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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomDate 1774
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1
- Lear Awakened by Cordelia
- between 1774 and 1775
2
- Southampton Water
- undated
3
- Broom House, Fulham, London
- 1774
4
- Italian Peasants
- undated
5
- The Edge of the Lake
- undated
6
- Ram Head, North by West (2 miles distance)
- undated
7
- Old Harry, Swanage Bay
- undated
8
- Rochester
- undated
9
- Composition: Marshland Landscape
- undated
10
- Landscape with Trees and two Figures
- undated
11
- Portrait of John Laporte
- undated
12
- Composition of Rocks and Pine Trees
- undated
13
- Portrait of a Gentleman
- undated
14
- Composition inspired by Richard Wilson's Paintings of Cader Idris
- undated
15
- Composition: Hilly Country
- undated
16
- Thomas Hearne Sketching at a Table
- undated
17
- Seashore with Sand Dunes
- undated
18
- Lisbon from the Convent of St. Francis da Citadel
- 1774
19
- Sailors Carousing and Frying Watches
- undated
20
- Title page for "The Guardian"
- undated
21
- The Start Point, North East by North (one of five drawings on one mount)
- undated
22
- Dunmose, West by North (one of five drawings on one mount)
- undated
23
- The Bolt Head, West North West (one of five drawings on one mount)
- undated
24
- The North Foreland (one of three drawings on one mount)
- undated
25
- The South Foreland (one of three drawings on one mount)
- undated
26
- The Ram Head (one of five drawings on one mount)
- undated
27
- The Bill of Portland (one of three drawings on one mount)
- undated
28
- Piveral Point (one of five drawings on one mount)
- undated
29
- Composition: Italian Seascape Effect
- undated
30
- Composition: The Edge of a Wood
- undated
31
- Cottage amongst Trees
- undated
32
- Plymouth Roads
- undated
33
- View of a Sea Port
- 1774
34
- A Sea Port, with a Market on Shore
- 1774
35
- Scene of a Storm, with a Vessel Wrecked
- 1774
36
- Omai, A Native Of Ulaietea
- 1774
37
- West, Geschichts mahler
- 1774
38
- View of a Portico by the Side of a River, with Herdsmen and Cattle
- 1774
39
- View with several Vessels lying close to the Shore
- 1774
40
- Hon / ble. Mrs. Damer
- 1774
41
- Sir Robert Fletcher
- 1774
42
- The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
- 1774
43
- Nelly O'Brien (Lady Mary O'Brien)
- 1774
44
- Charles Marquis of Rockingham Earl of Malton
- 1774
45
- Crossing the Line Ceremony on Board the Ship, "Vestal"
- undated
46
- Two Monks
- 1774
47
- Deny It If You Can - Nine Taylors Makes a Man
- 1774
48
- A Maid
- 1774
49
- A Priestess of Bacchus (Anne Catley)
- ca. 1779
50
- Miss Sarah Campbell
- ca. 1779
51
- Diana, Viscountess Crosbie
- ca. 1779
52
- Lady Mary O'Bryen
- 1774
53
- The Countess of Jersey
- 1774
54
- Mon Seigneur Le Cox with his Snuff & Snuff Box
- 1774
55
- Lady Harriot Grosvenor
- 1774
56
- Charles Watson Wentworth, Marquess of Rockingham, K.G
- c.1774
57
- James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch
- 1774
58
- Lady Mary O'Brien
- 1774
59
- Honorable Richard Lord Edgcumbe, 1st Baron Edgcumbe
- 1774
60
- Head of a Young Girl turned toward the Left
- 1774
61
- The Captive
- ca. 1779
62
- Mrs. Pope, Daughter of Samuel Cooper, Painter; & Mother of Alexander Pope
- 1774
63
- Perseus and Medusa
- 1774
64
- View of Richmond Hill and Palace
- 1774
65
- Count Ugolino della Gherardesca and His Sons in Prison
- 1774
66
- Lake and Mountains
- undated
67
- Detail of Scrolled Acanthus Molding
- ca. 1779
68
- Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
- ca. 1779
69
- Gibraltar, South West by West
- undated
70
- Gibraltar, The Signal House
- undated
71
- St. Maws Castle, Falmouth, East South East
- undated
72
- The Start, West North West
- undated
73
- Bolt Head, South East, 1/2 South (4 or 5 miles)
- undated
74
- The High Land of Dungarven, West by North
- undated
75
- The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
- undated
76
- Dover Castle, North East, 1/2 North (one of five drawings on one mount)
- undated
77
- The Needles Bearing East (one of five drawings on one mount)
- undated
78
- View of Shershah's Tomb at Sasaram in Bihar
- ca. 1779
79
- Study of a Woman Seated on a Horse
- undated
80
- Woodcutter and His Family
- undated
81
- Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
- undated
82
- William Robert, second Duke of Leinster
- 1774
83
- Loves Labour Lost, Act. IV, Scene IV
- 1774
84
- Fille d'Auberge
- 1774
85
- Dudley Priory, Worcestershire (Pl. I)
- 1774
86
- Concealing Charles II
- undated
87
- Shelter for Cattle
- undated
88
- Acorn Strength
- undated
89
- Making into Charcoal
- undated
90
- Squared
- undated
91
- Sawed into Planks
- undated
92
- Blazing on the Hearth, The Father Recounting the History to His Children
- undated
93
- Portrait of a Cleric
- 1774
94
- Supported by a Bramble
- undated
95
- Forming the Civic Crown
- undated
96
- Cutting Mistletoe from it by the Druids
- undated
97
- Split with Wedge and Beetel
- undated
98
- Washing with Ashes
- undated
99
- South East View of Netley Abbey near Southampton
- 1774
100
- His Royal Highness Henry Frederick, Duke of Cumberland
- 1774