On-site Access: Accessible by appointment in the Study Room / Date: 1745 / Genre: genre subject

William Hogarth, 1697–1764

The First Stage of Cruelty

ca. 1750

Paul Sandby, 1731–1809

Cart Bearing a Large Tree Trunk

undated

James Bruce, 1730–1794

A Vase

undated

James Bruce, 1730–1794

Study for Man Playing a Harp

undated

James Bruce, 1730–1794

Man Playing a Harp

undated

James Bruce, 1730–1794

Traveler and a Man atop a Camel

undated

James Bruce, 1730–1794

One Side of a Coin with Inscription

undated

James Bruce, 1730–1794

One Side of a Coin

undated

James Bruce, 1730–1794

A Three-Faced Urn

undated

James Bruce, 1730–1794

Decorative Border For Title Page

undated

James Bruce, 1730–1794

Studies of Ceremonial Weaponry

undated

James Bruce, 1730–1794

Man on Horseback Approaching a Seated Man

undated

James Bruce, 1730–1794

Man Loading a Pack Horse

undated

James Bruce, 1730–1794

Two Youths

undated

James Bruce, 1730–1794

A Man Riding a Mule, a Traveler, and Two Men Resting

undated

James Bruce, 1730–1794

Old Man, Warrior and Boy in a Classical Landscape

undated

James Bruce, 1730–1794

Horseman Approaching Traveller Beside River

undated

James Bruce, 1730–1794

A Servant Bringing Water to Three Hunters

undated

James Bruce, 1730–1794

Figures in a Landscape

undated

James Bruce, 1730–1794

Six Men Talking

undated

James Bruce, 1730–1794

Five Men Talking

undated

James Bruce, 1730–1794

Weighing Scale

undated

James Bruce, 1730–1794

Mechanical Device

undated

James Bruce, 1730–1794

Parts of Mechanical Device

undated

James Bruce, 1730–1794

Decorative Wall Designs

undated

Print made by James McArdell, ca. 1729–1765

The Holy Family at Night

ca. 1750

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745