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1
- The First Stage of Cruelty
- ca. 1750
2
- Marriage à la Mode, Plate 6
- 1745
3
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
4
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
5
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
6
- Design for the Gothic Library at Felbrigg Hall in Norfolk
- ca. 1750
7
- A Perspective of the Engine made use of for Sawing off under water
- 1745
8
- Marriage A-La-Mode, Plate V: The Death of the Earl
- 1745
9
- Marriage A-La-Mode, Plate I: The Contract
- 1745
10
- Marriage A-La-Mode, Plate II: The Breakfast Scene
- 1745
11
- Marriage A-La-Mode, Plate III: The Scene with the Quack
- 1745
12
- Marriage A-La-Mode, Plate IV: The Toilet Scene
- 1745
13
- Marriage A-La-Mode, Plate VI: The Death of the Countess
- 1745
14
- A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)
- 1745
15
- Oliver Cromwell and General Lambert
- 1745
16
- Thomas Pelham-Holles, 1st Duke of Newcastle upon Tyne and 1st Duke of Newcastle under Lyme
- undated
17
- View of the Modern City of Pergamon
- ca. 1750
18
- Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
- ca. 1750
19
- Topographical Map of Halicarnassus at its Harbor
- ca. 1750
20
- Remains of an Ionic Order and Circus at Aphrodisias
- ca. 1750
21
- Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
- ca. 1750
22
- Situazione Di Ceramo
- ca. 1750
23
- Cnidus: Plan of the Harbor and Map of Sites
- ca. 1750
24
- Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
- ca. 1750
25
- View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
- ca. 1750
26
- Pianta di Rodi
- ca. 1750
27
- Monte delle Beatitudini
- ca. 1750
28
- Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
- ca. 1750
29
- Veduta Occidentale del Monte Tabor
- ca. 1750
30
- Plan of the Bay of Tyre
- ca. 1750
31
- Plan and View of a Cave, Temple, or Tomb
- ca. 1750
32
- Topographical View of the Pyramids at Giza
- ca. 1750
33
- Posizione delle Piramidi di Sachara
- ca. 1750
34
- View of the Ruined Theater of Aezani at Tjaden
- ca. 1750
35
- Sepolcro di Absalon
- ca. 1750
36
- View, Cross Section, and Other Details of Cheop's Pyramid at Giza
- ca. 1750
37
- Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
- ca. 1750
38
- Plans and Views of Two Pyramids, One Cephron's at Giza
- ca. 1750
39
- View and Plan of the Grotto of Gethsemene
- ca. 1750
40
- View and Plan of the Grotto of St. Jerome at Lydda (Lod)
- ca. 1750
41
- Gierusalemme
- ca. 1750
42
- Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
- ca. 1750
43
- View of the Valley of Laodicea
- ca. 1750
44
- View and Plan of the Theater of Hierapolis (now Pamukkale)
- ca. 1750
45
- Plan of Jerusalem
- ca. 1750
46
- Details of a Doric Order from Toreh
- ca. 1750
47
- Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
- ca. 1750
48
- Details of the Ionic Temple at Toreh
- ca. 1750
49
- Ruines à Troye
- ca. 1750
50
- Plan of the Temple of Juno at Samos and Details of a Column
- ca. 1750
51
- View of the Ruined Baths at Hadrian's Villa at Tivoli
- ca. 1750
52
- Plan of Lake Tiberias
- ca. 1750
53
- Sepolcro di Zagaria
- ca. 1750
54
- Plan of the Second Theater of Laodicea and Details of a Composite Order
- ca. 1750
55
- Frieze and Capital of the Ionic Temple at Toreh
- ca. 1750
56
- Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
- ca. 1750
57
- Samos
- ca. 1750
58
- View of Micale Promontorio
- ca. 1750
59
- Plan of the Port of Sigacik (ancient Teos)
- ca. 1750
60
- View of a Long Aqueduct
- ca. 1750
61
- View of Maglova Aqueduct
- ca. 1750
62
- View of Tivoli
- ca. 1750
63
- Unfinished View of the Palatine in Rome
- ca. 1750
64
- Is'Tmo di Cizico unito al Continente
- ca. 1750
65
- View of Ruins at Tivoli
- ca. 1750
66
- Reggio di Calabria
- ca. 1750
67
- View of Tivoli in the Direction of the North Wind
- ca. 1750
68
- View of a Passage Cut into a Hillside
- ca. 1750
69
- Reconstruction of the Proscenium of the Theater at Hierapolis
- ca. 1750
70
- Plan and View of the Third Theater at Laodicea
- ca. 1750
71
- John's Coffee House
- 1745
72
- Study of a Man with a Cutlass
- between 1745 and 1748
73
- George Stubbs: A Sketch
- undated
74
- The Rt. Hon. Joseph Addison, Mathew Prior Esq., Mr. Alexander Pope, and Mr. William Congreve
- ca. 1750
75
- The Inside View of the Royal Exchange at London
- ca. 1750
76
- The Royal Palace of Windsor
- 1745
77
- Unidentified Periodical/Play Illustration
- undated
78
- Unidentified Periodical / Play Illustration
- undated
79
- Unidentified Periodical / Play Illustration
- undated
80
- Unidentified Periodical / Play Illustration
- undated
81
- Frontispiece for Town and Country Magazine, for Vol. III for 1771, No. 1
- undated
82
- Unidentified Periodical / Play Illustration
- undated
83
- Unidentified Periodical / Play Illustration
- undated
84
- Unidentified Periodical / Play Illustration
- undated
85
- Unidentified Periodical / Play Illustration
- undated
86
- Scene from the play, "The Careless Husband"
- undated
87
- Frontispiece Vol. VII, No. I for 1775 from Town and Country Magazine
- undated
88
- Town and Country Magazine - Frontispiece for Vol. IV, 1772
- undated
89
- Unidentified Periodical/Play Illustration
- undated
90
- Unidentified Periodical / Play Illustration
- undated
91
- Unidentified Periodical / Play Illustration
- undated
92
- Abyssinian Lady of Quality
- undated
93
- The South East View of Brook House
- ca. 1750
94
- Verrio
- undated
95
- Francis Wouters
- undated
96
- John Wyck and Thomas Wyck
- undated
97
- Gerard Zoust, Edema and Grifiere
- undated
98
- Frederick Zucchero
- undated
99
- Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
- 1745
100
- Benjamin West, Engraver
- undated