edward Francis Burney, 1760–1848
Handel in Vauxhall Gardens
undated
34
Edward Eyre, active 1771–1792
The Fair at Cheltenham
1775
35
Nightingall, Miles
A catalogue of the genuine collection of pictures, of Mrs. Gamberini, widow of the late Charles Gamberini Esq., deceased, by whom these pictures were collected, at a great expence out of the principal cabinets abroad : consisting of the most eminent and approved masters of the Italian and other schools, amongst which are the undoubted works of Titian, Corregio, Raphael, Rembrant, Rubens, Vandyke, Poussin, Albert Durer, Carracci, Guercino, Guido, Zucharelli, Demenichino, Gio. Dom. Porta, Michael Angelo and other scarce performances, some remarkably curious : also her houshold furniture, an exceeding fine ton'd double key'd harpsichord, by Hawes of Hamburgh : a ditto single key'd harpsichord, with two unison, by Jos. Shudi, in a neat mahogany case : a neat brass measuring wheel, by Adams, on a new construction; and a great variety of other valuable effects : which by order of the executrix will be sold at publick auction by Miles Nightingall, on Wednesday the 10th May, 1775, and two following days, at his great room, the end of Saville Row, next Conduit-Street : beginning each day punctually at 12 o'clock : catalogues may be had as above, the Rainbow Coffee-House Cornhill, and at the auctioneer's in Golden Square
[1775]
36
Walsh, Mr.
A catalogue of a known capital collection of pictures, in which are the works of the following masters
[1775]
37
Ogilvy, Catherine
Map of England and Wales
circa [1800?]
38
Barry, James, 1741–1806
An inquiry into the real and imaginary obstructions to the acquisition of the arts in England
1775
39
Walsh, Mr
A catalogue of a most elegant and superb collection of pictures
[1775]
40
Darly, Matthias, approximately 1720–approximately 1778
Sundry landscapes for learners
1775
41
Bowen, Thomas, -1790
The roads from London to Norwich, Cambridge, Ely & Kings Lynn
[1775?]
42
A general map of England & Wales, divided into its counties
circa [1800?]
43
Wimpey, Joseph, 1739–1808
Rural improvements
1775
44
Strutt, Joseph, 1749–1802
Horda angel-cynnan, or, A compleat view of the manners, customs, arms, habits, &c. of the inhabitants of England
MDCCLXXV-MDCCLXXVI [1775-1776]
45
Christie, Mr. (James), 1730–1803
A catalogue of a capital and elegant collection of pictures, selected from the Roman, Florentine, Lombard, Venetian, and other schools
[1775]
46
Columbani, Placido
A new book of ornaments containing a variety of elegant designs for modern pannels [sic] commonly executed in stucco, wood, or painting, and used in decorating principal rooms =